Memory and trauma
Motherhood and sacrifice
Slavery and freedom
Identity and the self
Memory and trauma: Climax—Sethe sees Beloved as the past made flesh; Conflict—Sethe’s internal battle with guilt and memory.
Motherhood: Climax—Sethe tries to kill Mr. Bodwin thinking he’s taking her daughter; Conflict—Sethe’s moral struggle with protecting her children.
Slavery: Climax—Flashback to Sethe’s escape and infanticide; Conflict—Living under its legacy.
Identity: Climax—Sethe’s breakdown; Conflict—Reclaiming selfhood post-trauma.
The lingering scars of historical injustice.
The cost of survival.
The burden and resilience of motherhood.
Sethe, Denver, Beloved, Paul D
Amy Denver (foil to Sethe in optimism/hope)
Schoolteacher (foil to Paul D—inhumanity vs. suppressed humanity)
Simile: “Her brain was not interested in the future. Loaded with the past and hungry for more, it left her no room to imagine…” (memory like hunger)
Metaphor: Beloved as a metaphor for trauma
Personification: 124 is "spiteful"
Pathetic Fallacy: House 124 reflecting emotional chaos
Symbol: Beloved, the scar, 124
Motif: Water, milk, rememory
Allusion: Biblical references (e.g., milk and honey)
“It was not a story to pass on.” (Denver’s development)
“Beloved. She my daughter. She mine.” (Sethe’s possessiveness and guilt)
“Paul D says your love is too thick.” (Sethe's emotional intensity)
“I can’t live here. I don’t know where to go or what to do, but I can’t live here.” (Denver’s coming of age)
“She is a friend of my mind.” (Paul D’s healing relationship
Resistance and resilience
Identity and heritage
Family and community
Injustice and bureaucracy
Resistance: Climax—Thomas testifies in Washington; Conflict—Fighting termination policy
Identity: Climax—Pixie’s recognition of her strength; Conflict—Balancing modernity and tradition
Family/community: Climax—Pixie’s rescue mission; Conflict—Separation and survival
Injustice: Climax—Policy challenged; Conflict—Tribal rights vs. government
Struggle for cultural preservation
Power of collective resistance
Identity in the face of systemic erasure
Thomas Wazhashk, Patrice "Pixie", Wood Mountain, Vera
Millie Cloud (foil to Pixie—education vs. survival)
Barnes (foil to Thomas—apathy vs. commitment)
Simile: “He worked at night like a ghost in reverse.”
Metaphor: Night watchman as a protector of culture
Personification: Machines humming with sinister purpose
Pathetic Fallacy: Cold landscape echoing hardship
Symbol: The watchman’s job, water, and letters
Motif: Dreams, trains, names
Allusion: Real-life Felix Cohen and 1950s termination bills
“He had a second, secret life: letter-writing.” (Thomas's quiet defiance)
“She was the kind of girl who always found something to do.” (Pixie’s determination)
“Not a drop of Indian blood in him, but enough Indian spirit.” (Wood Mountain’s loyalty)
“She would not go missing.” (Pixie’s inner strength)
“He had the stubbornness of someone who has never been listened to.” (Thomas’s perseverance)
Revenge and justice
Madness (real and feigned)
Appearance vs. reality
Mortality and existence
Corruption and decay
Revenge: Climax—Hamlet kills Claudius; Conflict—Moral paralysis vs. action
Madness: Climax—Ophelia’s death; Conflict—Genuine vs. strategic madness
Appearance vs. reality: Climax—Play within a play; Conflict—Truth hidden beneath deception
Mortality: Climax—Gravedigger scene; Conflict—Fear of death vs. acceptance
Corruption: Climax—Court destroyed; Conflict—Decay of Denmark’s moral core
The complexity of human motives
Psychological torment and inner conflict
Inevitability of death
Hamlet, Claudius, Gertrude, Ophelia, Polonius
Laertes (foil to Hamlet—decisive vs. hesitant)
Fortinbras (foil—honorable revenge vs. brooding inaction)
Horatio (foil—rational friend vs. emotional Hamlet)
Simile: “Like a man to double business bound…”
Metaphor: “Denmark’s a prison.”
Personification: “Frailty, thy name is woman!”
Pathetic Fallacy: Stormy weather with internal chaos
Symbol: Yorick’s skull, poison, the ghost
Motif: Ears/hearing, madness, rot/decay
Allusion: Greek myths (Hecuba), biblical references (Cain)
“To be or not to be…” (Hamlet’s philosophical nature)
“Something is rotten in the state of Denmark.” (Marcellus’ insight into corruption)
“The lady doth protest too much, methinks.” (Gertrude’s perception)
“I will speak daggers to her, but use none.” (Hamlet’s moral tension)
“There’s rosemary, that’s for remembrance.” (Ophelia’s descent into madness)