Japanese Literature Quiz C

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40 Terms

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Heike monogatari

The Tale of the Heike, a war tale about the rise and fall of the Taira clan.

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Taira / Heike

The warrior clan led by Kiyomori that ruled the court, and its color is red.

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Minamoto / Genji

The rival warrior clan that defeats the Taira, and its color is white.

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Which clan name goes with which color?

Taira (Heike) is red, and Minamoto (Genji) is white.

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Parallelism

The Heike pairs similar people or events so they mirror each other, like Tsuginobu and Kikuō both dying loyal.

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Taira no Kiyomori

The arrogant Taira ruler who became a novice monk at 51 and made his family untouchable at court.

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What does the opening of the Heike say about the arrogant?

They don’t last long, like a dream one night in spring or dust before the wind.

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Kakuichi (d.1371)

The blind biwa monk whose version of the Heike became the standard text.

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Kenreimon-in

Kiyomori’s daughter, empress and mother of the child emperor Antoku.

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Giō

A dancer (shirabyōshi) Kiyomori favored and then dropped.

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Hotoke

The dancer who replaced Giō in Kiyomori’s favor. Giō and Hotoke together ;; Both end up leaving the world and becoming nuns.

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Kiso (Lord Kiso, Kiso no Yoshinaka)

A rough Minamoto commander who took the capital before Yoshitsune and was later defeated by his own side.

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Tomoe

Yoshinaka’s female warrior companion, famed as a fighter, and the subject of a nō play.

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Kozaishō

The wife of the Taira warrior Michimori, whose story is about losing a husband in the war.

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What does Michimori’s farewell at his post show?

His heart is divided between his wife and his duty, and Noritsune scolds him for it.

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Minamoto no Yoshitsune

The Genji commander famous for bold attacks, like charging down the cliff at Hiyodori.

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What does Yoshitsune show about going “far”?

He risks everything, over a cliff and through a storm, and even for his bow.

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Taira no Atsumori

A young Taira warrior who played the flute and was killed by Naozane.

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Kumagai Naozane

The Genji warrior who killed Atsumori, felt pity, and turned toward becoming a monk.

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Saigyō (hōshi) (1118-1190)

A former warrior who became a wandering monk-poet and wrote hell poems and mountain poems.

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Impermanence (mujō)

The idea that nothing lasts, which shapes the whole period’s poetry.

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Shinkokinshū (c. 1205)

A poetry collection written after the wars, with a philosophical tone and bare images.

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Allusive variation (honkadori)

Building a poem on an older poem, like Shunzei borrowing Bo Juyi’s “hut of grass.”

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Yūgen

Mystery and depth, a dark beauty with elegance and restraint.

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Sabi

The term for solitude and loneliness

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Essays in Idleness (Tsurezuregusa)

Kenkō’s 243 short pieces, a zuihitsu (“following the brush”).

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Kenkō (hōshi) (c. 1283-c. 1352)

A Tendai monk who wrote it, with both a courtier’s taste and a Buddhist’s warnings.

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Michi

The “Way” or path of a calling or art, from the Chinese dao and the Sanskrit marga.

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What do all the Ways require?

Dedication, discipline, detachment, humility, and urgency.

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Noh/nō

Masked drama, whose name means “ability” or “accomplishment.”

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“Sotoba Komachi”

A one-act nō play where priests debate old Komachi over a stupa, then Fukakusa no Shōshō possesses her.

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What does the stupa debate show?

Komachi argues that she and the stupa are on the same level, and the priests end up bowing to her.

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Zeami (Motokiyo) (1363/4-1443)

The great nō actor and playwright, son of Kan’ami, who wrote 21 treatises.

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Two arts, three role types (nikyoku santai)

The two arts are song and dance, and the three roles are woman (feminine), old person (vulerable), and warrior (Martial).

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Flower (hana)

Zeami’s peak of aesthetics, from Tsurayuki’s idea that poetry has its seeds in the heart and blooms into the flowers of words.

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Zen

Enlightenment as awareness free from theoretical thinking, so the poems act it out instead of explaining it.

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Kanshi

Poetry in Chinese, which the Zen death poems are, so they aren’t tanka.

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Ikkyū (Sōjun) (1394-1481)

An eccentric Zen monk (taverns, brothels) who hated “intellectual Zen.”

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Order Saigyō, Kenkō, Zeami, Ikkyū.

Saigyō (1118-1190), Kenkō (c. 1283-c. 1352), Zeami (1363/4-1443), Ikkyū (1394-1481).

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Which came first, Shinkokinshū or the Heike’s standard text?

Shinkokinshū (c. 1205), and Kakuichi’s version dates to 1371.