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Stanislavski's System - Vocabulary
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Stanislavski's System - Vocabulary
Constantine Stanislavski
Born in Moscow, Russia in 1863.
Actor, director, and teacher.
Developed a new approach to acting: The Stanislavski System.
Stanislavski's System
Aimed to eliminate artificial acting.
Emphasized working on characters from the inside to create a true performance.
Core Principles:
Bring actor's experiences into the role.
Expand actor's imagination.
Approach character from the inside.
Draw on real-life memories and create the character's inner life.
Answer questions about the character in the first person.
Elements of Actor Preparation
Relaxation: Eliminate physical tension.
Concentration: Think like the character and respond to imagination.
Observation: Memorize and recall sensations (sense memory or affective memory); expand sensations.
Communication: Interact spontaneously with other performers and the audience.
Imagination: Use imagination to make interesting choices regarding objectives and actions.
Analysis of Action
Given Circumstances: Character details in the script (location, time, people).
Action: Understand the aim or main idea.
What do I (the character) do?
Why do I (the character) do it?
How do I (the character) do it?
Units (of Action) & Objectives:
Break script into units (sections).
A unit contains one objective for the actor.
Every unit has an objective expressed through an active verb.
Super Objective: Main theme of the play.
Everything drives toward the Super Objective.
A through line of action can be mapped out for the character.
Motivation:
Driven by emotions or the mind to choose physical actions.
Will is activated indirectly through emotions or the mind.
Subtext: Meaning lying underneath the dialogue.
Interpreted through gesture, posture, pauses, or action.
Magic If
What would I do if I were in the same situation?
Combine real-life experiences and imagination, make real-life decisions on taking action.
The Physical Apparatus
Actor's body and voice are instruments.
Body needs training to improve posture and movements.
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