alliteration – the repetition of beginning sounds, usually consonants, in neighboring words
allegory – a story with a second meaning hidden inside its literal one
allusion – within a poem, a reference to a literary work or an event, person, or place outside the world of the poem
anaphora – repetition in which the same word or phrase is repeated, often at the beginning of lines
anastrophe – a deliberate inversion of the normal order of words
annotation – a reader’s written comments on a poem
anthology – a book of poems by different poets
assonance – the repetition of vowel sounds in neighboring words
cadence– a rhythmic pattern that’s based on the natural repetition and emphases in speech
caesura (si·ZHOOR·uh) – a slight but definite pause inside a line of a poem created by the rhythm of the language or a punctuation mark, e.g., a period, dash, or colon in the middle of a line
cliché – an expression that has been used so much it has lost its freshness or meaning, e.g., a rainbow of colors, as busy as a bee, a blanket of snow; note: the adjective form is clichéd
close form – poetry written to an established pattern, e.g., a sonnet, limerick, villanelle, pantoum, tritina, sestina, or rondel
collection – a book of poems by one poet
concrete – a real, tangible detail or example of something; opposite of abstract or general
couplet – a pair of lines, usually written in the same form
connotation – the emotions and associations that a word suggests beyond its literal meaning
denotation – the literal or dictionary meaning of a word
diction – a poet’s word choices
elegy – a poem of mourning or praise for the dead
end-stopped line – when meaning and grammar pause at the end of a line: a line-break at a normal pause in speech, usually at a punctuation mark; the opposite of an enjambed line or enjambment
enjambed line (enjambment)– when the meaning and grammar of a line continue from one line to the next with no pause; also called a run-on line
epigraph – a quotation placed at the beginning of a poem to make the poem more resonant
figurative language – comparisons between unrelated things or ideas: metaphors, similes, personification, and hyperbole are all types of figurative language, which reveals the familiar in a new, surprising way; the opposite of literal language
free verse – poetry that doesn’t have a set rhythm, line length, or rhyme scheme; it relies, instead, on the natural rhythms of speech; today the most widely practiced form of poetry in the English language
form – the structure of a poem; how it is built
hyperbole –when a poet exaggerates on purpose for effect
image/imagery – a sensory response evoked in the mind of a reader by the diction in a poem; not just visual but any sensory impression— sound, touch, taste, odor—inspired by language
irony – when a poet says one thing but means something else
line – a group of words in a row; the unit of a poem
line break – the most important point in a line of poetry: the pause or breath at the end of a line
literal language – the straightforward meanings of words; the opposite of figurative language
lyric poetry – short poems (fewer than sixty lines) about personal experiences or feelings; most verse written today is lyric poetry
metaphor – a comparison in which the poet writes about one thing as if it is something else: A = B, with the qualities of B transferred to A
open form – see free verse
oxymoron – a figure of speech that combines two words that contradict each other, e.g., bittersweet
personification – a comparison that gives human qualities to an object, animal, idea, or phenomenon
poet laureate – a title given to an outstanding Canadian poet by the Parliament of Canada, usually for one or two years
prose poem – a piece of writing that has poetic features—rhythm, imagery, compression—but doesn’t rhyme, conform to a set rhythm, or break into lines
rhyme scheme – the pattern of rhyming in a poem; to describe the pattern, each line is assigned a letter, and lines that rhyme are given the same letter, e.g., abab
sensory diction – language in a poem that evokes one of the five senses
simile – a kind of metaphor that uses like or as to compare two things: A is like B
speaker / persona – the voice that speaks the words of a poem, not necessarily the same person as the poet
stanza – a line or group of lines in a poem that’s separated from other lines by extra white space; a division in a poem that occurs at a natural pause or at a point where the poet wants to speed up or slow down the poem, shift its tone, change the setting, or introduce a new idea or character
symbol – a thing or action that represents, in addition to itself, something else
tercet – a unit of three lines, usually written in the same form
theme – an idea about life that emerges from a poem
tone – the attitude of the speaker or poet toward the subject of the poem or toward the reader
tricolon – a rhythm, pattern, or emphasis used three times; a.k.a. “the power of three”
turn – a point in a poem when its meaning moves in a new, significant direction, or its theme emerges