AcousAcoustics (1)
Page 1: Collisions
Definition of Collisions
Interaction between two or more particles over a short period where they exert strong forces on each other.
Physical contact is not essential.
Types of Collisions
Elastic Collision
Both momentum and kinetic energy are conserved.
Involves only conservative forces.
Total energy remains conserved.
Inelastic Collision
Momentum is conserved, but kinetic energy is not.
Involves non-conservative forces.
Total energy of the system is conserved.
If the bodies stick together post-collision, it's perfectly inelastic.
Coefficient of Restitution (e)
Ratio of relative velocity of separation after collision to velocity of approach before collision.
Formula:
For perfectly elastic collisions, e = 1.
For perfectly inelastic collisions, e = 0.
For other collisions, 0 < e < 1.
One Dimensional (Head-On) Collision
Velocities of colliding bodies along the same line.
Equations for velocities after collision (elastic and inelastic cases).
Equal masses exchange velocities.
If one mass is heavy and at rest, the heavy mass remains at rest while the light mass rebounds.
Page 2: Extended One Dimensional Collisions and Loss of Kinetic Energy
Other One Dimensional Cases
Heavy body colliding with a light body results in:
v1 = u1 and v2 = 2u1 if m1 >> m2.
Kinetic Energy Loss in Collisions
For inelastic collision:
ΔE = m1m2 / (2(m1 + m2)) * (u1 - u2)^2 * (1 - e^2).
For perfectly inelastic collision:
Loss of kinetic energy: m1m2(u1 - u2)^2 / (2(m1 + m2)).
Height After Inelastic Collisions
Height related to rebound velocity after n collisions:
e_n = v_n / v_0 = √(h_n / h_0).
Page 3: Two Dimensional Collisions and Acoustics
Two Dimensional (Oblique) Collision
Velocities do not lie along the same line.
Equations for conservation of momentum in horizontal and vertical directions.
Acoustics
Sound as energy transmitted as pressure waves from vibrations.
Branch of physics dealing with sound: acoustics.
Main application: enhance music/speech sound quality.
Studied by acousticians and acoustical engineers.
Page 4: Types of Acoustics
Environmental Acoustics
Concerned with noise and vibration from transportation.
Musical Acoustics
Study of the physics of music, vocal sounds, instruments, and therapy.
Ultrasounds
Frequencies greater than human hearing limits; applied in various tech fields.
Infrasounds
Frequencies below 20 Hz; applicable in geology and earthquake detection.
Page 5: Other Acoustics Areas
Vibration and Dynamics
Study of mechanical systems and vibrations, applied in construction and railways.
Page 6: Reverberation and Its Time
Key Concepts
Reverberation: sound persistence in halls due to reflections.
Reverberation Time (T)
Time taken for sound intensity to fall to one-millionth (60 dB) of original level.
Optimum T: 1s for speech, 2s for music.
Page 7: Conditions for Good Acoustics
Good Acoustics Conditions
Adequate energy for syllable clarity.
Optimal reverberation time (1s for speech and 2s for music).
Uniform sound distribution throughout the hall.
Minimize external sound interference.
Avoid curved walls to prevent sound focusing.
Page 8: Reverberation Time Adjustments and Recording Techniques
Control of Reverberation Time
Manage T by design choices, like window openings and surface coverings.
Recording Techniques
Mechanical Recording: Stylus engraves disc patterns from sound.
Optical Recording: Converting sound into electric impulses recorded on film.
Page 9: Elements of Music and Audio
Music Elements
Pitch, rhythm, dynamics, timbre.
Noise vs. Musical Sound
Musical sound: continuous vibrations; noise: irregular, unpleasant sounds.
Music Genres
Divided into various classifications (e.g., popular, art music).
Page 10: Music Industry and Cultural Significance
Roles in the Music Industry
Songwriters, performers, sound engineers, event planners, etc.
Importance of Music
In ceremonies, social events, and as a career.
Rhythm and Structure
Arrangement of sounds; maps time through meters.
Page 11: Sound Absorbing Materials
Types
Porous, panel absorbers, resonators.
Porous Absorbers
Carpets, fibrous materials that absorb sound through heat conversion.
Page 12: Sound Transmission and Reflection
Material Characteristics
Good sound reflectors generally prevent sound transmission.
Page 13: Acoustic Foam Overview
Acoustic Foam Benefits
Affordable, easy to install, effective in reducing noise and improving acoustics across various settings.
Page 14: Types of Acoustic Foam
Various Applications
Auditoriums, gun ranges, offices.
Page 15: Acoustic Cotton and Partitions
Eco-Friendly Materials
Resistant to mold/mildew, versatile installation options.
Acoustic Partitions
Temporary solutions for dividing spaces; customizable.
Page 16: Hanging Baffles
Hanging Baffles
Suspend from ceilings for discreet sound absorption.
Page 17: Water Resistant Panels
Quiet Board™
Sound absorption in environments requiring washability.
Page 18: Additional Acoustic Solutions
Other Foam Types
Packaging and shipping solutions; enhance soundproofing where needed.
Page 19: Benefits of Sound Absorbing Materials
Advantages
Customizable, easy installation, improves quality of life.
Page 20: Choosing Sound Absorption Materials
Considerations
Where and what you want to soundproof; design preferences.
Page 21: Quality in Soundproofing
EASYmass and EASYpanel
Specific boards for effective sound insulation and absorption.