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AP Psychology Module 19

Module 19

Visual Organization and Interpretation

Perceptual Organization

■ German psychologists noticed that people who are given a cluster of sensations tend to organize them into a gestalt

Gestalt: an organized whole. Gestalt psychologists emphasized our tendency to integrate pieces of information into meaningful wholes.

Form Perception

■ Figure and Ground

● Figure-ground

The organization of the visual field into objects (the figures) that stand out from their surroundings (the ground).

■ Grouping

The perceptual tendency to organize stimuli into coherent groups.

● Our mind brings order and form to other stimuli by following certain rules for grouping

◆ These rules illustrate how the perceived whole differs from the sum of its parts

◆ Examples:

➢ Proximity

■ We group nearby figures together

➢ Continuity:

■ We perceive smooth, continuous patterns rather than discontinuous ones

➢ Closure:

■ We fill in gaps to create complete, whole object

◆ These principles help us construct reality, but sometimes they lead us astray

Depth Perception

The ability to see objects in three dimensions although the images that strike the retina are two-dimensional; allows us to judge distance.

■ From the two-dimensional images falling unto the retinas, it can organize three-dimensional perceptions that allow us to estimate distance

■ Eleanor Gibson

● She wondered: Would a toddler peering over the rim perceive the dangerous drop-o and draw back?

◆ To answer the question, Gibson and Richard Walk designed a series of experiments using a visual cliff

Visual cliff: a laboratory device for testing depth perception in infants and young animals.

➢ They tried to convince infants to crawl out onto the glass—an area that looked like the edge of a cliff—but most infants refused to do so, which indicated that they could perceive depth

◆ Depth perception is partly innate and partly learning

■ Binocular Cues

A depth cue, such as retinal disparity, that depends on the use of two eyes.

● Binocular cues are used to judge the distance of nearby objects

● Cues:

◆ Convergence

➢ The inward angle of the eyes focusing on a near object

◆ Retinal disparity

A binocular cue for perceiving depth. By comparing retinal images from the two eyes, the brain computes distance—the greater the disparity (difference) between the two images, the closer the object.

■ Monocular Cues

A depth cue, such as interposition or linear perspective, available to either eye alone.

● Helps us judge (for example) whether a person is 10 or 100 meters away

Motion Perception

■ The brain, normally, computes motion based partly on its assumption that shrinking objects are retreating and enlarging objects are approaching, but people are imperfect at motion perception

● The brain is sometimes tricked into believing what it is not seeing

● When large and small objects move at the same speed, the large objects appear to move more slowly

■ The brain perceives a rapid series of slightly varying images as continuous movement

● We construct that motion in our heads

■ Phi phenomenon

An illusion of movement created when two or more adjacent lights blink on and off in quick succession.

■ Visual Organization and Interpretation

● Relative height

◆ We perceive objects higher in our field of vision as farther away

● Relative size

◆ If we assume two objects are similar in size, most people perceive the one that cast the smaller retinal images as farther away

● Interposition

◆ If one object partially blocks our view of another, we perceive it as closer

● Relative motion

◆ As we move, objects that are actually stable may appear to move

● Linear perspective

◆ Parallel lines appear to meet in the distance

● Light and shadow

◆ Shading produces a sense of depth consistent with our assumption that light comes from above

Perceptual Constancy

Perceiving objects as unchanging (having consistent color, brightness, shape, and size) even as illumination and retinal images change.

■ Regardless of the viewing angle, distance, and illumination, we can identify people and things in less time than it takes to draw a breath

■ Color and Brightness Constancies

● Our experience of color depends on an object’s context

● Color constancy

Perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object.

● Because we construct our perceptions, we can simultaneously accept alternative objective and subjective realities

● Brightness constancy similarly depends on context

◆ We perceive an object as having a constant brightness even as its illumination varies

◆ This perception of constancy depends on relative luminance

➢ The amount of light an object reflects relative to its surroundings

● Context governs our perceptions

■ Shape and Size Constancies

● Sometimes an object whose actual shape cannot change seems to change shape with the angle of our view

● Size constancy helps us perceive an object as having an unchanging size, even while our distance from it varies

● Even in size-distance judgements, the object’s context is always considered

● The interplay between perceived size and perceived distance helps explain several well-known illusions

● Perpetual organizations applies to other senses as well

◆ Listening to our own language, we can automatically hear distinct words

◆ We can organize a string of letters into words that make an intelligible phrase

➢ THEDOGATEMEAT is more likely seen as “the dog ate meat”, rather than “the do gate me at”

Perceptual Interpretation

■ Immanuel Kant

● German philosopher

● Maintained that knowledge comes from our inborn ways of organizing sensory experiences

■ John Locke

● British philosopher

● Argued that through our experiences we also learn to perceive the world

Experience and Visual Perception

■ Restored Vision and Sensory Restriction

● William Molyneux

◆ Wondered whether “a man born blind, and now adult, taught by his touch to distinguish between a cube and a sphere” could visually distinguish the two

➢ John Locke answered no as the man would never have learned to see the difference

➢ Was put to test with adults who were born blind but later gained sight, but remained unable to visually recognize objects

■ Perceptual Adaptation

● The ability to adjust to changed sensory input, including an artificially displaced or even inverted visual field.

