EHKTFPM_Lecture2_Notes_Sem2_2425_1690e9036855c42a08d3b278becf0ff0

Exploring Hong Kong Through Film and Popular Music

Lecture 2 (Semester 2, 2024-25) - Basic Concepts


PART 1: Further Discussion on Production, Text, Audience, and Context Framework


Recap of Basic Framework for Film and Popular Music Studies

  • Production: occurs within a broader social, economic, and institutional context.

  • Text: structured artistic outputs such as movies and music.

  • Audience: interacts with and interprets the text within their social contexts.

  • Adapted from Figure IN.6 by Longhurst & Bogdanović in Popular Music and Society (2014).


Detailed Analysis of the Framework

  • Introduction: The framework emphasizes the necessity for detailed analytical attention to:

    • Production aspects.

    • The nature of the product (film or music).

    • Audience consumption processes.

  • Additional Context: Films and music are products of complex production processes involving various actors and institutions. Understanding who influences these processes is vital.


Audience Consumption Dynamics

  • Audience consumption is critical; diverse audiences can yield different understandings and uses of texts.

  • Contextual Consideration: Political, economic, and cultural contexts must be acknowledged as they influence the production, text, and audience.


Production, Dissemination, and Consumption

  • Process Overview:

    • Production: Involves various producers and contributes to the creation of texts.

    • Dissemination: Occurs through various platforms (cinemas, CDs, online media).

    • Consumption: The experiences and interpretations of texts by the audience.


Key Issues or Questions for Examining Films or Songs

  • Moving beyond basic narrative or lyrical meaning:

    • Evaluate production aspects including the producers involved and broader contexts affecting production.

    • Investigate collaboration in production and influences like governmental or corporate pressures.


Textual Analysis Questions

  1. Content/Form Analysis:

    • What does the text represent?

    • How is it presented and structured?

    • Possible varied interpretations by different audience groups.


Audience Studies

  • Who constitutes the audience for the film/music? What are their responses?

  • Analyze interpretation diversity across categories like gender, generation, and social class.


Dissemination and Consumption Considerations

  • Examine how and where music/film is consumed:

    • Various media formats (smartphones, home systems, theaters)

    • Impact of consumption method on understanding and pleasure derived.


Contextual Influences

  • Emphasize political, economic, and social/cultural contexts in analyzing production, text, and audience.


Discussion – Applying Framework

  • Choose two Hong Kong-oriented songs about the working class for comparative analysis.

  • Utilize the "Production – Text – Audience + Context" framework for a multidimensional understanding.


Examples of Relevant Songs

  • Half a Catty, Eight Taels (1976) by Sam Hui

  • Who Invented Work? (2009) by my little airport

  • Note the warnings regarding the content of the associated media.


Study and Analyze Insights

  • Identify similarities and differences.

  • List relevant questions for further exploration based on initial analyses.


PART 2: Text and Meaning - Core Concepts


Recap of Text Analysis from Lecture 1

  • Movie Text Components: script, directing, acting, promotional materials.

  • Music Text Components: melody, lyrics, arrangement, album design.


Different Layers of Meaning

  • Texts possess multiple meanings dependent on context and audience interpretation.

  • Meanings range from neutral to deeply socially imbued; decoding relies on individual knowledge and context.


Dynamic Nature of Texts

  • Recognize the shifting nature of meanings over time, influenced by societal changes and audience dynamics.


Representation in Film/Music

  • Representation involves creating meaning through signs/language to convey interpretations of reality.

  • Media creators' perspectives shape representations, offering subjective realities through chosen elements like visuals and narratives.


Discussion on Representation

  • Analyze clips reflecting perspectives of young factory workers from different narratives.

  • Highlight which aspects may be emphasized/distorted.


Genre Understanding

  • Definition: Genre signifies types/categories with recurring elements across films and songs.

  • Examples:

    • Film Genres: comedy, horror, drama.

    • Music Genres: pop, rock, hip-hop.


Discussion on Content and Form

  • Content: Depicts the subject, message, and values presented.

  • Form: Encompasses style, presentation techniques, and genre codes.


Creative Exercise

  • Propose a movie/song about contemporary secondary school students.

  • Explore narrative presentation styles and alternative interpretations.


Conclusion: Summary of Key Concepts

  • The interconnected framework of "Production – Text – Audience" and contextual influences.

  • Importance of dynamics in interpretation and representation.


References

Recommended Reading:

  • Shuker, R. (2012). Popular Music Culture: The Key Concepts. 3rd ed. London: Routledge.

  • Longhurst, B. & Bogdanović, D. (2014). Popular Music and Society. 3rd ed. Cambridge: Polity.

Additional References:

  • Explore thorough literature on representation, genre, and cultural theory as suggested.

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