AP Psychology Module 19
Module 19
Visual Organization and Interpretation
❖ Perceptual Organization
■ German psychologists noticed that people who are given a cluster of sensations tend to organize them into a gestalt
● Gestalt: an organized whole. Gestalt psychologists emphasized our tendency to integrate pieces of information into meaningful wholes.
➢ Form Perception
■ Figure and Ground
● Figure-ground
◆ The organization of the visual field into objects (the figures) that stand out from their surroundings (the ground).
■ Grouping
● The perceptual tendency to organize stimuli into coherent groups.
● Our mind brings order and form to other stimuli by following certain rules for grouping
◆ These rules illustrate how the perceived whole diff ers from the sum of its parts
◆ Examples:
➢ Proximity
■ We group nearby figures together
➢ Continuity:
■ We perceive smooth, continuous patterns rather than discontinuous ones
➢ Closure:
■ We fill in gaps to create complete, whole object
◆ These principles help us construct reality, but sometimes they lead us astray
➢ Depth Perception
■ The ability to see objects in three dimensions although the images that strike the retina are two-dimensional; allows us to judge distance.
■ From the two-dimensional images falling unto the retinas, it can organize three-dimensional perceptions that allow us to estimate distance
■ Eleanor Gibson
● She wondered: Would a toddler peering over the rim perceive the dangerous drop-o and draw back?
◆ To answer the question, Gibson and Richard Walk designed a series of experiments using a visual cli ff
➢ Visual cliff : a laboratory device for testing depth perception in infants and young animals.
➢ They tried to convince infants to crawl out onto the glass—an area that looked like the edge of a cli ff—but most infants refused to do so, which indicated that they could perceive depth
◆ Depth perception is partly innate and partly learning
■ Binocular Cues
● A depth cue, such as retinal disparity, that depends on the use of two eyes.
● Binocular cues are used to judge the distance of nearby objects
● Cues:
◆ Convergence
➢ The inward angle of the eyes focusing on a near object
◆ Retinal disparity
➢ A binocular cue for perceiving depth. By comparing retinal images from the two eyes, the brain computes distance—the greater the disparity (di fference) between the two images, the closer the object.
■ Monocular Cues
● A depth cue, such as interposition or linear perspective, available to either eye alone.
● Helps us judge (for example) whether a person is 10 or 100 meters away
➢ Motion Perception
■ The brain, normally, computes motion based partly on its assumption that shrinking objects are retreating and enlarging objects are approaching, but people are imperfect at motion perception
● The brain is sometimes tricked into believing what it is not seeing
● When large and small objects move at the same speed, the large objects appear to move more slowly
■ The brain perceives a rapid series of slightly varying images as continuous movement
● We construct that motion in our heads
■ Phi phenomenon
● An illusion of movement created when two or more adjacent lights blink on and o ff in quick succession.
■ Visual Organization and Interpretation
● Relative height
◆ We perceive objects higher in our field of vision as farther away
● Relative size
◆ If we assume two objects are similar in size, most people perceive the one that cast the smaller retinal images as farther away
● Interposition
◆ If one object partially blocks our view of another, we perceive it as closer
● Relative motion
◆ As we move, objects that are actually stable may appear to move
● Linear perspective
◆ Parallel lines appear to meet in the distance
● Light and shadow
◆ Shading produces a sense of depth consistent with our assumption that light comes from above
➢ Perceptual Constancy
■ Perceiving objects as unchanging (having consistent color, brightness, shape, and size) even as illumination and retinal images change.
■ Regardless of the viewing angle, distance, and illumination, we can identify people and things in less time than it takes to draw a breath
■ Color and Brightness Constancies
● Our experience of color depends on an object’s context
● Color constancy
◆ Perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object.
● Because we construct our perceptions, we can simultaneously accept alternative objective and subjective realities
● Brightness constancy similarly depends on context
◆ We perceive an object as having a constant brightness even as its illumination varies
◆ This perception of constancy depends on relative luminance
➢ The amount of light an object reflects relative to its surroundings
● Context governs our perceptions
■ Shape and Size Constancies
● Sometimes an object whose actual shape cannot change seems to change shape with the angle of our view
● Size constancy helps us perceive an object as having an unchanging size, even while our distance from it varies
● Even in size-distance judgements, the object’s context is always considered
● The interplay between perceived size and perceived distance helps explain several well-known illusions
● Perpetual organizations applies to other senses as well
◆ Listening to our own language, we can automatically hear distinct words
◆ We can organize a string of letters into words that make an intelligible phrase
➢ THEDOGATEMEAT is more likely seen as “the dog ate meat”, rather than “the do gate me at”
❖ Perceptual Interpretation
■ Immanuel Kant
● German philosopher
● Maintained that knowledge comes from our inborn ways of organizing sensory experiences
■ John Locke
● British philosopher
● Argued that through our experiences we also learn to perceive the world
➢ Experience and Visual Perception
■ Restored Vision and Sensory Restriction
● William Molyneux
◆ Wondered whether “a man born blind, and now adult, taught by his touch to distinguish between a cube and a sphere” could visually distinguish the two
➢ John Locke answered no as the man would never have learned to see the difference
➢ Was put to test with adults who were born blind but later gained sight, but remained unable to visually recognize objects
■ Perceptual Adaptation
● The ability to adjust to changed sensory input, including an artificially displaced or even inverted visual field.
