20th Century Music
This unique era lasted throughout the 1900s, including a transitionary period from the romantic era at the beginning of the period. It has a very abstract style, making it difficult to distinctly recognise.
General characteristics of 20th Century Music:
- Unpredictable Rhythm Patterns
- Unbalanced melodies
- Unusual chord
- Dissonance
- Hardly any cadences
- Few diatonic chords used
- Micro-tonality
- Intervals smaller than a semitone
- Quarter tones (half a semitone)
- Sounds similar to dissonance
- Homophonic texture (sometimes polyphonic)
- Wide range of instruments, played in inconvenient ways
- 12 Bar Blues
- Composed of three phrases:
- Phrase 1
- Tonic
- Tonic
- Tonic
- Tonic
- Phrase 2
- Subdominant
- Subdominant
- Tonic
- Tonic
- Phrase 3
- Dominant
- Subdominant OR Dominant
- Tonic
- Tonic
- New Instruments
- Cor Anglais
- Piccolo
- Double Bassoon
- Bass Clarinet
- Tuba
- Celeste
- Piano used in orchestra
- Brass prominent
- Tonality
- Whole Tone Scale
- Where there is a whole tone in between each note (think of the notes on a piano)
- For C it would be C, D, E, F#, G#, A#, C
- Advanced instrumental techniques
- Large orchestra
- Unexpected modulations
- Syncopation
There are several types of 20th Century Music, each with different characteristics:
- Impressionism
- Gives impressions of the object it describes
- Implicit, with subtle emotion
- Programmatic
- Dreamy
- Parallel chords
- Whole Tone Scale
- Specifically Debussy
- Advanced chromatic harmonies
- Dissonance
- Wife range of timbres
- Free rhythm, absence of pulse
- Composers:
- Debussy
- Ravel
- Minimalism
- Simple melodic fragments
- Simple time signature
- Simple dynamics
- Repetitive
- Gradual change to elements
- Recurring motifs
- Contrapuntal texture
- Many melodies
- Ostinato
- Short collection of notes repeated once and once again
- Cells repeated again and again
- Steady beat
- Layered textures
- Interlocking phrases
- Diatonic Harmony
- Composers:
- Steve Reich
- Terry Riley
- John Adams
- Philip Glass
- Terry Riley
- Serialism
- Expressionism
- Clashing
- Disjointed melodies
- Extreme dynamics
- Made use of the prepared piano
- Objects like nuts, bolts, screws and rubber bands placed between or wrapped around piano strings
- Atonal music
- Music with no tonic note
- Unresolved dissonance
- Difficult to identify the time signature
- Angular melody
- Large leaps in melodic lines
- Chamber music
- Complex rhythms
- Varied rhythm and dynamics
- Minimal instruments
- Prime order
- Every chromatic note is used, but no repetition in the same phrase
- Retrograde
- Playing sequences backwards
- Inversion
- Intervals flipped
- Retrograde inversion
- Playing sequences backwards, with the same intervals but opposite directions
- Klangfarbenmelodie
- The tone row is distributed to multiple instruments, thus varying timbre
- Cluster chords used
- Verticalisation
- Form of harmonisation with the formation of chords
- Composers:
- Schoenberg
- Berg
- Webern
- Neoclassical
- Return to balanced forms
- Emotional restraint however embraces jazz
- 18th-century composition processes and techniques
- Modern elements:
- Bitonality
- Frequent modulations
- Unexpected harmonies
- Unexpected chord sequences
- Deliberate chromaticism
- Baroque / Classical elements:
- Alberti Bass
- Sequence and imitation
- Music not describing anything
- Devoid of emotion
- Forms
- Sonata
- Concerto
- Symphony
- Clear texture
- Regular rhythms
- Types of music:
- Programme music
- Ballet
- Clarity of sounds in solos
- Ostinatos
- Traditional harmonic and tonal progressions
- Deliberate dissonance
- Rhythmically complex
- Polyrhythms
- Stepwise AND angular melodies
- Dance styles
- Composers:
- Stravinsky
- Poulenc
- Tippett
- Prokofiev
- Hindemith
- Jazz
- 12 bar blues used
- Syncopation
- Swing Rhythm
- Straight quavers relaxed into triplet feels
- Walking bass
- 7th and 9th chords
- Improvisation
- Scat singing
- Blue notes
- Blues scale
- Composers
- Duke Ellington
- Louis Armstrong
- Ella Fitzgerald
- Ska
- Fast dance from the late ‘50s
- Fuses R'n'B with mentor rhythms
- Electric guitars, jazzy brass section
- Characteristic offbeat jumpy rhythms
- Lyrics about local issues
- Rocksteady
- Dance music
- From the Mid ‘60s
- More relaxed rhythms
- Stresses on beats 2 and 4
- Loud bass guitar, steady 4/4 beat
- Political lyrics
- Reggae
- Slower than Ska
- From the ‘60s
- Electric guitars and drums
- Bass riffs
- Rastafarianism association
- Religious movement
- Rhythm of 4/4, emphasis on missing beat
- Repeated offbeat quavers
- Dub remixing
- Delays added
- Simple chord sequences
- Verse-chorus form
- Political themes
- Musicals
- Catchy music
- Popular style
- Solo songs, duets, choruses
- Orchestra or band accompaniment
- Spoken dialogue
- Dance sequences, sets, costumes
In 20th Century music, some instrumental techniques were very common and unique to the time period. They make the era much easier to identify (especially neoclassical):
- Col Legno
- Striking strings of a string instrument with the back of the bow
- ie violin, viola etc
- Trumpet Mute
- Putting a mute on a trumpet or a trombone
- Aka the Harmon mute
- Usually used in jazz
- Has a cork completely blocking airflow
- Flutter Tonguing
- Done on a flute
- Makes a trill kind of sound