the person who is understood to be speaking (or thinking or writing)
the persona is almost invariably distinct from the author
it is the voice chosen by the author for a particular artistic purpose.
the persona may be a character in the work or merely an unnamed speaker
the manner and style of expression in the work can exhibit taste, prejudice, emotion, or other characteristics of a human personality although the persona may not be a human.
it answers the questions: What is happening in the poem? Who is speaking to whom? What/Who is the persona or speaker talking about?
this could be the equivalent of the plot in fiction but does not necessarily involve a conflict
word choice or vocabulary
class of words that an author decides is appropriate to use in a particular work
can either be denotation/denotative, its literal or dictionary meaning, or connotation/connotative, an idea or feeling that a word invokes
connotations may come from cultural, linguistic, historical, social, or political contexts
a word or series of words that refers to any sensory experience (usually sight, although also sound, smell, touch, or taste)
an image is a direct or literal recreation of physical experience andadds immediacy to literary language
the images are collectively called imagery
any image or thing that stands for something else
in literature, symbols are often characters, setting, images, or other motifs that stand in for bigger ideas
when used as a literary device, symbolism means to imbue objects with a certain meaning that is different from their original meaning or function
any intentional deviation from literal statement or common usage that emphasizes, clarifies, or embellishes both written and spoken language
forming an integral part of language, figures of speech are found in oral literatures as well as in everyday speech
in written poetry and prose, however, their use is more fully conscious,more artistic, and much more subtle
has a stronger intellectual and emotional impact, is morememorable, and sometimes contributes a range and depth ofassociation and suggestion far beyond the scope of the casualcolloquial use of imagery
the Old and New Testaments of the Bible—an example of a work rich in simile, metaphor, and personification (which is often used in Hebrew poetry)—is an important literary influence
in general, sound can refer collectively to the elements rhyme, rhythm, and meter
however, sound brings attention to both individual letters and wordsthat are drawn together through their sound as well as to the overallfeeling or experience
for example, repetition of soft sounds like s, m, l, and f mightencourage a soft or sensuous feeling: Season of mists and mellowfruitfulness . . .
on the other hand, d, c and gr can be hard sounds and produce strong feelings as in the words dread, cacophony, and greedy
two or more words that contain an identical or similar vowel sound, usually accented, with following consonant sounds (if any) identical aswell
any recurrent pattern of rhyme within an individual poem or fixed form
usually described by using small letters to represent each end rhyme—a for the first rhyme, b for the second, and so on
the pattern of stresses and pauses in a poem
a fixed and recurring rhythm in a poem is called meter