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Stereotyping and Stereotypes – Comprehensive Study Notes

Abstract Overview

  • Author: Michael Pickering, article published via Wiley Online Library, (2015).
  • Core claim: Stereotyping represents & evaluates others in ways that ratify and endorse unequal social relations.
    • Makes differences appear fixed, absolute, unchanging.
    • Operates through a two-way but one-sided relationship that always benefits the status quo.
  • Consequences for targets:
    • Social standing diminished; reduced to a single trait/disposition.
    • Acts as a distancing mechanism creating radical separation between “us” and “them”.

Definition of Stereotyping

  • A cultural practice of representing & judging people in fixed, unyielding terms.
  • Revolves around alleged characteristics of a category assignment.
    • Removes individuality; treats persons as homogeneous & naturalized embodiments of a trait.
  • Key mechanism: the fallacy of essentialism (identity = one necessary attribute).
  • Contrast with ordinary cognitive schemas:
    • Normal schemas are flexible, revisable with new experience.
    • Stereotypes are rigid, block revision, erect social barriers.

Practice, Purveyors & Purposes

  • Supports existing power structures, often wielded by groups with greater power & status.
    • Example: anti-Semitic stereotypes historically justified Christian/white dominance.
  • Can also be used by the relatively powerless as scapegoating (e.g., travellers, foreign workers, refugees/asylum seekers) to vent frustration.
  • Stereotypes reveal more about those who stereotype than about targets—sometimes express feelings of deficiency or alienation in the stereotyper’s identity.
    • Positive-sounding or “idealizing” images (e.g., white men venerating black jazz/blues/rap musicians) still constrain the Other to a set role.
    • Orientalist images (e.g., of Arab women) mix desire & disavowal.
  • They create symbolic boundaries that patrol inclusion/exclusion:
    • (19^{th})-century views of Africans as “backward”.
    • White English women restricted to caring/housekeeping; barred from “higher art”.
  • Political contestation can reshape stereotypes:
    • Women & Black people have partially succeeded in widening opportunity & identity.

Internalization & the Fallacies of Individualism/Essentialism

  • Targets may internalize stereotypes under pressure, seeming to confirm them.
  • Resistance = reclaiming self-determination.
  • Individualism fallacy: exaggerating uniqueness; Essentialism fallacy: exaggerating group essence.
  • Critical analysis must expose both fallacies via sociological + psychological lenses.

Historical Development of the Concept

  • Term “stereotype” originally from printing technology (fixed type for repeated use).
  • (19^{th})-century: metaphor for clichés/commonplaces.
  • Conceptual power realized by Walter Lippmann in Public Opinion (1922 \rightarrow 1965 \text{ edition}):
    • Linked stereotypes to modernity—urban complexity, mass media, proliferating encounters with difference.

Lippmann’s Dual Dilemma of Modernity

  • Modern need for informational shortcuts vs. danger of entrenched, naturalized mis-representation.
  • Media (film, ads, tabloids, social media, TV news) magnify stereotype reach through accreditation.
  • Lippmann personally prioritized order & stability, under-valuing critique of ideological fixation.
  • Later scholarship often saw only one side:
    • Pathologizing approach ((1930s\text{--}1960s)): stereotypes = irrational, abnormal (e.g., Fascist anti-Semitism).
    • Social cognition turn normalized stereotypes as universal, cognitively necessary (in-group/out-group bias).
  • Contemporary corrections:
    • Psychologists like Augoustinos & Walker emphasise power/ideology.
    • Cultural/media studies often stress ideology but neglect cognition.
    • Pickering urges a dual focus—culture and cognition—to ask: “How do we get to know ‘you’?”

Stereotypes, Inequality & Social Disadvantage

  • Rapid modern change breeds uncertainty; stereotypes offer simplistic blame.
  • UK example: “Chav” stereotype during austerity—attributes welfare dependence, alcohol abuse, promiscuity, vulgarity.
    • Demonizes working-class poverty as moral failing, legitimates welfare cuts.
  • U.S. example: African-American male criminality stereotype in crime news.
    • Despite higher incidence of white crime, media amplify black crime, fueling fears of race-mixing and “miscegenation”.
  • Inter-war Europe: “Black Shame” campaign—black colonial troops portrayed as sexual predators endangering white women (see Wigger). Reinforced racial purity ideology.
  • Counter-images within black stereotypes:
    • Uncle Tom (pious servility) & Aunt Jemima (cheerful domestic servant).
    • Happy-go-lucky darky in blackface minstrelsy.
    • All variants reassure whites of a “natural” racial hierarchy.

Discursive Forms & the Role of Humour

  • Stereotypes appear in serious and comic registers.
  • Joking frame claims “it’s only a joke”, shielding stereotype from critique and branding the offended as humourless.
  • Humour can “hard-wire” stereotypes deeper into cultural myths (Billig (2005); Lockyer & Pickering (2009); Weaver (2011)).
  • Analysts must inspect form, frame, and context as well as content.

Critical Analytical Perspective & Future Research

  • Study must integrate:
    1. Images & discourses themselves (public representations).
    2. Power/conflict dynamics (who benefits?).
    3. Affective bases (feelings, anxieties, desires).
  • Methodological imperatives:
    • Historicize identity–representation–difference relations across contexts (sexual politics, nationalism, militarism, colonialism/post-colonialism, disability, disease, crime, etc.).
    • Recognize these relations as fluid & contingent, not fixed.
  • Overarching task: untie the “tight knots” of symbolic figuration that create & sustain stereotypes.

Key Examples & Case Studies Mentioned

  • Anti-Semitic stereotypes.
  • Scapegoating of Travellers, foreign workers, refugees/asylum seekers.
  • White fascination with black musicians (jazz, blues, rap).
  • Orientalist tropes of Arab women.
  • (19^{th})-century exclusion of Africans & white English women from high art.
  • Successes of women’s & black civil-rights struggles in expanding opportunities.

Foundational Authors & Recommended Readings (from transcript)

  • G.W. AllportThe Nature of Prejudice (1954).
  • Walter LippmannPublic Opinion (1922/1965).
  • H.K. BhabhaThe Location of Culture (1994).
  • Stuart Hall – “The Spectacle of the ‘Other’” in Representation (1997).
  • Edward SaidOrientalism (1978).
  • Richard DyerThe Matter of Images (1993).
  • Michael PickeringStereotyping: The Politics of Representation (2001) and multiple encyclopedia entries (2004, 2014).
  • Owen JonesChavs: The Demonization of the Working Class (2012).
  • T.E. Perkins – “Rethinking Stereotypes” (1979).
  • C.A. StabileWhite Victims, Black Villains (2006).
  • Henri TajfelHuman Groups and Social Categories (1981).
  • I. Wigger – “Black Shame” article (2010).
  • Plus works edited by Riggins (language of exclusion) and others on humour & racism.

Ethical & Practical Implications

  • Stereotyping masks structural inequities, legitimizing discrimination and policy decisions (e.g., welfare cuts, policing practices).
  • Critical engagement is necessary to:
    • Challenge naturalization of social hierarchies.
    • Foster openness, flexibility, tolerance in representation.
    • Balance need for cognitive economy with ethical responsibility toward complex, contingent identities.