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The Manuscript Painting Tradition

Overview of the Vishnudharmottara Purana

  • The third Khanda of the Vishnudharmottara Purana (5th century) serves as a source for Indian art and painting.

  • Features a chapter called Chitrasutra outlining:

    • Art of image making (pratima lakshana).

    • Canons of painting including:

      • Techniques and tools.

      • Materials and surfaces (walls).

      • Perception, perspective, and depiction of three-dimensional figures.

Key Concepts in Painting Canons

  • Roobheda: Looks and appearance.

  • Pramana: Measurements, proportions, and structure.

  • Bhava: Expressions in painting.

  • Lavanya yojana: Aesthetic composition.

  • Sadrishya: Resemblance to subjects.

  • Varnikabhanga: Use of brushes and colors.

  • These canons guide artists, influencing painting styles throughout Indian history.

Types of Paintings

  • Miniature Paintings: Small, portable, detailed artworks observed closely. Not intended for display on walls.

  • Mural Paintings: Large artworks decorating patrons' mansions.

  • Manuscript Illustrations:

    • Include artistic representations of texts like epics and literary works.

    • Texts usually handwritten in designated spaces above or below the illustrations.

    • Often presented in thematic sets, such as those for Ramayana, Bhagavata Purana, and others.

Importance of Colophon Pages

  • Colophon pages provide crucial information about the artworks:

    • Names of patron, artist, date, and place of creation.

  • Often lost over time, leading to challenges in attributing works.

Preservation Challenges

  • Manuscript paintings are fragile, vulnerable to damage from fire, humidity, and mishandling.

  • Often gifted as dowries or exchanged between royalty, contributing to their dispersion.

  • The reconstruction of painting history is complicated due to missing colophon pages and undated sets.


Western Indian School of Painting

Overview

  • Mainly flourished in the western regions, particularly Gujarat, Rajasthan, and parts of Central India.

  • Due to prosperous trade networks, wealthy merchant patrons, especially from the Jain community, influenced art themes.

Jain School of Painting

  • Focused on Jain themes, bolstered by the tradition of shaastradaan (donation of books).

  • Important texts include Kalpasutra, Kalakacharyakatha, and Sangrahini Sutra:

    • Kalpasutra focuses on the lives of the 24 Tirthankaras with key events like conception and enlightenment.

    • Kalakacharyakatha follows Acharya Kalaka's quest to rescue his sister.

    • Uttaradhyana Sutra outlines Mahavir's teachings on monastic conduct.


Artistic Techniques and Characteristics

Early Jain Manuscripts

  • Initially painted on palm leaves, treated for durability before the introduction of paper in the 14th century.

  • Paintings adhere loosely and feature moments from Jain narratives blended with text sections.

Stylistic Elements

  • Use of bright colors and patterns, thin lines, and attempts at three-dimensionality.

  • Elements of architecture reflect the political contexts of the time.

  • Notable creative phase (1350-1450), showcasing dynamic representations of figures and landscapes, with lavish gold detailing indicating high social status of patrons.


Pre-Mughal and Mughal Influences

  • A transition into pre-Mughal or indigenous styles, which showcase transparency in fabrics and suggestive architectural elements.

  • Emergence of Sultanate School of Painting blending Persian and indigenous styles:

    • Defined by hybrid features, as seen in works like Nimatnama.

  • Illustrates a hybrid style, encompassing rich culinary and cultural narratives.


Pala School of Painting

Historical Context

  • Active during the 11th and 12th centuries, notable for Buddhist art.

  • Produced from Buddhist monasteries, spreading artwork across South East Asia.

  • Works like Astasahasrika Prajnaparamita exemplify Pala style with flowing lines and subdued colors.

Decline of Pala Art

  • The Pala dynasty weakened due to Muslim invasions in the early 13th century, marking the end of Pala art.


Conclusion

  • The manuscript painting tradition in India is a rich tapestry of cultural, religious, and artistic influences.

  • Understanding these various schools and styles enhances appreciation for India's artistic heritage.

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