Film Script Analysis
Film script conventions:
Neologisms (SCI-FI, bring something new to audience)
Panning shot
Wide shot
Close up
POV of specific characters
Instructions
INT and EXT
Action codes
Visual codes
Establishment of context and setting
Capitalisation for emphasis
INT and EXT
Context
Audio codes e.g. brutal noise replaced with silence, sounds of native animals
Visual codes e.g. blackness
Repetition e.g. A long time ago in a galaxy far, far away (motif)
How are characters presented through the use of dialogue and description? What sense of personality does the audience gain? Register?
‘A growling roar of mean engines’, gnarled, shuddering stormtroopers
Lor san tekka (rugged, kind) : description of character ‘you have to leave. Go!’ (selfless)
Capitalised
CUT, PAN, WIDE SHOT- Technical codes stand out to directors and actors
JAKKU VILLAGE- Emphasises change of setting
LEATHER SACK- Props
Features
Rumbling, shuddering, flickering- SF of sensory, dynamic verb, fast moving action
Neologisms- quadnocs (sci fi)
Film script conventions:
Neologisms (SCI-FI, bring something new to audience)
Panning shot
Wide shot
Close up
POV of specific characters
Instructions
INT and EXT
Action codes
Visual codes
Establishment of context and setting
Capitalisation for emphasis
INT and EXT
Context
Audio codes e.g. brutal noise replaced with silence, sounds of native animals
Visual codes e.g. blackness
Repetition e.g. A long time ago in a galaxy far, far away (motif)
How are characters presented through the use of dialogue and description? What sense of personality does the audience gain? Register?
‘A growling roar of mean engines’, gnarled, shuddering stormtroopers
Lor san tekka (rugged, kind) : description of character ‘you have to leave. Go!’ (selfless)
Capitalised
CUT, PAN, WIDE SHOT- Technical codes stand out to directors and actors
JAKKU VILLAGE- Emphasises change of setting
LEATHER SACK- Props
Features
Rumbling, shuddering, flickering- SF of sensory, dynamic verb, fast moving action
Neologisms- quadnocs (sci fi)