Rhetoric and Persuasion Techniques
METHODOLOGY: RHETORIC
- Definition of Rhetoric:
- Rhetoric encompasses discourse processes that stimulate or strengthen individuals' adherence to propositions presented to them.
THREE TYPES OF RHETORIC
Rhetoric as Speech:
- Any public expression (oral or written) constitutes discourse.
- Three genres of rhetoric:
- Judicial: Focuses on past actions and their justice.
- Deliberative: Centers on future actions and policies.
- Epideictic: Concerned with praise or blame in the present.
Rhetoric as Eloquence:
- Etymology: Derived from the Latin verb ‘loquor’ meaning "to speak".
- Involves the ability or skill of public speaking effectively.
Rhetoric as Technique:
- Involves learned ability or skill to articulate well, necessitating systematic teaching and theory.
PERSUASION ELEMENTS
Key Players in Rhetoric:
Orator:
The impact of argumentation varies with the speaker’s credibility and respect.
Possession of 'capital of trust' and moral authority enhances persuasive power.
Media (Language):
Focuses on intrinsic quality of arguments: relevance, proof, clarity, and correctness of language.
Emphasizes rationality of logos, where logical arguments lead to audience agreement.
Audience:
The discourse must resonate with the audience’s opinions and emotions.
Persuasion incorporates emotional appeal to elicit engagement beyond mere logic.
RHETORICAL ART
Application of Rhetoric:
- Rhetorical art enables the orator to tactfully engage these three dimensions for effective persuasion.
Three Key Concepts in Greek and Latin:
- Ethos (Grec) vs. Conciliare (Latin):
- Ethos concerns the character and credibility of the speaker.
- Conciliare targets audience engagement and building rapport.
- Logos (Grec) vs. Docere (Latin):
- Logos signifies reasoning capacity.
- Docere involves delivering informative, verifiable content.
- Pathos (Grec) vs. Mouere (Latin):
- Pathos identifies the emotional response in the audience.
- Mouere means to evoke or stir emotions, facilitating connection.
PREPARATORY EXERCISES
Types of Exercises (in Greek Progymnasmata / Latin Praeexercitamenta):
- Fable (mythos, fabula): Write a fable to illustrate a moral.
- Narration (narratio): Present facts in a clear story format.
- Chrie: Short anecdotes to comment on moral lessons.
Other Exercises:
- Maxim, Refutation, Confirmation, and Praise, etc.
ARISTOTLE'S FOUR TYPES OF AUDIENCES
- Auditors: Target group to persuade.
- Spectators: Onlookers not directly engaged.
- Orators: Speakers influencing others through argumentation.
- Interlocutors: Two speakers interacting with each other.
FOUR RHETORICAL DYNAMICS
- Monological: One speaker addressing an audience.
- Deliberative: Discussion aimed at reaching a decision.
- Competitive: Debate where rivals argue for dominance.
- Conflictual: Engagement reflecting opposition and disagreement.
WORKING WITH ETHOS
- Elements of Ethos:
- Sincerity, competence, seduction (appealing benevolence).
- Various formats: verbal, paraverbal, and non-verbal communications.
THE WORK OF LOGOS
- Argumentation Structure:
- Exordium: Introduction to engage audience attention.
- Narration: Present relevant facts coherently.
- Argumentation:
- Confirmation: Support claims with evidence.
- Refutation: Address counterarguments.
- Peroration: Conclusing with emotional appeal or summary.
ARGUMENTS AND EVIDENCE
- Types of Evidence:
- Non-technical: Established outside rhetorical skill.
- Technical: Invented through rhetorical ability.
- Sign vs. Likelihood:
- A sign is observable; likelihood is probable based on experience.
SYLLOGISMS IN ARGUMENTATION
- Deduction: General to particular (e.g., All humans are mortal: Socrates is a human: Therefore, Socrates is mortal).
- Induction: Particular to general (e.g., All swans observed were white: All swans are white).
GOOD ARGUMENT CRITERIA
- Arguments must be:
- Rigorous: Soundly structured.
- Effective: Persuades and resonates.
USAGE OF NARRATION
- Crafting persuasive narratives enhances engagement by evoking emotions and illustrating morals effectively.
FINAL REMARKS
- Rhetoric is a comprehensive disciplinary practice that combines ethical appeals, logical structures, and emotional significance to engage and persuade audiences.