Name translates to "tool/means (gu) + body (tai)."
Japanese art group founded in 1954 by Yoshihara Jiro.
Radical, post-war artistic group.
Known for innovative happenings, performances, and events.
Aims to break the barrier between art and life.
Example: "Breaking Through" performance, symbolizing post-WWII reconstruction.
Political and artistic group founded in 1957.
Active in Europe in the 1950s and 1960s.
Known for social and political critiques.
Formed by merging three groups.
Supported student protests in France in 1968.
Rooted in Marxism and avant-garde movements like Dada and Surrealism.
Guy Debord was a key member.
Technique used by the Situationist International.
"Interrupting the spectacular flow" by shifting familiar elements.
Creating a new situation from an existing one.
Often used to shock the viewer.
Example: Duchamp's L.H.O.O.Q. (Mona Lisa with a mustache).
Situationist practice.
"Drifting" through urban landscapes without a plan.
Done alone or in groups.
Goal: grow aware of societal shifts in space.
Focus on emotional effects of urban landscapes.
Introduced by Umberto Eco.
Artworks open to various interpretations.
Viewer "completes" the artwork.
Example: John Cage's 4'33".
Removes artist intent.
First used by Allan Kaprow.
Events based on scores (instructions).
Breaks boundaries between viewer and artwork.
The viewer becomes a participant.
Example: Kaprow's Yard.
Encourages buying more products.
Belief: more consumption equals more happiness.
Target of critique by artists (e.g., Situationists).
Critiqued for creating "spectacle culture."
Group of artists in London in the 1950s.
Discussed contemporary visual culture.
Questioned modernism.
Precursor to Pop Art.
Started with the Independent Group.
Employs commonplace images from mainstream culture.
Reflection of society.
Impersonal style.
Bold colors and hard-edged images.
Notable Artists: Andy Warhol, Roy Lichtenstein.
Stenciling method.
Ink forced through a mesh screen.
Used by Pop artists (e.g., Andy Warhol).
Term used by Robert Rauschenberg.
Hybrid creations: part painting, part sculpture.
Example: Monogram.
Art movement in New York in the 1960s.
Simplicity and austerity.
Focus on intrinsic qualities of a medium.
Notable Artists: Donald Judd, Dan Flavin, Robert Morris.
Coined by Donald Judd.
Three-dimensional works (neither painting nor sculpture).
Large scale.
Depart from conventional formats.
Made from any material.
Psychology term ("shape" or "form").
Perceptual experience as a whole, greater than the sum of its parts.
Used in Minimalism.
Relationship between artwork and viewer.
Site-specific sculptures in nature.
Large scale.
Subject to environmental variables.
Transforms awareness of human-earth relationship.
Notable Artists: Robert Smithson, Richard Long, Nancy Holt.
Art created for a particular location.
Meaning tied to the work and location.
Considers space's history, culture, and purpose.
Used in sculpture and architecture.
Size: actual physical dimensions.
Scale: size in relation to another object.
"Size determines an object, but scale determines art." -Robert Smithson
Positive space: subject areas.
Negative space: background.
Example: M.C. Escher's Sky and Water I.
Values ideas and messages over aesthetics.
Emerged from Minimalism.
Encourages critical thinking about art.
Sol LeWitt is an example.
Art that refers to itself.
Uses symbolism or imagery.
Example: MoMA Logo (stacked boxes).
Conceptual artist collaborative.
Founded in Britain in 1968.
Provocative texts.
Challenges traditional art forms.
Named after their journal.
Empowers women and promotes equal rights.
Stemmed from the Civil Rights Movement.
Arose from the lack of women artists in US museums.
Ad Hoc Women Artists' Committee brought this art to light.
Examples: The Dinner Party, American People Series # Die, Womanhouse exhibition.
Formed in 1970.
Brings awareness to women's contributions in the arts.
Formed after a lack of women in a Whitney Museum exhibition.
Members: Faith Ringgold, Lucy Lippard, Brenda Miller.
Feminist art installation and performance.
Open to the public in 1972.
Created by Judy Chicago and Miriam Shapiro.
Refutes traditional roles of women in society.
Anonymous group of female artists.
Formed in New York City in 1985.
Wear gorilla masks.
Raise awareness about the lack of female and minority artists.
Expose sexism and racism in the art world.
Art that can transform society.
Used by Joseph Beuys.
Everyone is an artist with creative potential.
Art should have a purpose.
Shaman: someone with access to the spirit world.
Artist as shaman: transformative and ahead of their time.
Changes the collective consciousness.
Example: Joseph Beuys.
Formed by Joseph Beuys in 1971.
Political organization.
Promotes democracy.
Believes everyone should have a say and equal opportunities.
Contemporary art movement.
Began in 1999 with the Stuckists.
Opposed to conceptual art.
Bold colors and traditional art forms.
Values humility, spirituality, and sincerity.
Simple and uses industrial materials.
Often site-specific.
Example: Joel Shapiro.
US government program.
Established in 1963.
Funds artworks for federal buildings.
Examples: La Palme, Transparent Horizon.
Large size and digital manipulation.
Used in advertising and art galleries.
Example: Andreas Gursky.
Contemporary art movement.
Sensationalist imagery and culture of spectacle.
Often shocking and provocative.
Example: Damien Hirst.
Young British artist.
Group of British artists from Goldsmiths College.
Sensationalist works and entrepreneurial spirit.
No unifying aesthetic attributes.
Example: Damien Hirst.
Iraqi-British businessman and art collector.
Co-founder of Saatchi & Saatchi.
Founder of the Saatchi Gallery.
Major collector of yBa art.