AC

Unit 1: Elements of Music

Unit 1 Exam

Pitch

  • pitch

  • non-pitch

  • interval

  • range

The tighter the wave length (over time), the higher the pitch

Dynamics

  • loudness

  • softness

Volume/Amplitude (Y), Pitch/Frequency (X)

Timbre

  • Wave forms of the sound

  • Quality or characteristics of the sound

Rhythm

  • Beat

  • Big beat (1-3)

  • Back beat (2-4)

  • Downbeat / UpBeat(1-te-2-te)

Meter

organization of stressed and unstressed beats

  • duple

  • triple

  • quadruple

  • simple meter

  • compound meter shuffle meter

Rhythm

  • accent

  • syncopation

  • tempo

  • bar (measure)

Melody

  • step-wise

  • leap

  • sequence

  • motive

  • phrase

Harmony

  • counterpoint

  • consonance

  • dissonance

Tonality

  • Key

  • Tonic

  • Major

  • Minor

  • Modulation

Textures

Monophony: single melody and nothing else

Heterophony: same melody but slightly different

Polyphonic: more than one melody at the same time

Homophony:single melody and accompaniment

Race Records

Conservative pop

Race Records 78rpm records marketed to African American records (made by white people)

Included blues, rap, and comedy

Ostinato

12-bar blues

Lyrics AAB

Blind Lemon Jefferson

Lead Belly

“Cross Roads Blues” - Robert Johnson

Extra Beats possible

Voice and Guitar

Charley Patton: “Father of the Delta Blues”

Urban blues / Electric blues

  • Chicago, Memphis

  • Female singers

  • St Lous Blues - Bessie Smith

  • Electric Guitar

  • Bass

  • Piano

  • Drums

  • Brass

  • Harmonica

  • Microphoned Singer

Jump Blues

  • fast tempo

  • swing

  • rhythm section and saxophones

  • caldonia - Louis Jordan and His Tympani Five

Hokum

  • Piano and Guitar

  • Up-Tempo

  • Sexual Lyrics

  • It’s tight like that - Tampa Red and Georgia Tom (Thomas Dorsey)

Boogie-Woogie

  • Piano Style

  • Repeated Riff

  • Big Beat in right hand

  • Shuffle rhythm in the left hand

  • “Pine Top’s Boogie Woogie” - Pinetop Smith

  • 3+3+4+2+4

Rhythm and Blues as marketing label

  • independent R&B Labels

  • Sun Records (Memphis)

  • Chess Records (Chicago)

  • Im Your Hoochie Coochie Man - Mussy Waters

  • John Lee Hooker

  • Bo Diddley

  • Howlin’ Wolf

  • Willie Dixon

Country & Western

  • Bristol Sessions (1927); Tennessee is the birthplace of country music

  • “Hillbilly Music”

  • Southeast, Appalachia

  • “Wildwood Flower” - The Carter Family

  • A.P. Carter, Sara Carter, & Maybelle Carter (Carter Scratch- style of playing)

Western

  • southwest,west

  • “waiting for a train” - Jimmie Rogers

  • Yodeling

  • Western sing

Honky Tonk

  • Backbeat

  • “Hey good Lookin” - Hank Williams

  • Fiddlw

  • Steel guitar

Early Rock&Roll

small window of history

  • Alan Freed, American radio disc jockey

  • Moondog rock n roll party radio show

  • “Rock around the Clock” - Bill Haley and His Comets

  • “Shake, Rattle, and Roll” - Big Joe Turner

  • “The teenager” issues and J. Edgar Hoover

  • Payola - a crime when a record label bribes a disc jockey on radio to pay their music. The radio waves were owned by the federal government and you can’t bribe people to pay music with federal law.

Sister Rosetta Tharpe

  • Blues

  • Gospel

  • Singer and GUitarist

  • “Godmother of Rock and Roll”

Fats Domino

  • Cross over success (R&B)

  • Piano

  • “Blueberry Hill”

  • AABA form

Chuck Berry

  • Cross over success R&B

  • Guitarist

  • Influenced by Country Music

  • Duck Walk

  • Double Stops

  • “Johnny B. Goode”

Little Richard

  • Cross over success

  • Piano

  • Aggressive piano playing

  • Sexual innuendo in lyrics

  • “Tutti Frutti”

  • Begins with chorus, simple verse-chorus

Pat Boone Sucks

Elvis Presley

  • Sun Records to RCA

  • Not a songwriter (covers)

