Notes:
There are 2 main methods of coloring:
Temporary
Adding color pigment that shampoos out (immediately or over time)
Permanent
Either by adding or removing color pigment
Color
Science:
Visual perception of light
All colors is a group of electromagnetic waves/wavelengths traveling through space/time, grouped into 2 categories:
Radio waves
Electromagnetic waves
Wavelengths visible with the naked eye create color, and cannot be seen unless reflected off of an object
Law of color
Only 3 colors (yellow, red, blue), called the primary colors, are pure colors, meaning they cannot by created by mixing together any colors
When 2 of the 3 primary colors are mixed in equal proportions, they produce the 3 secondary colors:
Orange (yellow and red)
Green (blue and yellow)
Violet (red and blue)
Mixing a primary color with its neighboring secondary color in equal proportions makes the 6 tertiary colors:
Yellow-orange
Red-orange
Red-violet
Blue-violet
Blue-green
Yellow-green
Color wheel
A 12-hue color circle that is created from the 3 primary colors, which then are used to create the 3 secondary and 6 tertiary colors, positioned in a circle, allowing any mixed color to be described in relation to the primary colors
The name of a color (hue/tone) is identified by its position on the wheel; the tone of a hair color can be described as warm, cool or neutral
Warm/cool colors
Colors can be classified as either warm colors (warm tones) or cool colors (cool tones)
Warm tones generally fall into the yellow, orange or red half of the color wheel
Cool color tones generally fall into the green, blue and violet half of the color wheel
Yellow-green and violet-red can be considered warm or cool, depending on whether they contain more of the cool tones or warm tones
Complementary colors
Found opposite one another on the color wheel
When 2 complementary colors are combined, the result contains all three primary colors
When complementary colors are mixed together in varying proportions, they neutralize or cancel one another out, eventually producing a neutral color, such as certain shades of gray, black, or brown, depending on the proportions used
Colors that don’t exhibit warm or cool tones are considered neutral colors
Often used to correct or neutralize unwanted tones
Characteristics of color
Main characteristics of color:
Hue
Named and abbreviated for easy reference based on their position on the color wheel, often used by manufacturers to identify the specific hues of hair coloring products
Primary and secondary hues are all abbreviated by their first initial (eg. Y for yellow and R for red)
Names of the 6 tertiary colors are combinations of the primary and secondary color (eg. RO for red-orange and BV for blue-violet)
Level/value
The color level/value is the degree of lightness or darkness of a color, relative to itself and to other colors
EG:
Yellow is characterized as a light color
Red is described as a medium color
Blue is known as a dark color
Colorists talk about the value of the hair colors with either: fields or levels; all hair colors can be categorized into 3 major fields:
Light
Medium
Dark
(Fields get further subdivided into medium dark and medium light, etc.)
The level system is a numbering system that identifies the lightness or darkness of hair colors in smaller specific increments
Both natural and artificial hair color is divided into 10 numbering levels:
Darkest hair color is level 1
Lightest hair color is level 10
Some manufacturers use a 1-12 numbering system that operates the same way, 12 being the lightest
You can further understand the level by taking the photo in black and white pigment, seeing the various shades of gray which represent the relative lightness or darkness of the colors in the photo
Hair colorists use value and levels to classify hair color as light, medium or dark when measured against a gray scale
Intensity
Refers to the vividness, brightness or saturation of a color within its own level, the intensity of a color can range from mild to strong
Words used to describe the intensity of a color include:
Strong intensity
Deep, vibrant, rich
Soft intensity
Subtle, muted, soft
Describes the strength of a color’s tone, not its lightness or darkness; the most intense version of a color is referred to as pure because it represents the most saturated version of that color
Use the color chart to identify the intensity of colors and how the intensity relates tot eh value
Primary colors, in their purest intensity, vary in level, with pure blue being the darkest of the three primary colors