Christian churches often named based on function or location.
Monastery: Church for monastic communities (monks/nuns) focused on a God-centered life.
Martyrium: Martyr's church built on sites associated with saints' deaths.
Diocese: District for Christian communities led by a bishop.
Cathedral: The bishop’s church, where he preaches.
Many churches dedicated to specific holy figures or concepts.
Frequent dedications to Jesus and Mary (e.g., Notre Dame means "Our Lady" in French).
Examples of churches:
Cathedral of Notre Dame (Paris, Chartres)
Monastery of Saint Catherine (Sinai)
Unique names like "Saint Mary's Church in the hollow of the white Hazel."
Distinct church functions influenced their architecture.
Churches needed spaces for baptisms, altars, unlike pagan temples.
Influences mainly drawn from secular Roman buildings rather than pagan temples.
Two main types of plans: longitudinal/basilican and central.
Basilican Plan: Example from Basilica Ulpia, capable of holding large congregations, without pagan religious influence.
Churches typically entered through an atrium.
Narthex: Vestibule that leads into the main nave.
May have a transept in front of the apse.
One of the first major Christian structures in Rome ordered by Constantine.
Built over Saint Peter's believed martyrdom site.
Designed to accommodate 14,000 worshipers.
Functionality included side aisles for movement without disrupting worship.
Elevation: Basic three-part structure with arcade, wall, clerestory. Orthogonal arrangements became more ornate over time.
Churches like Santa Sabina showcase features like higher nave with clerestories.
Architecture facilitated transition from earthly to heavenly experience through design.
Inspired by tombs/mausoleums; suitable for martyrs' churches and baptismal locations.
Santa Costanza example: originally a mausoleum, features colorful interiors contrasting with plain exteriors.
Mosaics often represented dual meanings, bridging pagan and Christian symbolism.
Peacock motifs symbolize resurrection and Christian imagery, often derived from pagan meanings.
Sarcophagi carved with biblical scenes; example of Junius Bassus's sarcophagus illustrating Jesus as the cosmocrator.
Central figures juxtaposed biblical narratives to establish prevailing theological themes.
The mausoleum previously called an oratory, looks simple outside but ornate within, exemplifies the contrast in design.
Saint Lawrence depicted in mosaics symbolizing martyrdom through associated props (e.g. griddle).
Transitioning artistic styles seen in church mosaics, examples include the Church of Saint George with figures showcasing a blend of classical and emerging Byzantine styles.
Rigid iconography and geometric patterns indicative of evolving Byzantine art and architecture.