Greek AP Art History Study Guide
Caryatid: A sculpted female figure used as a column in architecture, often seen in the Erechtheion.
Contrapposto: An Italian term meaning "counterpose," referring to a stance in sculpture where the figure’s weight is shifted onto one leg, creating a more naturalistic, relaxed posture.
Encaustic: A painting technique where pigments are mixed with hot wax and applied to a surface. It was commonly used in Greek art.
Isocephalism: The practice of arranging figures so that their heads are all at the same height, typically used in frieze compositions.
Kiln: A furnace or oven used for firing pottery or sculptures.
Kouros: An early Greek statue of a young man, often shown in a standing, rigid pose.
Krater: A large, ancient Greek vessel used for mixing wine and water, often decorated with detailed scenes.
Mosaic: Art created by arranging small pieces of colored stone, glass, or other materials to form an image, commonly seen in floors or walls.
Palaestra: A public place for athletic training in ancient Greece, typically part of a larger gymnasium complex.
Peplos: A simple, draped garment worn by women in ancient Greece.
Portico: A structure consisting of a roof supported by columns, typically at the entrance of a building.
Stele: An upright stone slab or pillar, often used as a grave marker or to commemorate an event.
Anavysos Kouros: A more naturalistic representation of the male form, reflecting the transition from Archaic to Classical style.
Peplos Kore: A statue of a young woman, originally painted, wearing a peplos. This piece showcases the development of the female form in Greek art.
Polykleitos, Spear Bearer: A famous example of the Classical Greek canon of proportions, demonstrating balance, symmetry, and idealized human anatomy.
Helios, Horses, and Dionysos (Parthenon Frieze): Part of the Parthenon’s sculptural decoration, representing mythological figures in a dynamic and realistic style.
Plaque of Ergastines: A relief from the Parthenon depicting the Panathenaic procession, showing the idealization of the human form and the importance of civic ritual.
Victory Adjusting her Sandal: A Hellenistic sculpture of Nike (Victory) demonstrating dramatic movement and the use of the “wet drapery” style.
Kallimachos, Grave Stele of Hegeso: A funerary stele showing a moment of personal reflection, with a focus on domestic life.
Winged Victory of Samothrace: A dramatic sculpture of Nike in motion, often seen as a masterpiece of Hellenistic art, emphasizing movement and emotion.
Athena from the Pergamon Altar: Part of the Altar of Zeus, showing the battle between gods and giants, with an intense narrative and emotional expression.
Seated Boxer: A Hellenistic bronze sculpture showing a defeated boxer in a moment of reflection, capturing emotion and realism.
Erechtheion: Famous for its asymmetrical design and use of Caryatids (columns in the shape of women). The temple housed sacred relics.
Iktinos & Kallikrates, Parthenon: The most famous Greek temple, built for Athena, showcasing the Doric order and embodying Greek ideals of harmony and proportion.
Propylaea: The monumental gateway to the Acropolis, designed by Mnesicles.
Kallikrates, Temple of Athena Nike: A small, Ionic temple on the Acropolis, famous for its elegance and its sculptural reliefs depicting Nike.
Altar of Zeus and Athena at Pergamon: A monumental Hellenistic structure with dramatic friezes showing the battle between gods and giants (Gigantomachy).
Niobid Painter, Niobides Krater: This krater depicts the myth of Niobe, showing the transition from the earlier, stiff style of painting to a more dynamic and narrative style.
Alexander Mosaic from the House of Faun: A famous Hellenistic mosaic depicting the Battle of Issus, showing Alexander the Great and Darius in a highly dramatic and detailed scene.
Doric Order: The simplest column style, with no base and a plain, round capital.
Ionic Order: Features a base and more ornate capitals with volutes (spiral scrolls).
Corinthian Order: The most elaborate, with a capital decorated with acanthus leaves.
Know the parts of a column:
Capital: The topmost part of the column.
Shaft: The vertical, cylindrical part of the column.
Base: The bottom part of the column that rests on the floor or stylobate (in Ionic and Corinthian orders).
Entablature: The horizontal section above the columns, including the architrave, frieze, and cornice.
