psych 367 mid 2 textbook ch 5-8

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154 Terms

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bottom-up processing

physical stimuli influence how we perceive them

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top-down processing

our existing knowledge of objects influences how we perceive them

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recognition

the ability to match a currently viewed item with an item from memory

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representation

the process that translate stimulus information into a perceptual experience of that stimulus

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perceptual organization

the process by which multiple objects in the environment are grouped, allowing us to identify those objects in complex scenes

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grouping

elements in a figure are brought together into a common unit or object

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segregation

process of distinguishing two objects as being distinct or discrete

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figure-ground orgnaization

experience viewers have as to which part of an image is in the foreground and which part is in the background

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images with __ borders are more likely to be seen as figure

convex

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images with __ borders are more likely to be seen as ground

concave

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law of good continuation

figures that have edges that are smooth are more likely to be seen as continuous than those with edges that have abrupt or sharp angles

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law of proximity

elements that are close together tend to be perceived as a unified group

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law of similarity

elements that are similar to one another tend ot be perceived as a unified gorup

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law of symmetry

elements that are symmetrical ot one another tend to be perceived as a unified group

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law of common fate

elements that are moving together tend to be perceived as a unified group

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edge completion

perception of a physically absent, but inferred edge, allowing us to complete the perception of a partially hidden object

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illusory contours

perceptual edges that exist because of edge completion but are not actually physically present

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geons

basic units of objects and consist of simple shapes

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recognition by components theory

object recognition occurs by representing each object as a combination of basic units that make up that object

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viewpoint invariance

objects are seen as the same regardless of the vantage point relative to the viewer

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dorsal pathway a.k.a

where pathway

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ventral pathway a.k.a

what pathway

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what area of the brain is involved in delineating shapes

V4 in the occupital lobe

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information in the ventral pathway leaves the occipital lobe and heads into the __

inferotemporal area

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neurons in the inferotemporal area are devoted to what

detecting particular kinds of objects in the visual field

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fusiform face area

region in the brain designed for the recognition of familiar faces

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where is the fusiform face area

ventral surface of the temporal lobe

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occipital face area is responsible for what

making the initial identification of a face being a face

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what cortex is the occipital face area located

extrastriate

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prosopagnosia

damage to the fusiform face area

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parahippocampal place area (PPA)

area in the inferotemporal cortex that has the specific function of scene recognition

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topographic agnosia

deficit in recognizing spatial landscapes and is related to damage to the PPA

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when is the extrastriate body area activated

when its cells view bodies/body parts but not faces

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engram

specific location of a specific memory

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visual spectrum

humans can see wavelengths of light that vary between 400-700 nm

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wavelength

the distance between two peaks of light energy

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what is sunlight

a mix of many different wavelengths that are blended together to be perceived as white light

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heterochromatic light

white light consisting of many wavelengths

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monochromatic lights

light of only one wavelength or a very narrow band of wavelengths

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spectral reflectance

ratio of light reflected by an object at each wavelength

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the colour of any object is determined by what

which wavelengths it reflects the most

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achromatic

surfaces that reflect all light equally — judged to be white to grey to black

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hue

the colour quality of the light and corresponds to the colour names

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a quality

a value that changes, but it does not make the value larger or smaller

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nonspectral colours

colours that are combinations of more than one monochromatic colour

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saturation

the purity of light

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brightness

the amount of light present and our experience of the intensity of this light

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lightness

perceived intensity that relates to the amount of light that gets reflected by a surface

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brightness applies to __

colours

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lightness applies to __

white-grey-black continuum

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additive colour mixing

creation of a new colour by a process that adds one set of wavelengths to another

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subtractive colour mixing

the creation of a new colour by the removal of wavelengths from a light with a broad spectrum of wavelengths

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additive colour mixing happens when __

we mix lights of different colours

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subtractive colour mixing happens when __

we mix paints or other coloured materials

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metamer

psychophysical colour match between two patches of light that have different sets of wavelengths

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s-cone

maximum response to light at 420 nm (short-wavelength light)

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m-cone

maximum response to light at 535 nm (medium)

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L-cone

maximum response to light at 565 nm (long)

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univariance

any single cone system is colour blind in the sense that different combinations of wavelength and intensity can result in the same response from the cone system

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trichromatic theory of colour vision

to perceive any colour of light, we must have more than one receptor and that each type of receptor is sensitive to a different range of wavelengths

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opponent-process theory of colour

colour perception arises from three opponent mechanisms, for red-green, blue-yellow, and black-white

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colour afterimages

visual images that are seen after an actual visual stimulus has been removed

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an afterimage is seen as the __ colour

complementary

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simultaneous colour contrast

when our perception of one colour is affected by a colour that surrounds it

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hue cancellation

an experiment in which observers cancel out the perception of a particular colour by adding light of the opponent colour

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unique colours

colours that can be described only with a single colour term — red, green, blue, and yellow

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cone-opponent cells

colour-sensitive cells in the LGN

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colour-opponent cells

excited by one colour in the center and inhibited by its opponent colour in the surround

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colour-opponent cells are __

red-green

blue-yellow

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double-opponent cells

have a center that is excited by one colour and inhibited by the other

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habituation

lack of responding to a repeated stimulus

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dishabituation

the process of changing the stimulus after habituation occurs to cause the organism to respond again

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colour variation

variations in the cone classes or cone photopigments that a person has in their eyes that may impact the way they perceive colours

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genes that lead to colour deficiencies are on which chromosome

the X chromosome

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anomalous trichromacy

a condition where all three cone systems are intact but one or more has an altered absorption pattern, leading to different metameric matches than most

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prototanomalous

describes a trichromat with a different long (1) wavelength cone than is seen most commonly

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deuternamalous

describes a trichromat with a different middle (2) wavelength cone than is seen most commonly

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tritanamalous

describes a trichromat with a different short (3) wavelength cone than is seen most commonly

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dichromat

only two working cone systems

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protanopia

a lack of L-cones (1), leading to red-green deficiency; common + sex-linked

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deuteranopia

a lack of M-cones (2), leading to red-green deficiency; common + sex-linked

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tritanopia

a lack of S-cones (3), leading to blue-yellow colour deficiency; RARE and is not sex-linked

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easiest way to identify colour deficiency?

Ishihara plates

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the common name for protanopia is

red-green colour blind

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unilateral dichromacy

dichromacy in one eye but trichromatic vision in the other

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cortical achromatopsia

loss of colour vision due to damage in the occipital lobe + V4

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what is the perceptual experience of cortical achromatopisa

seeing only in black and white, or the impression of washed out colours

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constancy

our ability to perceive an object as the same object under different lighting and environmental conditions

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lightness constancy

ability to perceive the relative reflectance of objects despite changes in illumination

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colour constancy

ability to perceive colour of an object despite changes in the amount and nature of illumination

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gelb effect

phenomenon whereby an intensely lit black object appears to be grey or white in a homogeneously dark space

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the ratio principle

perceived lightness of an object is explained by the ratio of light it reflects rather than the absolute amount of light it reflects

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cue approach to depth perception focuses on what

the observation that the image on the retina is 2D, we must infer the third dimension

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what is a cue

factor that aids you in making a nonconscious and automatic deciison

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monocular depth cues

information in the retinal image that gives information about depth and distance, but can be inferred from a single retina

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pictoral cues

cues from which we can judge depth from static pictures

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motion-based cues

moving objects / own motion allow us to make inferences about depth and distance

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occlusion

occurs when one object partially hides or obstructs the view of a second object

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relative height

objects closer to the horizon are seen as more distant

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relative size

the more distant an object is, the smaller its image will be on the retina