Timbre and Color: concept equality and standardization of voices
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Giovanni Pierluigi da Palestrina (1525-1594) 'Gloria' from Missa Papae Marcelli (Period, Genre, Type, Style, Texture, Meter, Harmonic System, Timbre and Color?)
Period: Late Renaissance Period (1592)
Genre: Section of a Mass
Type: Liturgical Vocal
Style: homophonic
Texture: 6 vocal parts are divided into two choirs
Meter: simple duple meter
Harmonic System: modal system
Timbre and Color: Voice
Extra Notes: - concept of clarity of expression of the liturgical text
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Luca Marenzio (1553-1599) Solo e pensoso (from the 9th book of Madrigals) (Period, Genre, Type, Style, Texture, Meter, Harmonic System, Timbre and Color?)
Period: Late Renaissance Period (1599)
Genre: Madrigal
Type: Secular Vocal
Style: homophonic, imitative counterpoint, and chromaticism
Texture: 2 choirs (each with 3 vocal and four instrumental parts)
Meter: triple and duple meters
Harmonic System: modal system
Timbre and Color: Voice and brass instruments
Extra Notes: - concept of sonic experimentation
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Claudio Monteverdi (1567-1643) Cruda Amarilli (from the 5th book of Madrigals) (Period, Genre, Type, Style, Texture, Meter, Harmonic System, Timbre and Color?)
Period: Early Baroque Period (1605)
Genre: Madrigal
Type: Secular vocal
Texture: 5 voices (soprano, alto, tenor, bass plus Quinto)
Harmonic System: modal system
Meter: quadruple meter
Timbre and Color: Voice and instruments
Extra Notes: - concept of dissonances - accent on the weak beat of the bar to delay resolution on the 'tonic'
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Carlo Gesualdo, Prince of Venosa (1566-1613) Io moro, lasso (from the 6th book of Madrigals) (Period, Genre, Type, Style, Texture, Meter, Harmonic System, Timbre and Color?)
Period: Early baroque period (1611)
Genre: madrigal
Type: secular vocal
Texture: 5 voices
Style: imitative counterpoint and homophonic style
Harmonic System: modal/tonal system
Meter: simple quadruple meter
Timbre and Color: Voice
Extra Notes: -concept of 'word painting' and theory of affection -harsh dissonances
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Giuseppino del Biado (d. ca. 1612) Il ballo di Mantova (Period, Genre, Type, Style, Texture, Form, Meter, Key, Harmonic System, Timbre and Color?)
Period: Early baroque period (ca.1600)
Genre: Italian Song (dance)
Type: Secular instrumental
Texture: single or multiple voices and instruments
Form: strophic form and simple text
Harmonic System: tonal system
Key: minor
Meter: simple quadruple meter
Timbre and Colour: recorder, lutes, percussions etc and voice
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Claudio Monteverdi (1567-1643) Lamento della ninfa (from the 8th Book of Madrigals) (Period, Genre, Type, Style, Texture, Technique, Form, Meter, Key, Harmonic System, Timbre and Color?)
Period: Early baroque period (published 1638, composed between 1620-1630)
Genre: Madrigal
Type: Secular Vocal and Instrumental
Form: Da Capo (A B A') musical form
Texture: 4 voices, major soprano line plus 3 accompanying voices (Tenor 1, Tenor 2 and Bass)
Technique: continuous bass, obstinate bass
Harmonic System: modal/tonal system
Key: minor
Meter: simple triple meter
Color and Timbre: Voice
Extra Notes: - concept of 'word painting' and theory of affection
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Henry Purcell (1659-1695) Dido's Lament (from the Opera 'Dido and Aeneas') (Period, Genre, Type, Form, Style, Texture, Technique, Meter, Key, Harmonic System, Timbre and Color?)
Period: Middle Baroque (1689)
Genre: Opera Seria
Type: Secular Vocal and Instrumental
Form: Aria
Style: Recitative
Technique: continuous base
Texture: Alto voice with continuous bass (Recitative), Alto voice with orchestra (Aria)
Harmonic system: tonal system
Key: minor key
Meter: simple quadruple meter (Recitative) and simple triple meter (Aria)
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George Frederic Händel (1685-1759) Mia cara sposa (from the Opera 'Rinaldo') (Period, Genre, Type, Form, Style, Texture, Technique, Meter, Key, Harmonic System, Timbre and Color?)
Period: Middle Baroque (1711)
Genre: Opera Seria
Type: Secular Vocal and Instrumental
Form: De Capo (A B A') Aria
Texture: voice (Castrato/Countertenor) with orchestra
Technique: Continuous and obstinate bass
Harmonic System: tonal
Key: major
Meter: simple triple meter
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Antonio Vivaldi (1678-1741) Spring (first movement from the 'Four Seasons') (Period, Genre, Type, Form, Style, Texture, Technique, Meter, Key, Harmonic System, Timbre and Color?)