Caryatid: A sculpted female figure used as a column in architecture, often seen in the Erechtheion.
Contrapposto: An Italian term meaning "counterpose," referring to a stance in sculpture where the figure’s weight is shifted onto one leg, creating a more naturalistic, relaxed posture.
Encaustic: A painting technique where pigments are mixed with hot wax and applied to a surface. It was commonly used in Greek art.
Isocephalism: The practice of arranging figures so that their heads are all at the same height, typically used in frieze compositions.
Kiln: A furnace or oven used for firing pottery or sculptures.
Kouros: An early Greek statue of a young man, often shown in a standing, rigid pose.
Krater: A large, ancient Greek vessel used for mixing wine and water, often decorated with detailed scenes.
Mosaic: Art created by arranging small pieces of colored stone, glass, or other materials to form an image, commonly seen in floors or walls.
Palaestra: A public place for athletic training in ancient Greece, typically part of a larger gymnasium complex.
Peplos: A simple, draped garment worn by women in ancient Greece.
Portico: A structure consisting of a roof supported by columns, typically at the entrance of a building.
Stele: An upright stone slab or pillar, often used as a grave marker or to commemorate an event.
Anavysos Kouros: A more naturalistic representation of the male form, reflecting the transition from Archaic to Classical style.
Peplos Kore: A statue of a young woman, originally painted, wearing a peplos. This piece showcases the development of the female form in Greek art.
Polykleitos, Spear Bearer: A famous example of the Classical Greek canon of proportions, demonstrating balance, symmetry, and idealized human anatomy.
Helios, Horses, and Dionysos (Parthenon Frieze): Part of the Parthenon’s sculptural decoration, representing mythological figures in a dynamic and realistic style.
Plaque of Ergastines: A relief from the Parthenon depicting the Panathenaic procession, showing the idealization of the human form and the importance of civic ritual.
Victory Adjusting her Sandal: A Hellenistic sculpture of Nike (Victory) demonstrating dramatic movement and the use of the “wet drapery” style.
Kallimachos, Grave Stele of Hegeso: A funerary stele showing a moment of personal reflection, with a focus on domestic life.
Winged Victory of Samothrace: A dramatic sculpture of Nike in motion, often seen as a masterpiece of Hellenistic art, emphasizing movement and emotion.
Athena from the Pergamon Altar: Part of the Altar of Zeus, showing the battle between gods and giants, with an intense narrative and emotional expression.
Seated Boxer: A Hellenistic bronze sculpture showing a defeated boxer in a moment of reflection, capturing emotion and realism.
Erechtheion: Famous for its asymmetrical design and use of Caryatids (columns in the shape of women). The temple housed sacred relics.
Iktinos & Kallikrates, Parthenon: The most famous Greek temple, built for Athena, showcasing the Doric order and embodying Greek ideals of harmony and proportion.
Propylaea: The monumental gateway to the Acropolis, designed by Mnesicles.
Kallikrates, Temple of Athena Nike: A small, Ionic temple on the Acropolis, famous for its elegance and its sculptural reliefs depicting Nike.
Altar of Zeus and Athena at Pergamon: A monumental Hellenistic structure with dramatic friezes showing the battle between gods and giants (Gigantomachy).
Niobid Painter, Niobides Krater: This krater depicts the myth of Niobe, showing the transition from the earlier, stiff style of painting to a more dynamic and narrative style.
Alexander Mosaic from the House of Faun: A famous Hellenistic mosaic depicting the Battle of Issus, showing Alexander the Great and Darius in a highly dramatic and detailed scene.
Doric Order: The simplest column style, with no base and a plain, round capital.
Ionic Order: Features a base and more ornate capitals with volutes (spiral scrolls).
Corinthian Order: The most elaborate, with a capital decorated with acanthus leaves.
Know the parts of a column:
Capital: The topmost part of the column.
Shaft: The vertical, cylindrical part of the column.
Base: The bottom part of the column that rests on the floor or stylobate (in Ionic and Corinthian orders).
Entablature: The horizontal section above the columns, including the architrave, frieze, and cornice.