ARTH225 - Lecture 4 - 3_5_2025 (Wed)_default_60221287

Introduction to Medieval Art

  • The status of the artist in the medieval period was significantly different from the Renaissance onwards.

  • Major Renaissance artists include:

    • Michelangelo

    • Leonardo da Vinci

    • Raphael

    • Piero della Francesca

    • Giotto

  • Difficulty Naming Medieval Artists:

    • Rarely do individuals recall specific medieval artists as opposed to Renaissance artists.

Defining the Medieval Period

  • Duration: Approximately 500 to 600 years, starting from the fall of the Roman Empire in the 5th century to the onset of the Renaissance in the late 13th/early 14th century.

  • Transition between these periods is not well-defined, often blurred.

Characteristics of Medieval Art

  • Dominated by religious themes due to the influence of the Catholic Church.

  • Art served religious functions or was produced for aristocracy and royalty.

  • Lack of Individual Recognition:

    • Emphasis on collective culture rather than individual artists; artworks were often anonymous.

    • Cosideration of artists as craftsmen or artisans rather than modern artists.

Manuscript Illustration Example

  • Image Description:

    • From a manuscript margin: humorous depiction involving a scriptor and a rat, displaying a unique artist's commentary on their own work.

  • Art was seen as an act of devotion and humility, meant to celebrate God rather than promote individual creativity.

Transition to Recognized Artists

  • Art in the medieval period was typically unsigned. However, some exceptions exist.

  • Jean Van Eyck:

    • Among the first recognizable artists from the later medieval period.

    • Notable for painting the "Arnolfini Portrait," interpreted as a wedding portrait and contract.

  • Van Eyck pioneered oil painting techniques that enhanced detailed representation.

Michelangelo's Shift in Artist Identity

  • Michelangelo's Pieta (1498-1499):

    • Noteworthy for its signed inscription on the sash, indicating a shift in the perception of artist identity.

    • Claims authorship was relatively rare prior to this period but increased towards the end of the 15th century.

Architectural Highlights of the Medieval Period

Autun Cathedral (Romanesque Art)

  • Construction Period: 12 years, begun around 1120 to accommodate pilgrims.

  • Notable for the Last Judgment tympanum, emphasizing themes of salvation and judgment for the audience of pilgrims.

  • Signed by Giselbertus, demonstrating a possible indication of individual artist recognition in medieval sculpture.

Bayeux Tapestry

  • Date: Twelfth century, details the Norman conquest of England.

  • Measures 70 meters long and 50 cm high, consisting of 58 narrative panels.

  • Production: Likely commissioned by Bishop Odo, celebrated William the Conqueror's military achievements.

  • Important distinction: This is an embroidery and not a tapestry; images are stitched onto fabric.

Chartres Cathedral (Gothic Era)

  • Construction Period: Mostly completed by 1220, built on the site of a burnt cathedral.

  • Key Features:

    • Distinctive spires built in different styles; one flamboyant Gothic, the other simpler.

    • Introduction of flying buttresses enabling taller, thinner walls and stained glass windows.

  • Stained Glass:

    • Well-preserved original glass narrates biblical stories, providing color and illuminating the interior of the church.

Final Examples and Conclusion

  • The Hamburg Bible Manuscripts: depict creation in Genesis and the artist at work in Revelation, showcasing the relationship between divine creation and artistic creation.

  • This hints at artists’ awareness of their role as creators, paralleling divine creativity, yet framed as acts of devotion rather than self-aggrandizement.

  • Acknowledgment of upcoming discussions on Renaissance artists will continue the exploration of evolving artist identity.

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