Untitled Flashcards Set

Baroque Era (1600-1750)

  • 1750

    • Death of J.S. Bach

  • New Genre

    • Opera

      • Starts in Italy

      • Secular entertainment

      • C. 1600, a group called the Florentine Camerata (In Italy)

        • Inspired by music & drama of Ancient Greece

      • Madrigals & Mystery Plays

        • Background of what would become opera

      • Combined drama/plays w/ singing/music

      • Combines all art forms

        • Vocal music, Instrumental music (Orchestra), Scenery, Costumes, Drama/Acting, Sometimes dance (Ballet)

      • Composer of Opera

        • Writes music

      • Librettist

        • Provides text/words to be set to music

      • Monteverdi (Italian)

        • C. 1607 composes “Or Feo”, first opera 

        • By 1637, first public opera house was built in Italy

      • Subject Matter?

        • Greek & Roman mythology

        • Ancient History

      • Old church choirs would often castrate the boys so they could keep their high pitched voices but continue to grow

      • Components of Opera: 

        • The Overture

          • Always first

          • Orchestra only

          • Intro

        • Choruses

          • Large groups of singers

        • Ensembles (Vocal)

          • 2,3,+

          • Main Characters

        • Recitatives

          • Sung to convey plot

          • Usually not rhythmic or melodic

        • Aria

          • The emotion of the story

          • Big Singing scene by the main talent

  • Instrumental music of the Baroque Era

    • Keyboard instruments - evolves over time

      • Pipe organs (used in churches) - action is air activated (pumps air into pipes that vibrate when played)

      • Harpsichord - plucked action (by a hook called a plectrum)

      • Piano (late 1700s) - hammered action (strings were hit by hammers)

    • New genre - sonata (for a solo instrument + keyboard)

      • Figured bass - chord symbols of how to harmonize the keyboard part (usually numbers)

        • Keyboard would improvise on the figured bass symbols - called realization

        • Bass line would be doubled by a bass range instrument (typically cello or bassoon) - called the basso continuo

      • Early sonatas would have 4 movements (chapters of the song) - 1st and 3rd movements were slow, 2nd and 4th movements were fast

      • Only had 3 people involved - would later become 2 people after the Baroque Era

    • Another new genre - concerto

      • Solo instrument + orchestra

      • Only 3 movements - 1st is fast (allegro), 2nd is slower (adagio). 3rd is faster (allegro-presto)

    • Stringed instruments evolve in Italy - great instrument makers that include Amati Guarneri, and Stradivari (all based in Cremona, Italy)

      • Antonio Vivaldi - composer who wrote a set of 4 violin concertos (concerti) called the Four Seasons: based on four sonnets (poems) that he wrote

        • This was an early example of program music - evokes visual and literary imagery

      • Ritornello - repeating theme

  • Basso Continuo

    • an accompanying part that includes a bassline and harmonies

    • typically played on a keyboard instrument and with other instruments such as cello 

  • Realization 

    • Creating music on the spot

    • Typically an accompaniment

  • Concierto 

    • A musical composition that features a soloist with an accompanying orchestra

  • Early Italian/Mythology & Ancient history as subject matter

    • Called Opera Seria

      • Based on tragic themes

English Opera

  • Comes later ~100 years after Monteverdi

  • Henry Purcell

    • Wrote “Dido and Aeneas)

      • 1st listening we have is the Aria from “When I am laid to Earth” or “Dido’s Lament”

      • Dido’s Lament

        • Composed over a repeating bass line called a ground bass

        • Aria

  • Penitent times of Catholic Church calendar

    • Lent for example

    • No opera, parties, etc… allowed

Oratorio

  • Large scale vocal, religious musical works

  • Musical substitute during Lent, when opera was not allowed

  • Biblical subject matter

  • No drama/acting

  • Choruses were much more catholic

    • Represented the congregation

  • No scenery, costumes or dancing

  • Still use components in both genres






























Johann Sebastien Bach (1685-1750)

  • His death ends the Baroque era

  • Born in Germany

  • Organist 

  • Composer 

  • His music represents a culmination of the polyphonic style

    • Known as counterpoint

    • “Note against note”

  • Court of Weimar (1708-1717)

    • Bach is the court organist for the Duke

    • Wrote a lot of music for the Pipe Organ

    • Perfects a form called “The Fugue” (3,4 voices)

      • Have an opening monophonic theme called “The Subject”

      • Then the answer, then counter subject

      • Augmentation

        • A short note becomes a much longer note


  • Diminution

    • Shortening a long note

  • Retrograde

    • Play the subject backwards

  • Inversion

    • Flip the subject upside down

  • Court of Cothen, works for Prince of Anhalt-Cothen (1717-1723)

    • Bach writes mostly Secular music

      • Sonatas

      • Concerti

      • Instrumental music

    • 6 Brandenburg concertos

      • Concerto grosso

        • “Group” of soloists

  • St. Thomas Kirche (Church) (1723-1750)

