Ann Arbor Paperbacks
Published by the University of Michigan Press
Copyright © by Kamau Brathwaite, 1993
ISBNs: 0-472-09544-7, 0-472-06544-7
First edition: 1986 by Ediciones Casa de las Américas, Havana
Sir Galahad and the Islands / 7
Roots / 28
Jazz and the West Indian novel / 55
Caribbean critics / 111
Creative literature of the British West Indies during the period of slavery / 127
Brother Mais / 171
The African presence in Caribbean literature / 190
History of the voice / 259
Bournehills Mas' Pageant:
Annual celebration reflects the community's shared history and struggle.
Represents defiance against systemic oppression.
Community voices unify to celebrate a moment of rebellion.
Collective Identity:
Voices of the community emphasize collective strength and trust.
Recognition of a shared heritage despite historical oppression.
Language Diversity:
Creole, English, and remnants of ancestral languages coexist.
English is the imposed imperial language.
Creole emerges as a linguistic adaptation blending African languages and English.
Historical Background:
The Caribbean islands were originally populated by Amerindian peoples.
Post-Columbus, European colonization fragmented local cultures and introduced slavery.
Imported laborers from West Africa brought their languages, influencing Caribbean English.
Educational Systems:
The dominant system perpetuates colonial languages, ignoring local linguistic diversity.
A disconnect exists between the educational curriculum and Caribbean realities.
Cultural Disconnect:
Local heroes and experiences are overshadowed by British literature.
Influence on Literature:
Caribbean writers often adopt foreign literary models over indigenous experiences.
Nation Language vs. Dialect:
Nation Language incorporates African influences and everyday speech.
The importance of oral tradition in maintaining cultural heritage.
Calypso and Rhythm:
Calypso as a potential avenue for new poetic forms, breaking traditional boundaries.
Draws heavily from African oral traditions and reflects cultural experiences.
Cultural Identity:
Emergence of distinct sounds, rhythms, and expressions rooted in Caribbean life.
Music deeply interwoven with language, providing rhythmic and expressive patterns.
Contemporary Poets:
Some Caribbean poets explore nation language and the complexities within local culture.
Literary criticisms often lag in recognizing the validity of dialects as rich linguistic expressions.
Importance of acknowledging the poetic forms derived from oral traditions.
Comparative Analysis:
Study of historical influences reveals a growing recognition of indigenous contributions.
Examination of poems addressing socio-political issues in Caribbean society.
Poets from upper classes often write in conventional formats, potentially lacking depth in representation.
Recognition of poets who have used their platform to address local issues and cultural suppression.
Miss Lou's Contribution:
Critique of colonial language hierarchies.
Focus on folk and community language shapes identity.
Emerging Styles and Voices:
Voices like Michael Smith and Oku Onoura epitomize this blend of cultural expressions today.
Poets harness musical elements to create impactful societal narratives.
Reggae, calypso, and other musical styles reflect the vibrancy of Caribbean society and its struggles.