16.1: Paint
- Paint – a suspension of pigments and additives intended to color or protect a surface.
- Pigment – a fine powder that is insoluble in the medium in which it is dispersed; are e intended to color and/or cover a surface; they may be organic, inorganic, or a mixture.
- Binder – that portion of the coating, other than the pigment, that allows the pigment to be distributed across the surface.
- Vehicle – refers to the solvents, resins, and other additives that form a continuous film, binding the pigment to the surface.
- Solvents – dissolve the binder and give the paint a suitable consistency for application.
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Four Categories of Paints:
- Architectural Paints – household paints, and are those coatings most often found in residences and businesses.
- Product Coatings – applied in the process of manufacturing products including automobiles.
- Special-Purpose Coatings – fulfill some specific need beyond protection or aesthetic improvements, such as skid resistance, waterproofing, or luminescence.
- Art Paints – are occasionally encountered in forgery cases. It is somehow the same as Architectural Paints, but many artists formulate their paints, leading to potentially unique sources.
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Other Coating Definitions
- Enamel – A pigmented coating that has a high gloss when it dries.
- Lacquer – Clear or pigmented coatings that dry quickly through evaporation of the solvent.
- Latex – A suspension of a pigment in a water-based emulsion of several resins.
- Shellac – A solution of melted lac, a resinous excretion of the Lac insect dissolved in alcohol used as a sealant, adhesive, or insulating varnish.
- Stain – A solution of dye or a suspension of a pigment designed to color, but not protect, a wood surface.
- Varnish – A clear solution of oils and organic or synthetic resins in an organic solvent.
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16.2: Paint Manufacturing
The automotive finishing process for vehicles consists of at least four separate coatings.
- Pretreatment – applied to the steel body of the vehicle to inhibit rust.
- Primer – usually an epoxy resin with corrosion-resistant pigments; the color of the primer is coordinated with the final vehicle color to minimize contrast and “bleed-through.”
- Topcoat – the form of a single-color-layer coat, a multilayer coat, or a metallic color coat; this is the layer that most people think of when they think of a vehicle’s color.
- Clear coats – unpigmented coatings applied to improve the gloss and durability of a vehicle’s coating.
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16.3: Paint Collection
- The collection of paint samples should proceed with caution.
- Nearly any object or surface may retain a paint transfer and may include things as varied as tools, architectural structures and elements (floors, wainscoting), glass fragments, fabrics, hairs, fingernails, roadways and signs, and, of course, vehicles.
- Evidentiary items with paint transfers should be packaged and submitted to the laboratory in their entirety, if possible.
- It is also important to remember that cross-transfer could have occurred.
- Known and questioned samples should be collected from both surfaces.
- Paint evidence should be first photographed and then removed manually with nonmetallic tools, such as small wooden sticks, toothpicks, or plastic forceps.
- If tape lifts are to be used, the paint evidence should be collected first
- Lifting or prying out loose flakes is one of the ways to remove flakes of paint from a surface.
- When a painted object strikes a glancing blow to another object, it can transfer paint in the form of a smear.
- It is important when collecting known paint samples, therefore, that they are collected from areas as close as possible to, but not within, the point(s) of damage or transfer.
- All paint samples should be clearly labeled as per origin, with drawings or photographs as documentation.
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16.4: Analysis of Paint Samples
- A combination of microscopes (stereo, transmitted light, and polarized light) at magnifications of 2× to 100× is used to examine the layers in paint.
- Microtome – a minivice that holds a sample in place while a heavy and very sharp glass- or diamond-edged knife slices off sections of a few tens of microns thick.
- Polarized light microscopy (PLM) is appropriate for the examination of a layer structure as well as the comparison and/or identification of particles present in a paint film including, but not limited to, pigments, extenders, additives, and contaminants.
- Solvent and microchemical tests have been used to discriminate between paint layers of different pigment and binder compositions that are otherwise visually similar.
- Infrared (IR) spectroscopy can identify binders, pigments, and additives used in paints and coatings.
- FT-IR – measures the absorption of IR energy, over a range of wavelengths, as different bonds in the molecule vibrate and move in characteristic fashions.
- The analysis of paints by FT-IR can be done in transmittance and reflectance.
- Raman Spectroscopy – it is based on light scattering rather than absorption. It provides complementary information to that obtained from IR spectroscopy.
- Absorption spectroscopy, using a microspectrophotometer (or MSP for short), has been used to categorize and discriminate between otherwise visually similar paints.
- Metamerism – the condition in which two colors appear similar under one set of conditions but different under others.
- Scanning electron microscope – can be used to characterize the structure and elemental composition of paint layers.
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@@A consensus of forensic paint examiners is that the following factors strengthen an association between two analytically indistinguishable paint samples:@@