Flashcard 1: Zither Family in East Asia
China, Korea, and Japan share zither instruments, influencing each other’s musical traditions through cultural exchange.
Flashcard 2: China – Guqin
7-stringed fretless zither
Used for meditative, scholarly music
Sliding tones, harmonics, free rhythm
Confucian influence, played by scholars
Flashcard 3: China – Guzheng
16-21 strings with movable bridges
Bright, arpeggiated tones
Used in ensembles and folk music
Plucked with fingerpicks
Flashcard 4: Korea – Gayageum
12-stringed plucked zither
Sanjo Gayageum: solo improvisational music
Played by plucking + left-hand bending
Used in court and folk music
Flashcard 5: Korea – Geomungo
6-stringed zither, played with a plectrum
Deep, resonant tones
Associated with Confucian scholars
Used in court and ritual music
Flashcard 6: Japan – Koto
13-stringed zither with movable bridges
Introduced from China via Korea
Played with fingerpicks
Used in Gagaku (court music) & Sankyoku (chamber music)
Flashcard 7: Musical Styles
China: Guqin → meditative, Guzheng → expressive
Korea: Gayageum/Geomungo → folk & court music
Japan: Koto → structured, delicate compositions
Flashcard 8: Performance Practices
China: Solo & philosophical (Guqin), ensemble & rhythmic (Guzheng)
Korea: Highly ornamented & rhythmic freedom (Sanjo)
Japan: Structured, controlled playing (Koto)