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Perception

  • Selective attention:

    • Our tendency to focus on just a particular stimulus among the many that are being received

    • Although we are surrounded by sights and sounds, smells and tastes, we tend to pay attention to only a few at a time

    • Your short-term memory can only hold a few things in it at a time so you must select what you want to process from all of the information coming into your STM

    • We sense 11,000,000 bits of information per second, consciously only process 40 bits per second

    • Cocktail party effect: 

      • You focus your attention on one particular voice amidst the crazy loudness of all those other voices

    • Inattentional Blindness:

      • Failing to see visible objects when our attention of focus is directed elsewhere

    • Change Blindness:

      • Failing to notice changes in the visual environment

    • How we perceive the world is based on combination of context, expectations, & cultural effects

      • Our bias to perceive some aspects of stimuli and ignore others can be influenced by our expectations, emotions, motivation and culture.

      • Our mood and circumstances can sometimes create errors in top down processing. This is emotional context can affect perception

      • Expectations also affect perception

      • Cultural expectations affect perceptions as well/ not all cultures perceive the same stimuli in the same way.

  • Subliminal Stimuli

    • Not detectable 50% of the time; therefore they are below your absolute threshold

    • May not notice at all if they are weak

    • Types of Messages:

      • Flashing on screen so quickly you can’t perceive it, but you still see it (below the sensory perception threshold)

      • Play it backwards

      • Embedding it into another image

      • Playing it at a low-volume masked over by other music or sounds

    • This doesn’t work really outside the laboratory

  • Perceptual Set

    • Expectations of a particular environment; Tendency to perceive or notice some aspects of the available sensory data and ignore others

    • Top Down Processing - you go beyond the sensory information to try to make meaning out of ambiguity in your world

    • What you expect (your experiences and your perceptual set) drives this process

    • Extrasensory Perception

      • Clairvoyance - awareness of an unknown object or event

      • Telepathy - knowledge of someone else’s thoughts or feelings

      • Precognition - foreknowledge of future events

      • Research can been unable to conclusively demonstrate existence of ESP

    • Ganzfeld Procedure

      • All sensory information reduced

      • “Receiver” in reclining chair in sound proof chamber with ping-pong balls, red light, earphones and white noise

      • In separate room “

  • Gestalt Psychology

    • Proximity:

    • Similarity:

    • Continuity:

    • Closure:

    • Area: 

    • Symmetry: 

  • Figure-Ground: refer to the ability to distinguish an object from its surroundings

  • Binocular depth cue: visual info that requires both eyes to perceive depth and distance; help us perceive the world in 3 dimensions 

  • Retinal Disparity: when each eye sees a slightly different picture because of their separate positions on your face

  • Convergence: when our eyes move forward toward each other to focus on a close object; aids in perception of death

  • Monocular Depth Cues: visual indicators of distance and space that can be perceive how far away things are (depth)

  • Relative Clarity: a depth cue where objects that are clearer and more detailed are perceived as closer; while objects that are hazier and less clear seem farther away

  • Relative Size: a visual cue where objects closer to us appear large, while objects away appear smaller

  • Texture Gradient: the way we perceive texture to become denser . .. . . . . . 

  • Linear perspective: a depth cue where parallel lines appear to converge as they recede into the distance

  • Interposition: when one object overlaps another, leading us to perceive the overlapping object as closer

  • Relative Motion: Objects closer to a fixation point move faster and in opposing direction to those objects that are farther away from a fixation point, moving slower and in the same direction

  • Perceptual Constancies: our brain’s ability to see objects as unchanging, even when …………………



AR

Perception

  • Selective attention:

    • Our tendency to focus on just a particular stimulus among the many that are being received

    • Although we are surrounded by sights and sounds, smells and tastes, we tend to pay attention to only a few at a time

    • Your short-term memory can only hold a few things in it at a time so you must select what you want to process from all of the information coming into your STM

    • We sense 11,000,000 bits of information per second, consciously only process 40 bits per second

    • Cocktail party effect: 

      • You focus your attention on one particular voice amidst the crazy loudness of all those other voices

    • Inattentional Blindness:

      • Failing to see visible objects when our attention of focus is directed elsewhere

    • Change Blindness:

      • Failing to notice changes in the visual environment

    • How we perceive the world is based on combination of context, expectations, & cultural effects

      • Our bias to perceive some aspects of stimuli and ignore others can be influenced by our expectations, emotions, motivation and culture.

      • Our mood and circumstances can sometimes create errors in top down processing. This is emotional context can affect perception

      • Expectations also affect perception

      • Cultural expectations affect perceptions as well/ not all cultures perceive the same stimuli in the same way.

  • Subliminal Stimuli

    • Not detectable 50% of the time; therefore they are below your absolute threshold

    • May not notice at all if they are weak

    • Types of Messages:

      • Flashing on screen so quickly you can’t perceive it, but you still see it (below the sensory perception threshold)

      • Play it backwards

      • Embedding it into another image

      • Playing it at a low-volume masked over by other music or sounds

    • This doesn’t work really outside the laboratory

  • Perceptual Set

    • Expectations of a particular environment; Tendency to perceive or notice some aspects of the available sensory data and ignore others

    • Top Down Processing - you go beyond the sensory information to try to make meaning out of ambiguity in your world

    • What you expect (your experiences and your perceptual set) drives this process

    • Extrasensory Perception

      • Clairvoyance - awareness of an unknown object or event

      • Telepathy - knowledge of someone else’s thoughts or feelings

      • Precognition - foreknowledge of future events

      • Research can been unable to conclusively demonstrate existence of ESP

    • Ganzfeld Procedure

      • All sensory information reduced

      • “Receiver” in reclining chair in sound proof chamber with ping-pong balls, red light, earphones and white noise

      • In separate room “

  • Gestalt Psychology

    • Proximity:

    • Similarity:

    • Continuity:

    • Closure:

    • Area: 

    • Symmetry: 

  • Figure-Ground: refer to the ability to distinguish an object from its surroundings

  • Binocular depth cue: visual info that requires both eyes to perceive depth and distance; help us perceive the world in 3 dimensions 

  • Retinal Disparity: when each eye sees a slightly different picture because of their separate positions on your face

  • Convergence: when our eyes move forward toward each other to focus on a close object; aids in perception of death

  • Monocular Depth Cues: visual indicators of distance and space that can be perceive how far away things are (depth)

  • Relative Clarity: a depth cue where objects that are clearer and more detailed are perceived as closer; while objects that are hazier and less clear seem farther away

  • Relative Size: a visual cue where objects closer to us appear large, while objects away appear smaller

  • Texture Gradient: the way we perceive texture to become denser . .. . . . . . 

  • Linear perspective: a depth cue where parallel lines appear to converge as they recede into the distance

  • Interposition: when one object overlaps another, leading us to perceive the overlapping object as closer

  • Relative Motion: Objects closer to a fixation point move faster and in opposing direction to those objects that are farther away from a fixation point, moving slower and in the same direction

  • Perceptual Constancies: our brain’s ability to see objects as unchanging, even when …………………



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