● Humans can adapt to distorting lenses quickly
◆ Even when given a lens that turns the world upside down
◆ Experience guides, sustains, and maintains the brain pathways that enable our perception
Module 19
Visual Organization and Interpretation
❖ Perceptual Organization
■ German psychologists noticed that people who are given a cluster of sensations tend to organize them into a gestalt
● Gestalt: an organized whole. Gestalt psychologists emphasized our tendency to integrate pieces of information into meaningful wholes.
➢ Form Perception
■ Figure and Ground
● Figure-ground
◆ The organization of the visual field into objects (the figures) that stand out from their surroundings (the ground).
■ Grouping
● The perceptual tendency to organize stimuli into coherent groups.
● Our mind brings order and form to other stimuli by following certain rules for grouping
◆ These rules illustrate how the perceived whole diff ers from the sum of its parts
◆ Examples:
➢ Proximity
■ We group nearby figures together
➢ Continuity:
■ We perceive smooth, continuous patterns rather than discontinuous ones
➢ Closure:
■ We fill in gaps to create complete, whole object
◆ These principles help us construct reality, but sometimes they lead us astray
➢ Depth Perception
■ The ability to see objects in three dimensions although the images that strike the retina are two-dimensional; allows us to judge distance.
■ From the two-dimensional images falling unto the retinas, it can organize three-dimensional perceptions that allow us to estimate distance
■ Eleanor Gibson
● She wondered: Would a toddler peering over the rim perceive the dangerous drop-o and draw back?
◆ To answer the question, Gibson and Richard Walk designed a series of experiments using a visual cli ff
➢ Visual cliff : a laboratory device for testing depth perception in infants and young animals.
➢ They tried to convince infants to crawl out onto the glass—an area that looked like the edge of a cli ff—but most infants refused to do so, which indicated that they could perceive depth
◆ Depth perception is partly innate and partly learning
■ Binocular Cues
● A depth cue, such as retinal disparity, that depends on the use of two eyes.
● Binocular cues are used to judge the distance of nearby objects
● Cues:
◆ Convergence
➢ The inward angle of the eyes focusing on a near object
◆ Retinal disparity
➢ A binocular cue for perceiving depth. By comparing retinal images from the two eyes, the brain computes distance—the greater the disparity (di fference) between the two images, the closer the object.
■ Monocular Cues
● A depth cue, such as interposition or linear perspective, available to either eye alone.
● Helps us judge (for example) whether a person is 10 or 100 meters away
➢ Motion Perception
■ The brain, normally, computes motion based partly on its assumption that shrinking objects are retreating and enlarging objects are approaching, but people are imperfect at motion perception
● The brain is sometimes tricked into believing what it is not seeing
● When large and small objects move at the same speed, the large objects appear to move more slowly
■ The brain perceives a rapid series of slightly varying images as continuous movement
● We construct that motion in our heads
■ Phi phenomenon
● An illusion of movement created when two or more adjacent lights blink on and o ff in quick succession.
■ Visual Organization and Interpretation
● Relative height
◆ We perceive objects higher in our field of vision as farther away
● Relative size
◆ If we assume two objects are similar in size, most people perceive the one that cast the smaller retinal images as farther away
● Interposition
◆ If one object partially blocks our view of another, we perceive it as closer
● Relative motion
◆ As we move, objects that are actually stable may appear to move
● Linear perspective
◆ Parallel lines appear to meet in the distance
● Light and shadow
◆ Shading produces a sense of depth consistent with our assumption that light comes from above
➢ Perceptual Constancy
■ Perceiving objects as unchanging (having consistent color, brightness, shape, and size) even as illumination and retinal images change.
■ Regardless of the viewing angle, distance, and illumination, we can identify people and things in less time than it takes to draw a breath
■ Color and Brightness Constancies
● Our experience of color depends on an object’s context
● Color constancy
◆ Perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object.
● Because we construct our perceptions, we can simultaneously accept alternative objective and subjective realities
● Brightness constancy similarly depends on context
◆ We perceive an object as having a constant brightness even as its illumination varies
◆ This perception of constancy depends on relative luminance
➢ The amount of light an object reflects relative to its surroundings
● Context governs our perceptions
■ Shape and Size Constancies
● Sometimes an object whose actual shape cannot change seems to change shape with the angle of our view
● Size constancy helps us perceive an object as having an unchanging size, even while our distance from it varies
● Even in size-distance judgements, the object’s context is always considered
● The interplay between perceived size and perceived distance helps explain several well-known illusions
● Perpetual organizations applies to other senses as well
◆ Listening to our own language, we can automatically hear distinct words
◆ We can organize a string of letters into words that make an intelligible phrase
➢ THEDOGATEMEAT is more likely seen as “the dog ate meat”, rather than “the do gate me at”
❖ Perceptual Interpretation
■ Immanuel Kant
● German philosopher
● Maintained that knowledge comes from our inborn ways of organizing sensory experiences
■ John Locke
● British philosopher
● Argued that through our experiences we also learn to perceive the world
➢ Experience and Visual Perception
■ Restored Vision and Sensory Restriction
● William Molyneux
◆ Wondered whether “a man born blind, and now adult, taught by his touch to distinguish between a cube and a sphere” could visually distinguish the two
➢ John Locke answered no as the man would never have learned to see the difference
➢ Was put to test with adults who were born blind but later gained sight, but remained unable to visually recognize objects
■ Perceptual Adaptation
● The ability to adjust to changed sensory input, including an artificially displaced or even inverted visual field.
● Humans can adapt to distorting lenses quickly
◆ Even when given a lens that turns the world upside down
◆ Experience guides, sustains, and maintains the brain pathways that enable our perception