The status of the artist in the medieval period was significantly different from the Renaissance onwards.
Major Renaissance artists include:
Michelangelo
Leonardo da Vinci
Raphael
Piero della Francesca
Giotto
Difficulty Naming Medieval Artists:
Rarely do individuals recall specific medieval artists as opposed to Renaissance artists.
Duration: Approximately 500 to 600 years, starting from the fall of the Roman Empire in the 5th century to the onset of the Renaissance in the late 13th/early 14th century.
Transition between these periods is not well-defined, often blurred.
Dominated by religious themes due to the influence of the Catholic Church.
Art served religious functions or was produced for aristocracy and royalty.
Lack of Individual Recognition:
Emphasis on collective culture rather than individual artists; artworks were often anonymous.
Cosideration of artists as craftsmen or artisans rather than modern artists.
Image Description:
From a manuscript margin: humorous depiction involving a scriptor and a rat, displaying a unique artist's commentary on their own work.
Art was seen as an act of devotion and humility, meant to celebrate God rather than promote individual creativity.
Art in the medieval period was typically unsigned. However, some exceptions exist.
Jean Van Eyck:
Among the first recognizable artists from the later medieval period.
Notable for painting the "Arnolfini Portrait," interpreted as a wedding portrait and contract.
Van Eyck pioneered oil painting techniques that enhanced detailed representation.
Michelangelo's Pieta (1498-1499):
Noteworthy for its signed inscription on the sash, indicating a shift in the perception of artist identity.
Claims authorship was relatively rare prior to this period but increased towards the end of the 15th century.
Construction Period: 12 years, begun around 1120 to accommodate pilgrims.
Notable for the Last Judgment tympanum, emphasizing themes of salvation and judgment for the audience of pilgrims.
Signed by Giselbertus, demonstrating a possible indication of individual artist recognition in medieval sculpture.
Date: Twelfth century, details the Norman conquest of England.
Measures 70 meters long and 50 cm high, consisting of 58 narrative panels.
Production: Likely commissioned by Bishop Odo, celebrated William the Conqueror's military achievements.
Important distinction: This is an embroidery and not a tapestry; images are stitched onto fabric.
Construction Period: Mostly completed by 1220, built on the site of a burnt cathedral.
Key Features:
Distinctive spires built in different styles; one flamboyant Gothic, the other simpler.
Introduction of flying buttresses enabling taller, thinner walls and stained glass windows.
Stained Glass:
Well-preserved original glass narrates biblical stories, providing color and illuminating the interior of the church.
The Hamburg Bible Manuscripts: depict creation in Genesis and the artist at work in Revelation, showcasing the relationship between divine creation and artistic creation.
This hints at artists’ awareness of their role as creators, paralleling divine creativity, yet framed as acts of devotion rather than self-aggrandizement.
Acknowledgment of upcoming discussions on Renaissance artists will continue the exploration of evolving artist identity.