Notes on European Art Music and Representation in Classical Music
Terminology Shift in Classical Music
The term "classical music" is traditionally used to describe a certain era in music.
Modern composers, such as Jennifer Higdon and Auguste Thomas, prefer the term "European Art Music" to reflect their adherence to the classical tradition.
Acknowledges that in 2025, the term "classical" may not encompass the entirety of music created in this tradition.
Characteristics of European Art Music
Instrumentation typically includes stringed instruments such as the violin and cello.
Emphasis on tempo: can range from slow and calm to upbeat and lively.
Music can feature rising action in pitch and volume, creating intensity.
Example discussed: A piece 200 years old with fast notes, contributing to chaos or anxiety—common in soundtracks for animated media.
Judith Weir's Contributions
Judith Weir was the first woman to hold a position as Master of the Queen's Music in 2014, a role that had existed for nearly 400 years.
Her music often reflects traditional styles due to her role in royal events, such as the Queen's 90th birthday and commemorating the 1918 Armistice.
Worked in this position until 2024 after 10 years.
Valerie Coleman's Impact
Valerie Coleman visited the campus, leading to a residency and interactions with students, highlighting the need for more representation in classical music.
Focused on the experiences of students who had not encountered music by women or individuals of color in their studies.
The shift in students' perspectives illuminated how representation affects engagement with music.
Discussed an emotional encounter by a student named Diamond, who had trouble finding representation in classical music imagery.
Coastal Carolina now houses the Valerie Coleman Library, boasting the largest collection of her music in the world.
Student Engagement and Opportunities
Students expressed excitement in playing music by composers who resemble them, signifying a shift towards inclusivity in music education.
Diamond's reflections on her experience with Valerie Coleman emphasize the impact of access to diverse music on personal identity and artistic expression.
The collaboration and engagement underscore the importance of bringing diverse voices into classical music to enrich the learning environment.