ART HIST Midterm Study Guide: Key Terms 

Gutai (Concrete Art):

  • Name translates to "tool/means (gu) + body (tai)."

  • Japanese art group founded in 1954 by Yoshihara Jiro.

  • Radical, post-war artistic group.

  • Known for innovative happenings, performances, and events.

  • Aims to break the barrier between art and life.

  • Example: "Breaking Through" performance, symbolizing post-WWII reconstruction.

Situationism:

  • Political and artistic group founded in 1957.

  • Active in Europe in the 1950s and 1960s.

  • Known for social and political critiques.

  • Formed by merging three groups.

  • Supported student protests in France in 1968.

  • Rooted in Marxism and avant-garde movements like Dada and Surrealism.

  • Guy Debord was a key member.

Détournement:

  • Technique used by the Situationist International.

  • "Interrupting the spectacular flow" by shifting familiar elements.

  • Creating a new situation from an existing one.

  • Often used to shock the viewer.

  • Example: Duchamp's L.H.O.O.Q. (Mona Lisa with a mustache).

Dérive:

  • Situationist practice.

  • "Drifting" through urban landscapes without a plan.

  • Done alone or in groups.

  • Goal: grow aware of societal shifts in space.

  • Focus on emotional effects of urban landscapes.

Open Artwork:

  • Introduced by Umberto Eco.

  • Artworks open to various interpretations.

  • Viewer "completes" the artwork.

  • Example: John Cage's 4'33".

  • Removes artist intent.

Happenings:

  • First used by Allan Kaprow.

  • Events based on scores (instructions).

  • Breaks boundaries between viewer and artwork.

  • The viewer becomes a participant.

  • Example: Kaprow's Yard.

Consumerist Society:

  • Encourages buying more products.

  • Belief: more consumption equals more happiness.

  • Target of critique by artists (e.g., Situationists).

  • Critiqued for creating "spectacle culture."

Independent Group:

  • Group of artists in London in the 1950s.

  • Discussed contemporary visual culture.

  • Questioned modernism.

  • Precursor to Pop Art.

Pop Art:

  • Started with the Independent Group.

  • Employs commonplace images from mainstream culture.

  • Reflection of society.

  • Impersonal style.

  • Bold colors and hard-edged images.

  • Notable Artists: Andy Warhol, Roy Lichtenstein.

Silkscreen Printing:

  • Stenciling method.

  • Ink forced through a mesh screen.

  • Used by Pop artists (e.g., Andy Warhol).

Combine:

  • Term used by Robert Rauschenberg.

  • Hybrid creations: part painting, part sculpture.

  • Example: Monogram.

Minimalism:

  • Art movement in New York in the 1960s.

  • Simplicity and austerity.

  • Focus on intrinsic qualities of a medium.

  • Notable Artists: Donald Judd, Dan Flavin, Robert Morris.

Specific Object:

  • Coined by Donald Judd.

  • Three-dimensional works (neither painting nor sculpture).

  • Large scale.

  • Depart from conventional formats.

  • Made from any material.

Gestalt:

  • Psychology term ("shape" or "form").

  • Perceptual experience as a whole, greater than the sum of its parts.

  • Used in Minimalism.

  • Relationship between artwork and viewer.

Land Art:

  • Site-specific sculptures in nature.

  • Large scale.

  • Subject to environmental variables.

  • Transforms awareness of human-earth relationship.

  • Notable Artists: Robert Smithson, Richard Long, Nancy Holt.

Site-Specificity & Site-Specific Art:

  • Art created for a particular location.

  • Meaning tied to the work and location.

  • Considers space's history, culture, and purpose.

  • Used in sculpture and architecture.

Size vs. Scale:

  • Size: actual physical dimensions.

  • Scale: size in relation to another object.

  • "Size determines an object, but scale determines art." -Robert Smithson

Positive vs. Negative Space:

  • Positive space: subject areas.

  • Negative space: background.

  • Example: M.C. Escher's Sky and Water I.

Conceptual Art:

  • Values ideas and messages over aesthetics.

  • Emerged from Minimalism.

  • Encourages critical thinking about art.

  • Sol LeWitt is an example.

Self-Referentiality:

  • Art that refers to itself.

  • Uses symbolism or imagery.

  • Example: MoMA Logo (stacked boxes).

Art & Language:

  • Conceptual artist collaborative.

  • Founded in Britain in 1968.

  • Provocative texts.

  • Challenges traditional art forms.

  • Named after their journal.

Feminist Art:

  • Empowers women and promotes equal rights.

  • Stemmed from the Civil Rights Movement.

  • Arose from the lack of women artists in US museums.

  • Ad Hoc Women Artists' Committee brought this art to light.

  • Examples: The Dinner Party, American People Series # Die, Womanhouse exhibition.

Ad Hoc Women Artists' Committee (1970):

  • Formed in 1970.

  • Brings awareness to women's contributions in the arts.

  • Formed after a lack of women in a Whitney Museum exhibition.

  • Members: Faith Ringgold, Lucy Lippard, Brenda Miller.

Womanhouse Exhibition (1972):

  • Feminist art installation and performance.

  • Open to the public in 1972.

  • Created by Judy Chicago and Miriam Shapiro.

  • Refutes traditional roles of women in society.

Guerilla Girls:

  • Anonymous group of female artists.

  • Formed in New York City in 1985.

  • Wear gorilla masks.

  • Raise awareness about the lack of female and minority artists.

  • Expose sexism and racism in the art world.

Social Sculpture:

  • Art that can transform society.

  • Used by Joseph Beuys.

  • Everyone is an artist with creative potential.

  • Art should have a purpose.

Artist as Shaman:

  • Shaman: someone with access to the spirit world.

  • Artist as shaman: transformative and ahead of their time.

  • Changes the collective consciousness.

  • Example: Joseph Beuys.

Office for Direct Democracy:

  • Formed by Joseph Beuys in 1971.

  • Political organization.

  • Promotes democracy.

  • Believes everyone should have a say and equal opportunities.

Remodernism:

  • Contemporary art movement.

  • Began in 1999 with the Stuckists.

  • Opposed to conceptual art.

  • Bold colors and traditional art forms.

  • Values humility, spirituality, and sincerity.

Late Minimalist Sculpture:

  • Simple and uses industrial materials.

  • Often site-specific.

  • Example: Joel Shapiro.

Art in Architecture Program:

  • US government program.

  • Established in 1963.

  • Funds artworks for federal buildings.

  • Examples: La Palme, Transparent Horizon.

Big Photography:

  • Large size and digital manipulation.

  • Used in advertising and art galleries.

  • Example: Andreas Gursky.

Retro Sensationalism:

  • Contemporary art movement.

  • Sensationalist imagery and culture of spectacle.

  • Often shocking and provocative.

  • Example: Damien Hirst.

yBa:

  • Young British artist.

  • Group of British artists from Goldsmiths College.

  • Sensationalist works and entrepreneurial spirit.

  • No unifying aesthetic attributes.

  • Example: Damien Hirst.

Charles Saatchi:

  • Iraqi-British businessman and art collector.

  • Co-founder of Saatchi & Saatchi.

  • Founder of the Saatchi Gallery.

  • Major collector of yBa art.

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