  • “That’s All Right (mama)”

Rockabilly

  • Associated with White performers

  • Combination of blues and “hillbilly” music

  • Electric guitar is the primary solo instrument

  • Most common instrumentation included guitar, upright bass, drum kit, and singer

  • Singer employs a wide range of vocal inflections

  • Artists associated with rockabilly : Carl Perkins, Elvis Presley, Bill Haley, Buddy Holly, Roy Orbison, The Everly Brothers, Johnny Cash, Jerry Lee Lewis, and Eddie Cochran

Jerry Lee Lewis

  • Sun Records

  • “Great Balls of Fire”

  • Married his 16yo cousin…

Buddy Holly and The Crickets

  • “That’ll Be The Day”

  • Died in a plane crash

Roy Orbison

  • “Only the lonely”

  • Sun records

Link Wray

  • Native American (shawnee)

  • early rock and roll/rockabilly guitarist

  • early use of the power chord

  • “Rumble” - banned on radio, instrumental

Ritchie Valens (Richard Valenzuela)

  • Chicano Rock

  • “La Bamba”

Native Americans In Popular Music

Charley Patton (1934)

  • Delta Blues musician

  • “Pony Blues”

Mildred Bailey

(1907-1951)

  • Jazz Singer

  • “The Queen of Swing”; “Blues in My Heart”

  • attributed to the style of Sinatra and other jazz musicians

Jimmy Hendrix

  • Guitarist

  • “Star Spangles Banner” live at Woodstock (1969)

Buffy Sainte-Marie (d1941)

  • Indigenous Canadian American singer-songwriter

  • “Universal Soldier”

  • nixon admin cut her career short

Robbie Robertson (1943-2023)

  • Guitarist (Ronnie Hawkins and the Hawks, Bob Dylan, The Band)

  • “Up on Cripple Creek”

Jessie Ed Davis

  • Guitarist (Tak Mahal, Eric Chaplin, John Lennon, George Harrison, Jackson Browne, Rod Stewart)

  • “Doctor, My Eyes” guitar solo

Redbone

  • “Come and get your love”

  • they would often wear pow-wow clothing

  • often mic the floor and do traditional native american dance

Randy Castillo (1950-2002)

  • Heavy Metal drummer (Ozzy Osbourne)

Brill Building Sound

  • Located at 1619 Broadway New York

  • Set the stage for the rise of the singer-songwriter in the later 1960s

  • Housed the offices of some of the most commercially successful songwriters, producers, and music publishers

  • included girl groups, bubblegum pop, vocal doo-wop, Latin pop, and soul music

  • Vertically integrated production structure, songwriters, pitched theur work to publishers, producers solicited songs for their artists, hired musicians and arrangers, and made recordings in-house

  • songwriters and producers Jerry Leiber and Mike Stoller “Searchin” The Coasters

  • Producer Phil Spector: “wall of sound”/”wrecking crew” “be my baby” The Ronnets

Soul Music

  • Race Music, Rhythm and blues, soul music

  • 1960s

  • African American pop music genre

  • utilized vocal techniques from black gospel music

James Brown

  • “papas got a brand-new bag”/”(i feel good)I got you”

STAX Records (Memphis)

  • FAME studio (muscle shoals, AL)

    • Muscle Shoals Rhythm Section

  • Atlantic records

Motown (soul music)

  • Motown is both a record label specializing in sould music and a musical style

  • Record label was founded by Berry Gordy in Detroit in 1961; moved to LA in 1971

  • Gordy trained songwriters and producers in an attempt to reach both black and white audiences

  • Distinctive sound development from using the same teams of songwriters and producers, the same musicians (funk brothers) and the same studio for nearly every recording

  • Backbeat was often minimized

  • the basic pulse was always articulated by a variety if instruments

  • aided by handclaps and foot stomping rooted in gospel music

  • the lead instrument was commonly a non-rock or rhythm nd blues instrument such as bassoon, English horn or vibraphone

  • the production tended to emphasis the lead singer in the mix and then the instrumentation

  • influenced by the dense “wall of sound” of Phil Spector

  • The high end of the sound register was often favored

  • lyrics tended to be rich in internal rhyme, alliteration, metaphor and other poetic devices

  • songs tended to have multiple hooks

Martha and the Vandellas

  • heat wave

  • holland-dozier-holland

Philadelphia Sound: “Soft Soul”

  • Philadelphia International Records

  • Kenny Gamble and Leon Huff

  • 1970’s

  • modeled after Motown

  • Extravagant Instrumental introductions

  • Lush orchestrations with strings and horns and focused on the beginning of the music to catch attention

  • polished recordings, complex textures

  • octaves on guitars

  • novel instruments: Vibraphone, Harpsichord, or Latin percussion

  • frequent use of falsetto voices

  • Moderate tempos

  • utilized session musicians: in-house band MFSB (mothers father son brother)

  • bass guitar and kick drum on every beat

  • topics of love as well as society conscious lyrics

  • led to new genre, Disco!

