Earth Art
Earth Work
A large-scale outdoor installation
Often extending over great distances in time and space
Earthworks were part of the wider conceptual art movement in the 1960s and 1970s
Also called Land Art or Earth Art
Transformation of a natural site into an aesthetic statement
A response to the commercialization and commodification of art in the 1960s
Large-scale, site-specific installations that interact and respond to the natural environment
Land artists often use natural materials such as rocks, wood, leaves, and soil to create their works
Temporary and ephemeral
Subject to natural processes such as erosion, decay, and weathering
Break out of the confines of the museum and gallery setting
The intention is “site-specificity” in nature, existing in the public realm
Not to be treated or sold like conventional sculptures, paintings
Robert Smithson
1970
Northeastern shore of the Great Salt Lake in Utah, USA
6,000 tons of black basalt rocks and earth
500-foot-long and 15-foot-wide counterclockwise coil jutting into the lake's waters
Entropy, geology, and the concept of time
Walter De Maria
Lightning Fields
1977
New Mexico, USA
An area of one mile by one kilometer, comprising 400 stainless steel poles arranged in a grid pattern
Each pole stands 20 feet tall and is spaced 220 feet apart
Designed to attract and interact with lightning strikes during storms
Remote location/minimalistic design encourages contemplation, visitors experience the vastness of the landscape and the interplay between art and nature
Andy Goldsworthy
English sculptor, photographer, and environmentalist
Produces site-specific sculptures and land art situated in natural and urban settings
The interplay between natural materials and the environment, and often incorporates natural elements such as wind, rain, and sunlight into his works.
He works primarily with natural materials such as stones, leaves, and ice
Characterized by its intricate and delicate nature, as well as its emphasis on the process
over productInstallations are often subject to natural processes such as wind, rain, and erosion
Temporary
Earth Art
Earth Work
A large-scale outdoor installation
Often extending over great distances in time and space
Earthworks were part of the wider conceptual art movement in the 1960s and 1970s
Also called Land Art or Earth Art
Transformation of a natural site into an aesthetic statement
A response to the commercialization and commodification of art in the 1960s
Large-scale, site-specific installations that interact and respond to the natural environment
Land artists often use natural materials such as rocks, wood, leaves, and soil to create their works
Temporary and ephemeral
Subject to natural processes such as erosion, decay, and weathering
Break out of the confines of the museum and gallery setting
The intention is “site-specificity” in nature, existing in the public realm
Not to be treated or sold like conventional sculptures, paintings
Robert Smithson
1970
Northeastern shore of the Great Salt Lake in Utah, USA
6,000 tons of black basalt rocks and earth
500-foot-long and 15-foot-wide counterclockwise coil jutting into the lake's waters
Entropy, geology, and the concept of time
Walter De Maria
Lightning Fields
1977
New Mexico, USA
An area of one mile by one kilometer, comprising 400 stainless steel poles arranged in a grid pattern
Each pole stands 20 feet tall and is spaced 220 feet apart
Designed to attract and interact with lightning strikes during storms
Remote location/minimalistic design encourages contemplation, visitors experience the vastness of the landscape and the interplay between art and nature
Andy Goldsworthy
English sculptor, photographer, and environmentalist
Produces site-specific sculptures and land art situated in natural and urban settings
The interplay between natural materials and the environment, and often incorporates natural elements such as wind, rain, and sunlight into his works.
He works primarily with natural materials such as stones, leaves, and ice
Characterized by its intricate and delicate nature, as well as its emphasis on the process
over productInstallations are often subject to natural processes such as wind, rain, and erosion
Temporary