Ludwig Mies van der Rohe; later added his mother's name for recognition.
Inspired by Dutch architect Berlage and the Prussian Neo-Classicism school.
Unlike contemporaries like Le Corbusier, Mies was not educated in the Arts and Crafts ethos of Jugendstil.
His early work influenced by his father’s stone mason business, trade school, and apprenticeships.
Mies searched for the essence of architecture beyond mere form.
Influenced by Aquinas's definition of truth: "Adequatio intellectus et rei" (the adequation of intellect and thing).
Architecture should represent truth through the clarity of construction.
Brief apprenticeship under timber specialist and Hermannesque architect Behrens (1907).
Familiar with Schinkel’s tradition and Berlage's attitudes toward architecture, focusing on honest construction.
Notable works leading to the idea of "Baukunst" (architecture as philosophical ideal).
Opened own office after leaving Behrens in 1911.
Designed first house in Berlin (1914), showcasing Schinkelesque aesthetic.
Created a project inspired by Paul Scheerbart's glass architecture; significant transformative intentions.
Shift in Mies's work amidst post-World War I turmoil; sought progressive architecture.
Engaged in the radical Novembergruppe aiming to revitalize arts in Germany.
Experimented with glass forms highlighting reflections rather than light and shadow effects.
Proposed glass skyscraper at Friedrichstrasse Station, characterized by prismatic, triangular forms.
Emphasized architectural play of reflections and dynamic surfaces rather than raw illumination.
Mies responded to functional needs while also incorporating philosophical elements in designing.
His proposals illustrated the potential of glass-skinned buildings allowing for flexible light play and functional utility.
Mies's later works utilized concrete forms and free plans effectively to adapt to modern needs.
Addressed complex urban demands through flexible, conducive designs.
Tension existed between maintaining expressive aesthetics from early works and pivoting to more structural clarity in design.
Mies's architecture represents unity amongst diverse influences while reflecting his specific ideologies.
His works culminated in significant constructions celebrated for innovative use of modern materials.
The Barcelona Pavilion (1929) exemplified his venture into elemental forms, emphasizing spatial clarity.
Tugendhat House (1930) illustrated a seamless integration of space, architecture, and art.
Mies's ethos involving spirituality found expression through various projects while striving for deeper meanings.
The basis of his designs revolved around how to assert value amidst evolving cultural landscapes.
Mies foresaw a synthesis of technology and beauty in architecture, aiming for functional yet aesthetically striking forms.
Supported the idea of a modern aesthetic challenge against traditional values within constructs.
Between the mid-1930s and 1950s, Mies culminated in a design language emphasizing symmetry in architecture.
Sought to focus on monumentality while effectively integrating modern techniques into form.
Mies's design for the Reichsbank (1933) showcased a shift towards a monumentalized approach to architecture, merging principles of transparency and technique.
Connected new buildings to the historical legacies of architecture whilst innovating through structural modernity.
Mies’s work adapted a plethora of influences including Berlage and De Stijl while still nurturing a distinct voice.
His later works integrated earlier learnings with contemporary practices establishing a meaningful dialogue in architectural relevance.
Advocated that architecture expresses a cultural mindset, as "the will of the epoch".
Saw technology as a medium for architectural expression that transcended mere utility.
Mies's glass expanses intended to evoke transparency juxtaposed with structural integrity.
Developed skills creating an architectural language maintaining a balance between visual dynamics and material honesty.
Mies’s preference evolved towards monumental forms emphasizing a contradiction between organic growth versus intentional delineation in architectural design.
His works embraced social changes while laying groundwork for modern edifices.
Mies significantly contributed to defining the International Style through seamless integration of form and function.
Fostered an architectural approach that incorporated changes in lifestyles within urban development frameworks.