mus220 Musical Terms 1

Changing Sounds

  • Sounds can be altered in four primary ways:

    • Time (Duration): Changes to how long a sound lasts.

    • Pitch: Adjustments to the highness or lowness of the sound.

    • Timbre: The quality or color of the sound.

    • Dynamics: Variations in loudness or softness.

  • Additional Methods: Combining sounds either over time or simultaneously.

Time and Duration

  • Two aspects to understand about time:

    • Rhythmic Determination: Refers to the level of predictability in a rhythm.

    • Tempo: The speed at which the rhythmic pattern is played.

Levels of Rhythmic Determination (Slide 5)

  • Different levels from completely undetermined to highly structured:

    • Free Meter: Random rhythm, no predictability.

    • Pulsatile Meter: Some predictability of beats, but unsure when accents will occur.

    • Meter: Completely predictable patterns of accents (two subtypes: divisive and additive).

Free Meter

  • Defined by randomness; little to no predictability in rhythmic flow.

  • Examples: Sounds where you cannot tap along to the rhythm.

Pulsatile Music

  • Beats are equally spaced, establishing predictability in pulse (like a shot clock).

  • You know when the beat will occur, even if you can’t predict when accents will happen.

Meter

  • Defined as a recurring pattern of accented and unaccented beats; typically predictable.

  • It can be divided into:

    • Divisive Meter: Beats can be grouped into even divisions (e.g., Duple and Triple meters).

      • Duple Meter: Groups typically contain two beats (e.g., 2, 4, or 6).

      • Triple Meter: Groups contain three beats (e.g., 3).

    • Additive Meter: Combinations of smaller groups that are not symmetrically divisible.

      • Example: Grouping beats into combinations of two and three (e.g., 2-3 grouping).

Syncopation

  • Common in popular music; establishes a rhythmic complexity that avoids monotony.

  • Accents are placed on unexpected beats, enriching the musical texture.

  • Particularly relevant in duple meter music (like 4/4 time).

Polyrhythm

  • Multiple meters or rhythms occur simultaneously, resulting in a complex interplay of accents.

  • This creates a layered rhythmic feel, combining different meters into a cohesive unit.

Tempo

  • Defined as the pace of music, measured in beats per minute (BPM).

  • Tempo can be independent of meter; the same meter can be played at varying speeds.

  • Counting BPM: Count the number of taps in a set time, then multiply based on the time frame observed to find BPM (e.g., 15 seconds multiplied by 4 for a per minute count).

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