Lighting defines how a character, object, or scene is illuminated by natural or artificial sources.
It directs the viewer's attention and creates atmosphere.
Differences in lighting evoke different feelings:
Bright outdoor scenes (e.g., westerns) convey optimism and clarity.
Dark alleyways (e.g., gangsters) create feelings of oppression and gloom.
More subtle patterns of lighting also need to be noted, especially their psychological effects.
In "Sunday in the Country" (1984):
Use of low lighting and candlelight emphasizes isolation among characters.
Look for recurrent patterns of light and shadow in scenes.
Is the lighting natural or artificial?
Some films manipulate light as a key artistic element.
Intelligent narrative films use lighting with purpose and strategic planning.
Mise-en-scène refers to the arrangement of space and elements in front of the camera.
Balance and Relationships in Space:
Placement of characters can indicate power dynamics.
Shadows and light often reflect themes or concepts.
In comparing settings:
Do disasters occur in urban versus natural landscapes?
The mise-en-scène in film draws parallels with theatrical staging.
Buster Keaton's directorial decisions advance the narrative through mise-en-scène.
The setting usually serves multiple functions:
Divides film into contrasting sections.
Introduces characters’ pasts and foreshadows their futures.
Example: The McKay and Canfield homes represent opposing family legacies.
The Canfield home ironically becomes a safe haven for Willie.
Various scenes build suspense surrounding Willie’s hiding and pursuit.
Climax occurs at the Canfields’ home, representing reconciliation and new family dynamics.
The camera captures and shapes the mise-en-scène, framing the story visually.
A single film shot can encompass movement and action more than a still photograph.
Shot transitions (like point of view changes) enrich narrative.
Be aware of the various dimensions of each shot.
Photographic Properties of Shots:
Tone, speed, and perspectives affect scene perception.
Example: "The Wizard of Oz" (1939) contrasts colors to signify fantasy.
Black and white films evoke historical context, e.g., "The Artist" (2011).
Film Speed:
Different speeds depict actions and emotions dramatically.
Slow motion may signal dreams; fast motion often adds humor.
Perspective:
Spatial relationships help establish narrative layers.
Techniques include shallow depth of field and rack focus for emphasis.
Examine which elements are in focus and their significance in the narrative.
When analyzing film images, ask:
What elements are highlighted and why?
How does space shape character relationships?
Consider the flatness or depth of the image and its implications for world-building.
Make your analysis multifaceted; focus on how elements interact to create meaning.