Production: occurs within a broader social, economic, and institutional context.
Text: structured artistic outputs such as movies and music.
Audience: interacts with and interprets the text within their social contexts.
Adapted from Figure IN.6 by Longhurst & Bogdanović in Popular Music and Society (2014).
Introduction: The framework emphasizes the necessity for detailed analytical attention to:
Production aspects.
The nature of the product (film or music).
Audience consumption processes.
Additional Context: Films and music are products of complex production processes involving various actors and institutions. Understanding who influences these processes is vital.
Audience consumption is critical; diverse audiences can yield different understandings and uses of texts.
Contextual Consideration: Political, economic, and cultural contexts must be acknowledged as they influence the production, text, and audience.
Process Overview:
Production: Involves various producers and contributes to the creation of texts.
Dissemination: Occurs through various platforms (cinemas, CDs, online media).
Consumption: The experiences and interpretations of texts by the audience.
Moving beyond basic narrative or lyrical meaning:
Evaluate production aspects including the producers involved and broader contexts affecting production.
Investigate collaboration in production and influences like governmental or corporate pressures.
Content/Form Analysis:
What does the text represent?
How is it presented and structured?
Possible varied interpretations by different audience groups.
Who constitutes the audience for the film/music? What are their responses?
Analyze interpretation diversity across categories like gender, generation, and social class.
Examine how and where music/film is consumed:
Various media formats (smartphones, home systems, theaters)
Impact of consumption method on understanding and pleasure derived.
Emphasize political, economic, and social/cultural contexts in analyzing production, text, and audience.
Choose two Hong Kong-oriented songs about the working class for comparative analysis.
Utilize the "Production – Text – Audience + Context" framework for a multidimensional understanding.
Half a Catty, Eight Taels (1976) by Sam Hui
Who Invented Work? (2009) by my little airport
Note the warnings regarding the content of the associated media.
Identify similarities and differences.
List relevant questions for further exploration based on initial analyses.
Movie Text Components: script, directing, acting, promotional materials.
Music Text Components: melody, lyrics, arrangement, album design.
Texts possess multiple meanings dependent on context and audience interpretation.
Meanings range from neutral to deeply socially imbued; decoding relies on individual knowledge and context.
Recognize the shifting nature of meanings over time, influenced by societal changes and audience dynamics.
Representation involves creating meaning through signs/language to convey interpretations of reality.
Media creators' perspectives shape representations, offering subjective realities through chosen elements like visuals and narratives.
Analyze clips reflecting perspectives of young factory workers from different narratives.
Highlight which aspects may be emphasized/distorted.
Definition: Genre signifies types/categories with recurring elements across films and songs.
Examples:
Film Genres: comedy, horror, drama.
Music Genres: pop, rock, hip-hop.
Content: Depicts the subject, message, and values presented.
Form: Encompasses style, presentation techniques, and genre codes.
Propose a movie/song about contemporary secondary school students.
Explore narrative presentation styles and alternative interpretations.
The interconnected framework of "Production – Text – Audience" and contextual influences.
Importance of dynamics in interpretation and representation.
Shuker, R. (2012). Popular Music Culture: The Key Concepts. 3rd ed. London: Routledge.
Longhurst, B. & Bogdanović, D. (2014). Popular Music and Society. 3rd ed. Cambridge: Polity.
Explore thorough literature on representation, genre, and cultural theory as suggested.