Week+5+ARTISTIC+PERSPECTIVES
WEEK 5: ARTISTIC PERSPECTIVES
Required Reading:
Sturken & Cartwright, Practices of Looking, Chapter 4: "Realism and Perspective: From Renaissance Painting to Digital Media"
Berger, Ways of Seeing, Chapter 1
Available as PDF on Quercus.
Today's Lecture
Topics Covered:
The Gaze and Surveillance (continued)
Perspective in Art
Preparing for the Midterm (final 15 mins)
The Panopticon
Introduced by Michel Foucault in Discipline and Punish (1975)
Describes the self-regulating effect of an inspecting gaze reminiscent of Jeremy Bentham's prison design.
Key points:
Inspection functions continuously in various contexts.
The act of gazing creates self-regulatory behavior.
Foucault's Observations on Spaces
Foucault comments on the similarities among prisons, factories, schools, and hospitals, illustrating societal structures of surveillance.
Quote: "Is it surprising that prisons resemble factories, schools, barracks, hospitals, which all resemble prisons?"
Existential Comics Analysis
Illustrative scenarios of Foucault in various settings:
School: Critique of disciplinary techniques transforming students into compliant bodies for capitalism.
Hospital: Analyzing architecture and waiting as surveillance mechanisms.
Prison: Integration into a complex disciplinary network.
Impact of Cameras on Perception
Discussion on how the prevalence of cameras in society affects the collective gaze.
The Clinical Gaze
Dr. Charcot's documentation of hysterics highlights medical perspectives on normality and 'otherness'.
Term 'Biopower'
Defined by Foucault as authoritative power exerted over the human body through institutional practices.
The Western Gaze and Orientalism
Edward Said’s concepts on how Western cultures perceive non-Western cultures as 'Other'.
Examination through artworks like Ingres's La Grande Odalisque (1814).
Gender Representation in Art
Statistics from art surveys
1989: 5% of artists were women, 85% of nudes were female.
2004: 3% of artists were women.
Guerrilla Girls' 2005 poster questioning the visibility of women artists.
Alternative Viewpoints in Advertising
Calvin Klein's male-centric ads analyzed through historical and contemporary lenses, including Justin Bieber's campaigns.
Discussion of alternative viewing positions that critique traditional perceptions of gender in the gaze.
Historical Developments in Perspective
Ancient perspectives illustrated in Egyptian art (e.g., hieroglyphics).
Key figures:
Leon Battista Alberti, Della Pictura (1435) defined horizon line and vanishing point.
Renaissance examples:
Botticelli, Cestello Annunciation (1489)
Mantegna, Lamentation Over the Dead Christ (1480)
Berger emphasizes perspective's focus on the viewer's eye, citing the relationship of visual perception and reality.
Evolution of Visual Techniques
Dürer’s Artist Drawing a Nude with Perspective Device (1525) and other artists like Magritte explore new perspectives.
Introduction of the camera obscura by Leonardo da Vinci (1490) setting the stage for photographic techniques.
Progression through photography with Daguerre’s and Talbot's works from the 1800s.
Modern Art Movements
Impressionism: Monet's works highlight shifts in perception, exemplified by Gare Saint-Lazare (1877).
Cubism: Georges Braque and Picasso's experimentation with perspective in the 20th century.
Contemporary shifts in perspective illustrated through digital art by Mark Napier and video games, raising questions about gaze and representation.
Midterm Preparation
Midterm Test scheduled for Feb. 14.
Logistics:
Duration: approx. 1 hour, with an extra 20 mins to review.
Format: Multiple-choice, fill-in-the-blank, short answers, and visual analysis of examples.
Emphasis on key concepts, terms, important figures/theorists, and images from lectures.
Study guide will be available on Quercus by Feb. 8.
Reminder to bring extra pen.