    • Leipzig, Germany

      • He would help out churches all over the city but St. Thomas is the main one

    • Musical genre performed most sundays 

      • Cantata

        • Short (20-25 minutes)

        • Choir w/ an orchestra

        • A mini-oratorio

        • Based on liturgical texts for that week

        • Most cantatas are sacred but he did write one about coffee

        • Based on pre-existing chorale tune

        • The chorale tune would be the last part of the cantata so the congregation would sing along

      • Cantata #80 “A Mighty Fortress)

        • Uses that chorale tune from Martin Luther as musical theme

    • St. Matthew Passion

      • Oratorio

    • Wrote over 300 cantatas

  • Bach Gessel Schaft

    • Collection of all Bach’s works published

    • Starts around 1850

  • B.W.V (1040)

    • Bach Werke Verzeichnis

      • Thematic catalog of Bach’s works

      • Over 1000+




The Classical Era

  • Franz Joseph Haydn (Hi-den)

    • 1732-1809

    • Gets a post at the Court of Esterhazy

      • In Hungary

      • He was a servant, but had a secure livelihood

      • His patron was the Prince of Esterhazy

      • He will develop the genre of the Symphony

    • Symphony

      • Multi movement work for Orchestra

      • Came out for the Orchestral opera overture idea









































  • Early orchestras in Haydn’s time

    • Strings

      • Pairs of woodwinds

        • Flutes, oboes and bassoons

        • No clarinets yet

      • Brass

        • French horns and trumpets

      • Percussion

        • Tympani

  • Chamber Music

    • Small groups of instruments

      • String quartet

        • 1st Violin, 2nd Violin, Viola & Cello

      • Piano Trio

        • Violin, Cello & Piano

      • Piano Quintet

        • String quartet + Piano

  • Absolute Music

    • Instrumental music w/o imagery

    • Titles like symphony #104, DM

  • Hoboken

    • The B.W.V. of Haydn

    • A collection of Haydn’s work

  • Wolfgang Amadeus Mozart (1756-1791)

    • Born in Salzburg, Austria

    • New in Vienna

      • Wrote lots of piano concertos

      • Switch from harpsichord to piano

        • Piano is new and everyone wants to hear the new instrument

      • Writing new music for the piano

    • Antonio Salieri

      • Confessed to killing Mozart but it was not true

      • He was jealous of Mozart and wanted to be connected to Mozart for something

  • 1st mvmt. Of concerto

    • Uses Sonata-allegro form, but with a double exposition

    • Near the end of the 1st mvmt., the orchestra stops playing and then there is a solo cadenza

      • Cadenza

        • Soloist improvises on themes

  • Marriage of Figaro “Le Nozze di Figaro 

    • 1786

    • Mozart writes an Opera

    • Writes it w/ court librettist Lorenzo da Ponte

    • Based on a play by French playwright Beaumarchais

    • Satire- making fun of the ruling class/royals

    • In France, 1789 

      • French Revolution

    • Play was banned in France because it was too political

    • Opera buffa

      • Comic opera

    • Portrays real life characters like servants

    • Cosa Sento- Listening for exam

      • Deep and High pitched male voice

      • High pitched womans voice

      • Men harmonize

  • Commissioned to write a Requiem Mass (Mass for the Dead)

    • Count Walsegg commissioned Mozart 

    • For the death of the Counts wife

    • Mozart thought the Requiem was for his own death

  • Kochel x

    • The catalog for Mozart’s music

    • Kochel 626

      • His final work

  • Beethoven (1770-1827) - born in Bonn, Germany

    • Goes to Vienna at age 22 and stays

    • By his late 20s, starts to go deaf

      • Heiligenstadt Testament (1802) - suicide note (but doesn't do it) where he complains about being deaf

    • Early period of composition sounds "classical

    • Middle period - "Heroic Period"

      • Symphony no.3 - Eroica

    • Beethoven is a bridge from Classicism to Romanticism

    • Symphony no. 5 - game changer

      • 1st movement in sonata-allegro (c minor) - first 8 notes are heard as fate knocking on the door, oboe cadenza in the middle relaxes tension; motive (theme) used throughout the movement; extreme dynamics

      • 2nd movement - slow with a different key; based on a theme with variations; motive from the first movement used

      • 3rd movement - differs from the norm (minuet form) and instead is a scherzo (much faster minuet); motive from the first movement used, end of the 3rd goes directly into the 4th

      • 4th movement - adds instruments (trombones and piccolo)

    • Making a living - had individual patrons, usually noblemen who would commission him for works, also got stipends from some of them

      • Also gave piano and composition lessons early on (usually adult students)

      • Signed lucrative publishing contracts - knew his worth and made his own way

    • Symphony no. 9 "Choral - last movement "Ode to Joy" is the famous part of it




  • His ability to blend different musical styles and forms showcased his innovative approach, which further solidified his reputation as a leading composer of his time.

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