English ARWAV Notes (unfinished)
Links to websites
https://www.shmoop.com/study-guides/literature/room-with-a-view/characters
https://www.litcharts.com/lit/a-room-with-a-view/themes
https://www.gradesaver.com/a-room-with-a-view/study-guide/themes
https://www.sparknotes.com/lit/room/characters/
Characters & Analysis
Lucy Honeychurch
- Young woman from Surrey
- Upper class
- Doesnât know what she wants
- Plays the piano to âescapeâ
- Breaks social norms and codes throughout the book
- She chooses to break the expectations of her, and marry George instead of Cecil
- Themes she relates to:
- Honesty
- Sexism and womenâs roles
- Love
- Music
- The muddle
- Distinction between classes
George Emerson
- Young man
- Progressive
- Desire for truth
- Middle class
- At the beginning of the book he struggles to find meaning in life
- Falls in love with Lucy in Italy
- He encourages her not to marry Cecil Vyse
- Themes he relates to:
- Society, manners and changing social norms
- Love
- Distinction between the classes
Charlotte Bartlett
- Lucyâs older cousin
- Chaperones Lucy in Italy
- Attempts to hold Lucy to âproperâ standards
- Doesnât approve of the Emersons
- Old-fashioned ideas
- In the end she assists Lucy in marrying George Emerson
- Themes she relates to:
- society, manners, and changing social norms
- sexism and womenâs roles
- distinction between classes
Mr Beebe
- The reverend in Lucyâs hometown who she meets in Italy
- Aims to use his influence to help others
- Likes those that are honest
- Supports Lucy throughout the book until she decides to marry George when he turns against the idea
- Themes he relates to:
- Education and independence
- Sexism and womenâs roles
Mr Emerson
- Doesnât conform to social norms
- Progressive
- Described as both ungentlemanly and beautiful
- Helps Lucy to realise her feelings for George and fight back against social norms
- Is in the middle class
- Themes he relates to:
- society, manners, and changing social norms
- love
- the muddle
- distinction between classes
Cecil Vyse
- dislikeable
- Lucyâs fiance for a short period of time
- doesnât like the people from Lucyâs town
- sees Lucy as an object
- treats people without kindness or respect
- tries to be authoritarian and manly but is really just awkward and self-conscious
- upper class
- themes he relates to:
- education and independence
- distinction between the classes
Eleanor Lavish
- a writer staying at the same pension as Lucy and Charlotte
- unconventional
- themes she relates to:
- education and independence
Mrs Honeychurch
- Lucyâs mother
Freddy Honeychurch
- Lucyâs younger brother
- Dislikes Cecil and likes George
Themes
Society, Manners, and Changing Social Norms
Sexism and Womenâs Roles
Honesty
Education and Independence
Love
Beauty
Music
The muddle
Distinction between the classes
Quotes
| Quote | Page & said by | Theme/Context | Technique | Effect |
|---|---|---|---|---|
| âI donât know what I think, nor what I want.â | Pg 52 by Lucy | sexism, manners, and changing social normsthe muddle | Repetition, dialogue, 1st person | |
| âFor something tremendous has happened. I must face it without getting muddled.â | Pg 41 by Lucy | Muddleddefying sexism and womenâs roles in society | emotive language, symbolism/motif of muddled | |
| âHe looked at her, rather than through her. For the first time since they were engaged. From a Leonardo, she had become a living woman.â | Narrator | Sexism & Womenâs roles in society | Leonardo (artwork) â fake/false ; a creationLiving woman â true/real | Shows Lucy emerging, growing, shifting from the constraints of the time |
| âThe elder ladies exchanged glances, not of disapproval; it is suitable that a girl should feel deeplyâ | Part 1 Chapter 5 by Narrator | Elder ladies are Miss Lavish and Charlotte. They acknowledge that a young girl is allowed to feel deeply Implies that when she is older she will not be allowed to feel deeplysexism and womenâs roles | ||
| ââAh,â said Miss | ||||
| Bartlett, repressing Lucy, who was about to speak.â | Narrator | Sexism and Womenâs roles | Forster | |
| uses dialogue and repetition of the emotive verb ârepressingâ | ||||
| to convey Charlotteâs power and control over Lucy. | y | |||
| âYou love the boy body and soul, plainly, directly, as he loves you, and no other word expresses itâ | said by Mr Emerson | LoveThe muddle | Forsterâs use of the repetition of the word | |
| love and Mr Emersonâs emotive declaration | shows the reader that Lucy is on the path to self-knowledge and becoming aware of what is important in life | m |
Symbolism
- muddle
- outdoors
- piano playing
- kite
- flowers/kiss
- change
- growth
- new understandings
- closed/open window
- new view
- Lucyâs coming of age
- Lucyâs journey of self-discovery
- societal demands & expectations
- being true to yourself
- breaking free from repression
- an understanding & acceptance of who you really are
- knowledge of our own identity and the challenges to it
Essay Structure
Intro
- address the question - create a thesis; use words from the question but donât repeat it
- Identify text (novel - underline the title) + author - contextualise (Edwardian England etc)
- Sign post the ideas/paragraphs in your essay
Paragraphs
- Point - linked to intro
- Evidence/explain
- Technique
- Analyse how your evidence supports your point
- Link back to question
Conclusion
e.g. Thus it is clear that Lucy Honeychurch learns to embrace her own identity & resist the repressive manners of the Edwardian Period.
Poems
FLIRTS
F - form/structure
- stanza
- specific types of poems (e.g. haiku)
L - language techniques
- first person, second person, third person
- type of language
- diction
- cultural slang
I - imagery
- auditory - sound
- sensory - texture
- visual - what the author is describing that you can see
- techniques
- metaphors
- similies
- symbolism
- juxtaposition
- repetition
- rhetoric
- assonance
- contrast
- anaphora
R - rhyme/rhythm
- rhyme scheme (abab/abba)
- pace
- enjambment
- caesura
T - tone
- attitude the poet shows towards the subject
- bias
- opinion
- negative/positive
- tonal shifts
- specific vocabulary
S - subject
- overall idea
- theme
- purpose
- underlying messages