lecture 5 part 3

Introduction to German Expressionism

  • Definition: A significant movement in Northern Europe during the early 20th century (1900-1930).

  • Influences: Sprang from Romanticism, particularly influenced by Fauvism.

Characteristics of German Expressionism

  • Color and Space:

    • Color is not used naturalistically (Fauvist influence).

    • Distorted or flattened space; rough brush strokes are preferred over smooth surfaces.

  • Artist's Hand:

    • Visible execution of the medium, showcasing the artist's hand.

  • Dialogue with Art History:

    • Engages with traditional art, yet showcases distinct differences.

    • German Expressionists often lacked formal academic training, contrasting with Fauvist artists.

Themes and Influences

  • Contemporary Issues:

    • Expressionists are often engaged with contemporary social issues and make social statements through their art.

  • Emotional Content:

    • Strong emotional expression was present in prior German art (e.g., landscape painting from the 19th century).

    • Notable emotionalism during the Medieval and Renaissance periods in Germany—characterized by suffering and intense emotion.

  • Folk Traditions and Other Art Influences:

    • Influenced by native folk traditions, children's art, and African and Oceanic art, classified as 'primitive' art forms in the early 20th century.

Artistic Centers in Germany

  • Diverse artistic movements across several cities:

    • Major cities included Berlin, Dresden, and Munich.

Paula Modersohn-Becker: A Key German Expressionist

  • Potential Bridger of Northern Art to Expressionism:

    • Lived in an artist gallery outside of Dresden, focused on simpler, more authentic culture.

  • Primitivism Influence:

    • Her style included elements influenced by folk art and non-Western sources.

  • Experiences in Paris:

    • Inspired by Impressionists and post-Impressionists (e.g., Van Gogh, Gauguin, Cezanne) during her pilgrimage to Paris.

  • Artistic Themes:

    • Created art emphasizing direct emotion, simplicity, and sensitivity to nature.

Gender and Artistic Practice

  • Concerns of Female Artists:

    • Paula’s worries about marriage and motherhood affecting her art were notable; she died during childbirth, emphasizing her struggles as a woman artist.

Case Study: Self Portrait on Her Sixth Wedding Anniversary (1906)

  • Work Analysis:

    • Combines elements of primitivism with a nude self-portrait.

    • Dramatizes the female form in a personal and unique context.

  • Significance of Subject Matter:

    • Unlike the typical male perspective, she presents her pregnant body not as an object but as a symbol of creativity.

    • Challenges the objectification of female nudes often exploited in art history.

  • Visual Elements:

    • The image's flattened appearance relates to domesticity and flourishing life (e.g., connection with flowers in the background).

    • Highlights individualization and a deep connection between the portrayal of her body and her artistic expression.

Summary

  • Paula Modersohn-Becker's contributions to German Expressionism exemplify a new understanding of female identity and the intersection of personal experience and artistic expression.

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