Baroque Era (1600-1750)
1750
Death of J.S. Bach
New Genre
Opera
Starts in Italy
Secular entertainment
C. 1600, a group called the Florentine Camerata (In Italy)
Inspired by music & drama of Ancient Greece
Madrigals & Mystery Plays
Background of what would become opera
Combined drama/plays w/ singing/music
Combines all art forms
Vocal music, Instrumental music (Orchestra), Scenery, Costumes, Drama/Acting, Sometimes dance (Ballet)
Composer of Opera
Writes music
Librettist
Provides text/words to be set to music
Monteverdi (Italian)
C. 1607 composes “Or Feo”, first opera
By 1637, first public opera house was built in Italy
Subject Matter?
Greek & Roman mythology
Ancient History
Old church choirs would often castrate the boys so they could keep their high pitched voices but continue to grow
Components of Opera:
The Overture
Always first
Orchestra only
Intro
Choruses
Large groups of singers
Ensembles (Vocal)
2,3,+
Main Characters
Recitatives
Sung to convey plot
Usually not rhythmic or melodic
Aria
The emotion of the story
Big Singing scene by the main talent
Instrumental music of the Baroque Era
Keyboard instruments - evolves over time
Pipe organs (used in churches) - action is air activated (pumps air into pipes that vibrate when played)
Harpsichord - plucked action (by a hook called a plectrum)
Piano (late 1700s) - hammered action (strings were hit by hammers)
New genre - sonata (for a solo instrument + keyboard)
Figured bass - chord symbols of how to harmonize the keyboard part (usually numbers)
Keyboard would improvise on the figured bass symbols - called realization
Bass line would be doubled by a bass range instrument (typically cello or bassoon) - called the basso continuo
Early sonatas would have 4 movements (chapters of the song) - 1st and 3rd movements were slow, 2nd and 4th movements were fast
Only had 3 people involved - would later become 2 people after the Baroque Era
Another new genre - concerto
Solo instrument + orchestra
Only 3 movements - 1st is fast (allegro), 2nd is slower (adagio). 3rd is faster (allegro-presto)
Stringed instruments evolve in Italy - great instrument makers that include Amati Guarneri, and Stradivari (all based in Cremona, Italy)
Antonio Vivaldi - composer who wrote a set of 4 violin concertos (concerti) called the Four Seasons: based on four sonnets (poems) that he wrote
This was an early example of program music - evokes visual and literary imagery
Ritornello - repeating theme
Basso Continuo
Realization
Creating music on the spot
Typically an accompaniment
Concierto
A musical composition that features a soloist with an accompanying orchestra
Early Italian/Mythology & Ancient history as subject matter
Called Opera Seria
Based on tragic themes
English Opera
Comes later ~100 years after Monteverdi
Henry Purcell
Wrote “Dido and Aeneas)
1st listening we have is the Aria from “When I am laid to Earth” or “Dido’s Lament”
Dido’s Lament
Composed over a repeating bass line called a ground bass
Aria
Penitent times of Catholic Church calendar
Lent for example
No opera, parties, etc… allowed
Oratorio
Large scale vocal, religious musical works
Musical substitute during Lent, when opera was not allowed
Biblical subject matter
No drama/acting
Choruses were much more catholic
Represented the congregation
No scenery, costumes or dancing
Still use components in both genres
Johann Sebastien Bach (1685-1750)
His death ends the Baroque era
Born in Germany
Organist
Composer
His music represents a culmination of the polyphonic style
Known as counterpoint
“Note against note”
Court of Weimar (1708-1717)
Bach is the court organist for the Duke
Wrote a lot of music for the Pipe Organ
Perfects a form called “The Fugue” (3,4 voices)
Have an opening monophonic theme called “The Subject”
Then the answer, then counter subject
Augmentation
A short note becomes a much longer note
Diminution
Shortening a long note
Retrograde
Play the subject backwards
Inversion
Flip the subject upside down
Court of Cothen, works for Prince of Anhalt-Cothen (1717-1723)
Bach writes mostly Secular music
Sonatas
Concerti
Instrumental music
6 Brandenburg concertos
Concerto grosso
“Group” of soloists
St. Thomas Kirche (Church) (1723-1750)
Leipzig, Germany
