Assemblage
Assemblage
Assemblage: an artistic process in which a three-dimensional artistic composition is made by putting together found objects
A three-dimensional alternative to collage: a technique of composing a work of art by pasting on a surface various materials not normally associated with one another
Assembling disparate elements – often everyday objects – scavenged by the artist or bought specially
Combines mundane objects in new and surprising ways
Requires the viewer to question their relation to the world of objects around them
Sometimes used as social critique or as an exploration of the fantastical and dream worlds
Gives objects new meanings
Makes creative connections between disparate elements
Elevates non-art materials into the realm of art
Every object has its inherent meaning and context
Ontology
Seeks the classification and explanation of entities
Every object carries with it a history, both objective and subjective
How can we alter this history?
How can we re-combine things to create new histories?
Louise Nevelson
Louise Nevelson: New York Is My Mirror
Born Kiev, Russia (now Kyiv, Ukraine) 1899-died New York City 1988
She made striking assemblages of found wooden forms, and sculptures in steel, aluminum, Plexiglass, and other materials
Assembled from reclaimed everyday objects
Combined into a totality through a monochromatic coat of paint
Her sculptures were imbued with a poetic harmony that converts the mundane into the mystical
Robert Rauschenberg
Born in Texas 1925-2008
Combines are hybrid works that associate painting with collage and assemblage of a wide range of objects taken from everyday life
Neither paintings nor sculptures, but both at once, Combine invade the viewers’ space, demanding their attention
Like visual puzzles
Consumer Culture: One Man’s Trash is Another Man’s Treasure
Artworks engaged with the idea that the acquisition or ownership of goods is a reflection of status and self-identity
Conspicuous Consumption
is a culture where people buy goods for the primary purpose of showing others how much something costs and how much they have
Artists explore or criticize in a variety of ways
In our case, discarded and found objects
Daniel Spoerri Eat Art
Ideas Around Consumerism
Waste and Sustainability: environmental impact of consumerism and the importance of recycling and upcycling
Materialism: the contrast between the desire for possessions
Brand Culture: incorporate branded objects or symbols into their assemblages to critique the power of consumer brands in shaping identity and culture
Disposable Culture: highlight the temporary nature of consumer goods and the resulting waste
Consumerism and Identity: can incorporate personal objects or symbols that reflect their relationship to consumer culture
Social Inequality: highlight disparities in wealth, access to goods, and consumption patterns
Globalization and Consumerism: incorporate objects from different countries or regions to illustrate the interconnectedness of consumer culture worldwide
Obsolescence and Planned Obsolescence: the concept of planned obsolescence, where products are designed to become obsolete or non-functional after a certain period
Consumerism and Happiness: explore whether material possessions bring fulfillment or contribute to feelings of dissatisfaction and emptiness
Alternative Economies: to imagine alternative models to consumerism, such as gift economies or sharing economies
Assemblage
Assemblage
Assemblage: an artistic process in which a three-dimensional artistic composition is made by putting together found objects
A three-dimensional alternative to collage: a technique of composing a work of art by pasting on a surface various materials not normally associated with one another
Assembling disparate elements – often everyday objects – scavenged by the artist or bought specially
Combines mundane objects in new and surprising ways
Requires the viewer to question their relation to the world of objects around them
Sometimes used as social critique or as an exploration of the fantastical and dream worlds
Gives objects new meanings
Makes creative connections between disparate elements
Elevates non-art materials into the realm of art
Every object has its inherent meaning and context
Ontology
Seeks the classification and explanation of entities
Every object carries with it a history, both objective and subjective
How can we alter this history?
How can we re-combine things to create new histories?
Louise Nevelson
Louise Nevelson: New York Is My Mirror
Born Kiev, Russia (now Kyiv, Ukraine) 1899-died New York City 1988
She made striking assemblages of found wooden forms, and sculptures in steel, aluminum, Plexiglass, and other materials
Assembled from reclaimed everyday objects
Combined into a totality through a monochromatic coat of paint
Her sculptures were imbued with a poetic harmony that converts the mundane into the mystical
Robert Rauschenberg
Born in Texas 1925-2008
Combines are hybrid works that associate painting with collage and assemblage of a wide range of objects taken from everyday life
Neither paintings nor sculptures, but both at once, Combine invade the viewers’ space, demanding their attention
Like visual puzzles
Consumer Culture: One Man’s Trash is Another Man’s Treasure
Artworks engaged with the idea that the acquisition or ownership of goods is a reflection of status and self-identity
Conspicuous Consumption
is a culture where people buy goods for the primary purpose of showing others how much something costs and how much they have
Artists explore or criticize in a variety of ways
In our case, discarded and found objects
Daniel Spoerri Eat Art
Ideas Around Consumerism
Waste and Sustainability: environmental impact of consumerism and the importance of recycling and upcycling
Materialism: the contrast between the desire for possessions
Brand Culture: incorporate branded objects or symbols into their assemblages to critique the power of consumer brands in shaping identity and culture
Disposable Culture: highlight the temporary nature of consumer goods and the resulting waste
Consumerism and Identity: can incorporate personal objects or symbols that reflect their relationship to consumer culture
Social Inequality: highlight disparities in wealth, access to goods, and consumption patterns
Globalization and Consumerism: incorporate objects from different countries or regions to illustrate the interconnectedness of consumer culture worldwide
Obsolescence and Planned Obsolescence: the concept of planned obsolescence, where products are designed to become obsolete or non-functional after a certain period
Consumerism and Happiness: explore whether material possessions bring fulfillment or contribute to feelings of dissatisfaction and emptiness
Alternative Economies: to imagine alternative models to consumerism, such as gift economies or sharing economies