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Pasztory-Social Integration

Levels of Social Integration

  • Seydou Keita's Art: Emblematic representation of social integration in art, showcasing cultural life in photographs, such as that of two African women on a motorbike.

The Development of Art

  • Origin of Art History: Emerged in the West through the appreciation of Greek art, recognized by Johann J. Winckelmann in the 18th century.

  • Naturalism vs. Abstraction:

    • Naturalism: Seen as the peak of art, evolving from abstraction in a continuous model that prevailed until the 20th century.

    • Modernism's Abstraction: Viewed as a deviation from the traditional trajectory of art evolution, regarded as erratic.

  • Global Art Evolution: Lack of comprehensive global evolutionary models; most art historians abstained from such overarching claims due to complexity.

Social Integration and Art Context

  • Social Science Theories: Since Giambattista Vico in the 17th century, social scientists attempted typologies of cultural evolution, sometimes integrating art without sufficient clarity of the concept of "art" itself.

  • Marxist Influence on Art History: Arnold Hauser's attempts to correlate high art with societal contexts faced political bias.

  • Social History in Art: Emerged in the 1970s, advocating the relevance of societal context in art, offering a contrast with poststructuralist philosophy.

Primitive to Modern Art

  • Anthropological Approaches:

    • Emphasis on social context rather than political agendas as critical in understanding "primitive" art.

    • Theories often retreated to premodern observations or generalized universal claims in art history.

  • Jean Duvignaud's Evolutionary Art: Suggested a broad evolution of art from ancient to contemporary forms.

Neo-Evolutionism in Anthropology

  • Social Darwinism Overview: In the 19th century, societies were classified hierarchically, with Western culture at the apex, leading to traditional notions of cultural evolution.

  • V. Gordon Childe's Classification: Articulated stages such as "Savagery" to "Civilization," reflective of a Eurocentric narrative.

Equal Value in Societies

  • Reassessment of Societal Value: The late 20th-century perspective treats all societies as equally valuable, shifting focus from progress to diversity, complicating scholarly discourse around cultural evolution.

  • Cultural Equivalence: The former hierarchical terminology regarding cultural advancements is now viewed as inappropriate and overly simplistic.

Modern Theoretical Frameworks

  • 1970s Typology Revival: American anthropologists revived evolutionary concepts, now with sociological terminology: Bands, Tribes, Chiefdoms, and States.

    • These classifications remained critiques but aimed at understanding sociocultural integration rather than hierarchical valuation.

  • Critiques of Neo-Evolutionary Theory:

    • Field Application: Critics argue that theoretical classifications rarely reflect field realities, with cultures being blends of types rather than pure examples.

    • Historical Disregard: Many critiques emphasize the importance of understanding the history of societies rather than applying broad evolutionary stages.

Societal Dynamics and Processes

  • Non-linear Processes: Modern authors highlight phenomena as reversible processes rather than fixed evolutionary stages, advocating for instability and continuous change in social structures.

  • Cultural Interactions: Eric Wolf and others argue for the significance of interconnectedness of cultural systems, impacting their evolution and development.

Grand Theories vs. Specific Histories

  • Need for Balanced Perspectives: The text indicates a requirement for research that bridges grand theoretical frameworks and detailed historical examination to reach a more comprehensive understanding of human societies.

Art in Social Contexts

  • Art Evolution: Art has historically shifted from integral to marginal roles in societies, with socio-political contexts shaping its function and perception over time.

  • Anthropological Influences on Art: The connection between societal organization and artistic expression, the articulation of culture through material objects, and the relevant historical contexts of these transformations are essential to understanding art's evolution.