Black feminism focuses on challenging stereotypes that affect Black women.
Introduced by Patricia Hill Collins in 1986, controlling images describe the dehumanization and exploitation of Black women.
Mammy
Represents Black women as domestic servants, e.g., Hattie McDaniel in Gone with the Wind.
Symbolizes faithfulness and obedience, reinforcing racial and gender hierarchies.
Functions to justify social positions of various groups and teaches Black children to subordinate themselves to whiteness.
Matriarch
Describes Black families headed by unmarried mothers, linked to poverty and social issues.
Portrayal by Mo'Nique in Precious exemplifies the stereotype.
Suggests that hard-working Black mothers emasculate Black men, leading to negative views on Black familial structures.
Welfare Mother
Portrays poor Black mothers as responsible for societal decline, reinforcing stereotypes from slavery.
Bastion of social control through federal policies targeting Black women's fertility and participation in welfare.
Black Lady
Represents middle-class Black women in professional roles, showcasing the politics of respectability.
Exemplified by Claire Huxtable in The Cosby Show, this image often faces criticism and misrepresentation.
Jezebel
Depicts Black women as hypersexual and hyperfertile, impacting perceptions in media (reality TV, rap).
Objectifies Black women, aligning with the desires of cisgender, heterosexual men.
Associations with notions of deviance and the sexualization in contemporary culture.
These controlling images foster harmful stereotypes and internalized racism.
They uphold binary thinking comparing Black and white women, affecting societal standards of beauty.
Resistance to these images often leads to the development of unique sexual politics among Black women.