The O’Jays

  • “For the love of money”

Surf Rock

  • beginning 1959 peaked 1962-64

  • Started in SoCal orange county

  • often utilized close-harmonies

  • heavy reverd (fender showman amp)

  • Lyrics about surfing,girls, and fast cars

  • Musical antecedents: ukelele, flamenco, early rock, and rockabilly

  • “lets go trippin”: Dick Dale

  • “Bustin surfboards” Tornadoes

Unit 2 Exam

The Beatles

Liverpool, UK

  • The Quarry Men - before “"the beatles”

  • Skiffle Music- folk-ish with homemade instruments

  • Early Rock & Roll

  • Formed in 1957 (John Lennon & Paul McCartney)

  • George Harrison joined in 1958

  • Stuart Sutcliffe (bass guitar)

  • Pete Best (drums)

Hamburg, Germany

  • 1960-1962 Hamburg, Germany

  • Ringo Starr joined

  • 6-8 hour sets

  • American Pop, Rhythm & Blues, Country & Western

Cavern Club

  • Liverpool, UK

  • 1961-1962

  • Brian Epstein becomes manager in ‘61

“Fifth Beatle”

  • Decca rejects record deal with the Beatles

  • George Martin, EMI record producer -1962, was the 5th Beatle

Beatlemania

  • 1963-1966

  • Ed Sullivan Show (February 9, 1964)

  • 3 American Tours (64,65,66)

  • 1966 end of public performances

Beatles & India

  • Beatles traveled to India in 1968

  • “Norwegian wood”

  • Sitar

Albums

  • Please Please Me (1963)

  • With The Beatles (1963)

  • A Hard Day’s Night (1964)

  • Beatles For Sale (1964)

  • Help (1965)

  • Rubber Soul (1965)

  • Revolver (1966)

  • A Collection Of Beatles Oldies (1966)

  • “Michelle” (Rubber Soul)

  • “Tomorrow Never Knows” (Revolver)

  • Sgt. Pepper’s Lonely Hearts Club Band (1967)

  • Magical Mystery Tour [EP] (1967)

  • The Beatles: White Album (1969)

  • Yellow Submarine (1969)

  • “Lucy in the Sky with Diamonds”

  • Abbey Road (1969)

  • Let It Be (1970)

Movies

  • Hard Days Night (64)

  • Help! (65)

  • Magical Mystery Tour (67)

  • Yellow Submarine (68)

  • Let It Be (70)

Billy Preston

  • American Keyboardist

  • “Get Back” by the beatles with Billy Preston

  • ‘Fifth Beatle”

British Invasion

Prior to 1964

  • American popular was dominant, British was secondary

  • UK imported more American music than exported to US

  • British had infatuation with American folk music, blues, r&b, jazz, country & western, and rock&roll

The Beatles et al

  • Gerry and the pacemakers “How do you do it”

  • The Dave Clark five “Glad all over”

  • Hermans hermits “Im into something good”

  • Freddy and the dreamers “Im telling you now”

  • The Hollies “Bus Stop”

  • The Animals “House of the rising sun”

British Blues Revival

  • The Rolling Stones (named after a muddy waters song)

  • Brian Jones (guitar), Mick Jagger (Vocal), Keith Richards (guitar), Bill Wyman (bass guitar), Charlie Watts (drums)

  • Covers

  • a rival to the beatles (riff based blues)

  • “(I cant get no) satisfaction”

Yardbirds

  • Eric Clapton “slowhand” (lead guitar)

  • Later replaced by Jeff Beck (lead guitar)

  • Long improvisatory passages at the end of songs called “rave ups”

  • “For your love”

The Kinks

  • “you really got me”

The Who

  • formed in 1964

  • Vocals Roger Daltrey, guitar Pete Townshend, Bass john entwistle, &drums Keith Moon

  • Perfired at Monterey Pop Festival (1967) and Woodstock (1969)

  • Rock opera Tommy “pinball wizard”

  • “My Generation”