EGL 380

Lighting in Film

  • Lighting defines how a character, object, or scene is illuminated by natural or artificial sources.

  • It directs the viewer's attention and creates atmosphere.

  • Differences in lighting evoke different feelings:

    • Bright outdoor scenes (e.g., westerns) convey optimism and clarity.

    • Dark alleyways (e.g., gangsters) create feelings of oppression and gloom.

  • More subtle patterns of lighting also need to be noted, especially their psychological effects.

Examples of Lighting Techniques

  • In "Sunday in the Country" (1984):

    • Use of low lighting and candlelight emphasizes isolation among characters.

    • Look for recurrent patterns of light and shadow in scenes.

  • Is the lighting natural or artificial?

    • Some films manipulate light as a key artistic element.

    • Intelligent narrative films use lighting with purpose and strategic planning.

Mise-en-scène in Film

  • Mise-en-scène refers to the arrangement of space and elements in front of the camera.

  • Balance and Relationships in Space:

    • Placement of characters can indicate power dynamics.

    • Shadows and light often reflect themes or concepts.

  • In comparing settings:

    • Do disasters occur in urban versus natural landscapes?

    • The mise-en-scène in film draws parallels with theatrical staging.

Case Study: "Our Hospitality" (1923)

  • Buster Keaton's directorial decisions advance the narrative through mise-en-scène.

  • The setting usually serves multiple functions:

    • Divides film into contrasting sections.

    • Introduces characters’ pasts and foreshadows their futures.

  • Example: The McKay and Canfield homes represent opposing family legacies.

    • The Canfield home ironically becomes a safe haven for Willie.

    • Various scenes build suspense surrounding Willie’s hiding and pursuit.

  • Climax occurs at the Canfields’ home, representing reconciliation and new family dynamics.

The Importance of Competition and Image

  • The camera captures and shapes the mise-en-scène, framing the story visually.

  • A single film shot can encompass movement and action more than a still photograph.

    • Shot transitions (like point of view changes) enrich narrative.

    • Be aware of the various dimensions of each shot.

Shot Composition

  • Photographic Properties of Shots:

    • Tone, speed, and perspectives affect scene perception.

    • Example: "The Wizard of Oz" (1939) contrasts colors to signify fantasy.

    • Black and white films evoke historical context, e.g., "The Artist" (2011).

  • Film Speed:

    • Different speeds depict actions and emotions dramatically.

    • Slow motion may signal dreams; fast motion often adds humor.

  • Perspective:

    • Spatial relationships help establish narrative layers.

    • Techniques include shallow depth of field and rack focus for emphasis.

    • Examine which elements are in focus and their significance in the narrative.

Analysis and Discussion

  • When analyzing film images, ask:

    • What elements are highlighted and why?

    • How does space shape character relationships?

    • Consider the flatness or depth of the image and its implications for world-building.

  • Make your analysis multifaceted; focus on how elements interact to create meaning.

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