Act One: Set at St. Paul's Church late at night; flower girl Eliza meets Higgins, a phonetics professor. He proposes to transform her speech to help her succeed in society.
Act Two: Eliza seeks lessons from Higgins; a bet is made between Higgins and Pickering on her success. Eliza's father, Doolittle, appears, revealing his disregard for her welfare.
Act Three: Eliza attends a social gathering, demonstrating her newfound speaking skills. Tension arises as Mrs. Higgins expresses concern for Eliza's future.
Act Four: Eliza feels ignored, leading to conflict with Higgins, who suggests marriage but Eliza reacts with anger, highlighting their emotional disconnect.
Act Five: Eliza confronts Higgins, asserting her independence and plans to marry Freddy instead, despite Higgins' disdain. The play ends ambiguously regarding their future.
Ending Analysis
Audiences expected a marriage between Higgins and Eliza, but Eliza chooses to assert her independence by opting to marry Freddy.
Shaw believed a marriage between Higgins and Eliza would undermine her autonomy.
Different adaptations present varying endings; Shaw's intention was to showcase Eliza's growth and self-respect.
Key Productions
Premiered in Vienna (1913), staged in New York (1914), and opened in London later that year.
Shaw clashed with actors in the London production but ultimately shaped its successful direction.
Adaptations include the musical "My Fair Lady" and a 1936 film starring Leslie Howard.
Censorship and Controversy
The use of the word "bloody" became a notable controversy, showcasing the period's conservative views on language in theatre.
Despite receiving initial approval, the reaction to Eliza's line highlighted societal sensitivity to language, shifting focus away from the play’s deeper themes.
Conclusion
"Pygmalion" addresses themes of social class, identity change, and the pursuit of independence, marking a significant commentary on class structures and personal relationships in early 20th-century society.