He would help out churches all over the city but St. Thomas is the main one
Musical genre performed most sundays
Cantata
Short (20-25 minutes)
Choir w/ an orchestra
A mini-oratorio
Based on liturgical texts for that week
Most cantatas are sacred but he did write one about coffee
Based on pre-existing chorale tune
The chorale tune would be the last part of the cantata so the congregation would sing along
Cantata #80 “A Mighty Fortress)
Uses that chorale tune from Martin Luther as musical theme
St. Matthew Passion
Oratorio
Wrote over 300 cantatas
Bach Gessel Schaft
Collection of all Bach’s works published
Starts around 1850
B.W.V (1040)
Bach Werke Verzeichnis
Thematic catalog of Bach’s works
Over 1000+
The Classical Era
Franz Joseph Haydn (Hi-den)
1732-1809
Gets a post at the Court of Esterhazy
In Hungary
He was a servant, but had a secure livelihood
His patron was the Prince of Esterhazy
He will develop the genre of the Symphony
Symphony
Multi movement work for Orchestra
Came out for the Orchestral opera overture idea
Early orchestras in Haydn’s time
Strings
Pairs of woodwinds
Flutes, oboes and bassoons
No clarinets yet
Brass
French horns and trumpets
Percussion
Tympani
Chamber Music
Small groups of instruments
String quartet
1st Violin, 2nd Violin, Viola & Cello
Piano Trio
Violin, Cello & Piano
Piano Quintet
String quartet + Piano
Absolute Music
Instrumental music w/o imagery
Titles like symphony #104, DM
Hoboken
The B.W.V. of Haydn
A collection of Haydn’s work
Wolfgang Amadeus Mozart (1756-1791)
Born in Salzburg, Austria
New in Vienna
Wrote lots of piano concertos
Switch from harpsichord to piano
Piano is new and everyone wants to hear the new instrument
Writing new music for the piano
Antonio Salieri
Confessed to killing Mozart but it was not true
He was jealous of Mozart and wanted to be connected to Mozart for something
1st mvmt. Of concerto
Uses Sonata-allegro form, but with a double exposition
Near the end of the 1st mvmt., the orchestra stops playing and then there is a solo cadenza
Cadenza
Soloist improvises on themes
Marriage of Figaro “Le Nozze di Figaro
1786
Mozart writes an Opera
Writes it w/ court librettist Lorenzo da Ponte
Based on a play by French playwright Beaumarchais
Satire- making fun of the ruling class/royals
In France, 1789
French Revolution
Play was banned in France because it was too political
Opera buffa
Comic opera
Portrays real life characters like servants
Cosa Sento- Listening for exam
Deep and High pitched male voice
High pitched womans voice
Men harmonize
Commissioned to write a Requiem Mass (Mass for the Dead)
Count Walsegg commissioned Mozart
For the death of the Counts wife
Mozart thought the Requiem was for his own death
Kochel x
The catalog for Mozart’s music
Kochel 626
His final work
Beethoven (1770-1827) - born in Bonn, Germany
Goes to Vienna at age 22 and stays
By his late 20s, starts to go deaf
Heiligenstadt Testament (1802) - suicide note (but doesn't do it) where he complains about being deaf
Early period of composition sounds "classical
Middle period - "Heroic Period"
Symphony no.3 - Eroica
Beethoven is a bridge from Classicism to Romanticism
Symphony no. 5 - game changer
1st movement in sonata-allegro (c minor) - first 8 notes are heard as fate knocking on the door, oboe cadenza in the middle relaxes tension; motive (theme) used throughout the movement; extreme dynamics
2nd movement - slow with a different key; based on a theme with variations; motive from the first movement used
3rd movement - differs from the norm (minuet form) and instead is a scherzo (much faster minuet); motive from the first movement used, end of the 3rd goes directly into the 4th
4th movement - adds instruments (trombones and piccolo)
Making a living - had individual patrons, usually noblemen who would commission him for works, also got stipends from some of them
Also gave piano and composition lessons early on (usually adult students)
Signed lucrative publishing contracts - knew his worth and made his own way
Symphony no. 9 "Choral - last movement "Ode to Joy" is the famous part of it
His ability to blend different musical styles and forms showcased his innovative approach, which further solidified his reputation as a leading composer of his time.