Definition of 'Fetish':
A term used by Europeans to describe various African objects, varying from necklaces to sculptures.
Valued by Africans for their power of 'enchantment' and believed to be animated by spirits.
Karl Marx and Sigmund Freud later adapted the term to discuss economic fixations and sexual perversions, respectively.
Curator's Experience:
Often receives calls about African art referred to as 'fetishes'.
Owners express discomfort over the supernatural qualities attributed to these objects.
The curator feels a shift from art appreciation to acting as an exorcist.
Historical Context:
The late 19th-early 20th century figure nkondi: a representation of vengeance with nails driven into its body.
Originated from a kingdom with extensive trade relations with Portugal beginning in 1483.
Portuguese Encounter:
The Kongo kingdom renowned for its governance, established diplomacy and settlement with Portuguese explorers.
The first encounter between the Kongo king and Portuguese emissaries highlighted a complex exchange, leading to baptism and Christianity's spread.
Rise of the Slave Trade:
Afonso I, king of Kongo, eventually opened the door for the slave trade due to economic pressures and outside demands.
By the 1600s, a significant number of people were trafficked across the Atlantic.
Afonso I's Despair:
Letters reveal the king's distress over the disruption caused by slavery and the loss of his people.
He sought to protect his kingdom by emphasizing the need for priests and teachers instead of merchants and slave traders.
Impact of European Colonization:
Many traditional Kongo figures were destroyed under the belief that Christianity would replace paganism.
Accounts indicate thousands were burned as symbols of failed pagan traditions.
Narrative of Kongo Art:
European observers often deemed Kongo art as superstitious without understanding its cultural significance.
Concept of Nkisi:
Nkisi are sacred medicines, pivotal in Kongo healing practices, believed to embody life and health.
Nkondi figures serve a dual role in social mediation and conflict resolution.
Role of Nganga:
Priests/diviners (nganga) play significant roles in Kongo rituals and community health, demonstrating the intricate weave of belief and daily life.
Congo's Cultural Footprint:
Kongo roots persist in contemporary African Diaspora cultures in music and spirituality.
Artists like David Hammons and Renée Stout reinterpret Kongo aesthetics, showing the enduring power of Kongo influences in modern art.
Continuous Engagement:
The narrative of Kongo art evolves, challenging historical perspectives on cultural exchange and the term 'fetish', promoting a deeper understanding of African traditions.