● Humans can adapt to distorting lenses quickly

◆ Even when given a lens that turns the world upside down

◆ Experience guides, sustains, and maintains the brain pathways that enable our perception

YF

AP Psychology Module 19

Module 19

Visual Organization and Interpretation

Perceptual Organization

■ German psychologists noticed that people who are given a cluster of sensations tend to organize them into a gestalt

Gestalt: an organized whole. Gestalt psychologists emphasized our tendency to integrate pieces of information into meaningful wholes.

Form Perception

■ Figure and Ground

● Figure-ground

The organization of the visual field into objects (the figures) that stand out from their surroundings (the ground).

■ Grouping

The perceptual tendency to organize stimuli into coherent groups.

● Our mind brings order and form to other stimuli by following certain rules for grouping

◆ These rules illustrate how the perceived whole differs from the sum of its parts

◆ Examples:

➢ Proximity

■ We group nearby figures together

➢ Continuity:

■ We perceive smooth, continuous patterns rather than discontinuous ones

➢ Closure:

■ We fill in gaps to create complete, whole object

◆ These principles help us construct reality, but sometimes they lead us astray

Depth Perception

The ability to see objects in three dimensions although the images that strike the retina are two-dimensional; allows us to judge distance.

■ From the two-dimensional images falling unto the retinas, it can organize three-dimensional perceptions that allow us to estimate distance

■ Eleanor Gibson

● She wondered: Would a toddler peering over the rim perceive the dangerous drop-o and draw back?

◆ To answer the question, Gibson and Richard Walk designed a series of experiments using a visual cliff

Visual cliff: a laboratory device for testing depth perception in infants and young animals.

➢ They tried to convince infants to crawl out onto the glass—an area that looked like the edge of a cliff—but most infants refused to do so, which indicated that they could perceive depth

◆ Depth perception is partly innate and partly learning

■ Binocular Cues

A depth cue, such as retinal disparity, that depends on the use of two eyes.

● Binocular cues are used to judge the distance of nearby objects

● Cues:

◆ Convergence

➢ The inward angle of the eyes focusing on a near object

◆ Retinal disparity

A binocular cue for perceiving depth. By comparing retinal images from the two eyes, the brain computes distance—the greater the disparity (difference) between the two images, the closer the object.

■ Monocular Cues

A depth cue, such as interposition or linear perspective, available to either eye alone.

● Helps us judge (for example) whether a person is 10 or 100 meters away

Motion Perception

■ The brain, normally, computes motion based partly on its assumption that shrinking objects are retreating and enlarging objects are approaching, but people are imperfect at motion perception

● The brain is sometimes tricked into believing what it is not seeing

● When large and small objects move at the same speed, the large objects appear to move more slowly

■ The brain perceives a rapid series of slightly varying images as continuous movement

● We construct that motion in our heads

■ Phi phenomenon

An illusion of movement created when two or more adjacent lights blink on and off in quick succession.

■ Visual Organization and Interpretation

● Relative height

◆ We perceive objects higher in our field of vision as farther away

● Relative size

◆ If we assume two objects are similar in size, most people perceive the one that cast the smaller retinal images as farther away

● Interposition

◆ If one object partially blocks our view of another, we perceive it as closer

● Relative motion

◆ As we move, objects that are actually stable may appear to move

● Linear perspective

◆ Parallel lines appear to meet in the distance

● Light and shadow

◆ Shading produces a sense of depth consistent with our assumption that light comes from above

Perceptual Constancy

Perceiving objects as unchanging (having consistent color, brightness, shape, and size) even as illumination and retinal images change.

■ Regardless of the viewing angle, distance, and illumination, we can identify people and things in less time than it takes to draw a breath

■ Color and Brightness Constancies

● Our experience of color depends on an object’s context

● Color constancy

Perceiving familiar objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object.

● Because we construct our perceptions, we can simultaneously accept alternative objective and subjective realities

● Brightness constancy similarly depends on context

◆ We perceive an object as having a constant brightness even as its illumination varies

◆ This perception of constancy depends on relative luminance

➢ The amount of light an object reflects relative to its surroundings

● Context governs our perceptions

■ Shape and Size Constancies

● Sometimes an object whose actual shape cannot change seems to change shape with the angle of our view

● Size constancy helps us perceive an object as having an unchanging size, even while our distance from it varies

● Even in size-distance judgements, the object’s context is always considered

● The interplay between perceived size and perceived distance helps explain several well-known illusions

● Perpetual organizations applies to other senses as well

◆ Listening to our own language, we can automatically hear distinct words

◆ We can organize a string of letters into words that make an intelligible phrase

➢ THEDOGATEMEAT is more likely seen as “the dog ate meat”, rather than “the do gate me at”

Perceptual Interpretation

■ Immanuel Kant

● German philosopher

● Maintained that knowledge comes from our inborn ways of organizing sensory experiences

■ John Locke

● British philosopher

● Argued that through our experiences we also learn to perceive the world

Experience and Visual Perception

■ Restored Vision and Sensory Restriction

● William Molyneux

◆ Wondered whether “a man born blind, and now adult, taught by his touch to distinguish between a cube and a sphere” could visually distinguish the two

➢ John Locke answered no as the man would never have learned to see the difference

➢ Was put to test with adults who were born blind but later gained sight, but remained unable to visually recognize objects

■ Perceptual Adaptation

● The ability to adjust to changed sensory input, including an artificially displaced or even inverted visual field.

● Humans can adapt to distorting lenses quickly

◆ Even when given a lens that turns the world upside down

◆ Experience guides, sustains, and maintains the brain pathways that enable our perception

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