Things Fall Apart and Thiong’o

Setting and History

  • Igboland: Area inhabited by the Igbo people, linked by language and cultural norms.

  • 1861: British begin exerting control over Igboland.

  • 1884-85: Berlin Conference grants official control to British powers.

  • Scramble for Africa: Rapid colonization of African territories by European nations.

  • 1914: Nearly all African nations under colonial rule, with only Ethiopia and Liberia remaining independent.

  • 1950s-70s: Decolonization period; most African countries gain independence.

  • 1960: Nigeria attains independence from British rule.

Contexts of "Things Fall Apart"

  • Setting: The novel is set in the 1890s but was published in the 1950s.

  • Dual Contexts: Important to consider how historical and cultural contexts influence the reading experience.

  • Language Choice: Although Achebe is fluent in Igbo, he chose to write in English.

    • Achebe views English as a "gift," facilitating global reach.

    • Contrast with Ngũgĩ wa Thiong'o who opposes writing in the colonizer's language, asserting identity in native tongues.

  • Achieving Mastery: Discusses Achebe's transformation of English into a "new English" that reflects African identity.

Ngũgĩ wa Thiong'o on Language and Power

  • Colonization and Language: Colonizers impose their language as a tool of domination.

  • Demonization of Native Languages: Native African languages viewed as inferior, suitable only for basic communication.

  • Language as Power: English is portrayed as language of intellect and prestige, while African languages are marginalized.

The Post-colonial or Imperial Gaze

  • Definition of Gaze: Refers to how groups observe and categorize others.

  • E. Ann Kaplan: Introduced the concept of the "imperial gaze" in 1997—focus on the observer's values.

  • Central Narratives: Similarities with Edward Said's idea of "orientalism" in the context of the post-colonial gaze.

  • Exploring Perspectives: The need to critically assess how we consume African arts and narratives in alignment with or against the imperial gaze.

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