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rhetoric – defined by Aristotle
the discovery of the available means of persuasion
rhetoric – defined by Rostek
the use of language and other symbolic systems to make sense of our experiences, construct our personal and collective identities, produce meaning, and prompt action in the world
rhetor
person doing the communicating
rhetorical theory
theories that describe rhetorical practice
rhetorical theorist
a person who created a particular rhetorical theory
rhetorical criticism
the process of using rhetorical theory in order to understand and evaluate rhetorical practice and generate future rhetorical theory
symbols
letters, images, or gestures that are represent, or stand for, something else
pragmatic-dominant rhetorical theory
asked & answered pragmatic questions about rhetoric and see the speaker as influencing the events of the world through rhetoric; speaker is primary focus
aesthetic rhetorical theory
embellish the truth or ingratiate the rhetor to a very small audience; attention paid to the aesthetic qualities of rhetoric
pragmatic-subordinate rhetorical theory
rhetoric used to communicate what science found
social rhetorical theory
emphasis on the audience
epistemology
the study of knowledge and what is considered to be true or false
ontology
the study of the nature of human existence and how humans perceive themselves to be
ethics
the study of how people make and justify decisions about what is right and wrong
classical rhetoric
rhetorical theory of period from 400BCE to 100BCE
judicial rhetoric
rhetoric used to prove the justice or injustice of a past act
deliberative rhetoric
rhetoric used to argue that a future action would be advantageous or harmful
demonstrative/epideictic rhetoric
rhetoric used to praise or blame an individual or group that encourages the audience to accept or reject particular values
Sophists
group of teachers in ancient Greece whose subject matter included rhetoric; believed truth and morality were relative
dialectic
philosophic method of determining truth through a series of interactions
five canons of rhetoric
main components of rhetorical text: invention, arrangement, style, delivery, & memory
invention
developing the substance (subject) of the speech
stasis
a theoretical framework for identifying the points in a rhetorical dispute
ethos
proof based on rhetor’s credibility
pathos
proof based on an appeal to the audience’s emotions
logos
proof based on logical reasoning
arrangement
ordering of a rhetorical text
style
verbal ornamentation of a speech, using such techniques as rhetorical figures
delivery
vocal qualities and physical movements used by rhetor
memory
recall information for a speech
topoi (topic)
subjects of all argument
syllogism
series of 3 statements:
proven true generalization
applies a particular case to see if it is included or excluded from the generalization
conclusion that logically flows from first 2 parts
enthymeme
argument that doesn’t explicitly state one premise
grand style
uses ornate words & features a smooth arrangement of the words
middle style
uses words that are more common in meaning but are not everyday speech
simple style
everyday speech
Second Sophistic
period of time following the fall of the Roman Republic in which traveling teachers of rhetoric focused attention on style & delivery
sublime + qualities
appeal to the stylistic and aesthetic faculties of the audience
natural qualities – speaker must be born w/ passion and great thoughts
artistic qualities – the proper use of figures of speech and thought
belletristic movement
a school of thought that studied a wide variety of rhetorical texts and that focused on matters of style & taste
taste
the ability to receive pleasures from nature & art
elocutionary movement
a school of thought that focused exclusively on the delivery of spoken words
language – Blair & belletristic movement
the expression of our ideas by certain articulate sounds, which are used as the signs of those ideas
foundation of the power of eloquence
perspicuity
using language in a way that clearly states the speaker’s ideas
3 qualities": purity, propriety, precision
purity
using words that are of the language which we speak and not imported from other languages
propriety
use the right word
precision
avoids superfluos words and expressions and gets to the point of the speaker’s idea
ornament
how words are pleasing & interesting for the listener
eloquence
public speaking
Blair – the art of speaking in such a manner as to attain the end for which we speak; the art of persuasion
criticism
way of evaluating beauty by using standards that have been established through experience
dramatism
Burke’s theory of rhetoric and the theories related to it; the study of how language and other symbol systems create the rhetorical world in which we lived
motion
non-symbolic
action
based on symbols/rhetoric
identification
A is not identical w/ his colleague, B, but insofar as their interests are joined, A is identified w/ B or he may identify himself w/ B even when their interests are not joined, if he assumes that they are, or is persuaded to believe so
real or perceived overlap of two individuals’ perspectives or ways of seeing the world
pentad
a tool of analysis that lets us trace how our worlds are constructed through rhetoric
Act: what happens/takes place
Scene: context/background of the action
Agent: person or persons who perform the act
Agency: means through which the action takes place
Purpose: reason an action took place
ratio
relationship between two pentadic terms
terms for order
humans tend to naturally seek order, given our drive for perfection & hierarchy; the stages through which tragic redemption occurs including guilt, purification, and redemption
mortification
guilty party admits guilt & asks for forgiveness
scapegoat
the representative or vessel of certain unwanted evils, the sacrificial animal upon whose back the burden of these evils is ritualistically loaded
narrative probability
asks whether the story is consistent w/ itself
one of the standards by which receivers evaluated narrative rhetoric (includes structural, material, and characterological coherence)
narrative fidelity
evaluates the degree to which the individual components of the story ring true w/ the audience
the standard used to evaluate the validity of the individual elements of narrative rhetoric
structural coherence
whether the story contradicts itself
material coherence
how well the story accounts for facts that are known to be true
chronological coherence
questions the reliability of the characters in the story
Five concepts to understand fidelity
fact, relevance, consequence, consistency, and transcendent issue
Question of fact: explored the values that are embedded in a story
Question of relevance: concerns the appropriateness of the values to the nature of the decision
Question of consequence: examines the effects of adhering to a particular value set when making a decision
Question of consistency: asks if the values of the story confirm one’s personal experience
Question of transcendent issue: asks if the values in question constitute the ideal basis for human conduct
fantasies
very real events that happen to people and groups; a shared experience between people; stories shared by groups of people
fantasy theme
contents of stories that are retold by group members
shared experiences or stories retold among a group of people
fantasy types
fantasies that have similar plot outlines, scenes, and characters and that are repeated patterns of exchange
common stories told over and over again
chaining out
the process by which fantasy themes or types are spread through a group or culture
rhetorical vision
the result of fantasy sharing, in which members of a culture, community, or group share a similar way of understanding reality