Ethnomusicology is the study of music in its cultural context. It encompasses music's social, cultural, and historical implications.
The focus is on both the music itself and the human experiences surrounding it.
Description of the initial experience arriving in a small town in the northern Plains, focusing on the author's feelings about engaging with the local Native American culture.
A brief exchange with a Native American filling station attendant highlights the author's excitement and apprehension.
The author feels out of place but is motivated to learn about Native American music.
Attempts to converse with locals are met with feelings of isolation and fear of being perceived as an outsider or exploitative.
Fleeting interactions, such as with the neighbor at the sandwich shop, reveal the difficulty of breaking social barriers.
Emotional weight of the search for connection and understanding manifests as anxiety about self-disclosure in this new cultural context.
The author realizes that initiating contact requires humility and respect for the local culture.
The encounter with a Native American barber leads to the discovery of a key informant, Joe F., a local singer.
This indicates the importance of networking and personal connections in ethnomusicological fieldwork.
The author's initial interactions evolve from tourist-like observations to more engaged fieldwork, indicating growth in understanding and integration into the community.
The timing and process of Joe's willingness to participate in the research reflect local customs and patient relationship-building.
The passage emphasizes ethnomusicology as a stress-laden process involving personal interactions and relationship management.
Fieldwork methodology in ethnomusicology has historically emphasized the role of personal relationships and daily interactions within the community being studied.
Differentiation between an ethnomusicologist's and a consultant's perspectives, highlighting the personal and subjective nature of ethnomusicological research.
There is an evolving terminology for research participants from 'informants' to 'consultants' and 'teachers'—reflecting a more respectful engagement in the research process.
Emphasis on selecting individuals who provide an authentic experience of the culture, acknowledging the difficulty in ensuring representation.
The issue of insider versus outsider perspectives in understanding music culture affects the validity and authenticity of research findings.
Relationships with local consultants are nuanced by power dynamics and expectations of reciprocal understanding between ethnomusicologists and community members.
Acknowledgment of the complexities and challenges of conducting fieldwork, including balancing scholarly objectives with cultural sensitivities.
The title "Come Back and See Me Next Tuesday" illustrates the importance of patience and mutual respect in building trust and rapport with research subjects; it's a metaphor for the ongoing relationship between scholar and community.