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Assemblage

Assemblage

  • Assemblage: an artistic process in which a three-dimensional artistic composition is made by putting together found objects

  • A three-dimensional alternative to collage: a technique of composing a work of art by pasting on a surface various materials not normally associated with one another

  • Assembling disparate elements – often everyday objects – scavenged by the artist or bought specially

  • Combines mundane objects in new and surprising ways

  • Requires the viewer to question their relation to the world of objects around them

  • Sometimes used as social critique or as an exploration of the fantastical and dream worlds

  • Gives objects new meanings

  • Makes creative connections between disparate elements

  • Elevates non-art materials into the realm of art

  • Every object has its inherent meaning and context

  • Ontology

    • Seeks the classification and explanation of entities

  • Every object carries with it a history, both objective and subjective

  • How can we alter this history?

  • How can we re-combine things to create new histories?

Louise Nevelson

  • Louise Nevelson: New York Is My Mirror

  • Born Kiev, Russia (now Kyiv, Ukraine) 1899-died New York City 1988

  • She made striking assemblages of found wooden forms, and sculptures in steel, aluminum, Plexiglass, and other materials

  • Assembled from reclaimed everyday objects

  • Combined into a totality through a monochromatic coat of paint

  • Her sculptures were imbued with a poetic harmony that converts the mundane into the mystical

Robert Rauschenberg

  • Born in Texas 1925-2008

  • Combines are hybrid works that associate painting with collage and assemblage of a wide range of objects taken from everyday life

  • Neither paintings nor sculptures, but both at once, Combine invade the viewers’ space, demanding their attention

  • Like visual puzzles

Consumer Culture: One Man’s Trash is Another Man’s Treasure

  • Artworks engaged with the idea that the acquisition or ownership of goods is a reflection of status and self-identity

  • Conspicuous Consumption

    • is a culture where people buy goods for the primary purpose of showing others how much something costs and how much they have

  • Artists explore or criticize in a variety of ways

  • In our case, discarded and found objects

  • Daniel Spoerri Eat Art

Ideas Around Consumerism

  • Waste and Sustainability: environmental impact of consumerism and the importance of recycling and upcycling

  • Materialism: the contrast between the desire for possessions

  • Brand Culture: incorporate branded objects or symbols into their assemblages to critique the power of consumer brands in shaping identity and culture

  • Disposable Culture: highlight the temporary nature of consumer goods and the resulting waste

  • Consumerism and Identity: can incorporate personal objects or symbols that reflect their relationship to consumer culture

  • Social Inequality: highlight disparities in wealth, access to goods, and consumption patterns

  • Globalization and Consumerism: incorporate objects from different countries or regions to illustrate the interconnectedness of consumer culture worldwide

  • Obsolescence and Planned Obsolescence: the concept of planned obsolescence, where products are designed to become obsolete or non-functional after a certain period

  • Consumerism and Happiness: explore whether material possessions bring fulfillment or contribute to feelings of dissatisfaction and emptiness

  • Alternative Economies: to imagine alternative models to consumerism, such as gift economies or sharing economies

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Assemblage

Assemblage

  • Assemblage: an artistic process in which a three-dimensional artistic composition is made by putting together found objects

  • A three-dimensional alternative to collage: a technique of composing a work of art by pasting on a surface various materials not normally associated with one another

  • Assembling disparate elements – often everyday objects – scavenged by the artist or bought specially

  • Combines mundane objects in new and surprising ways

  • Requires the viewer to question their relation to the world of objects around them

  • Sometimes used as social critique or as an exploration of the fantastical and dream worlds

  • Gives objects new meanings

  • Makes creative connections between disparate elements

  • Elevates non-art materials into the realm of art

  • Every object has its inherent meaning and context

  • Ontology

    • Seeks the classification and explanation of entities

  • Every object carries with it a history, both objective and subjective

  • How can we alter this history?

  • How can we re-combine things to create new histories?

Louise Nevelson

  • Louise Nevelson: New York Is My Mirror

  • Born Kiev, Russia (now Kyiv, Ukraine) 1899-died New York City 1988

  • She made striking assemblages of found wooden forms, and sculptures in steel, aluminum, Plexiglass, and other materials

  • Assembled from reclaimed everyday objects

  • Combined into a totality through a monochromatic coat of paint

  • Her sculptures were imbued with a poetic harmony that converts the mundane into the mystical

Robert Rauschenberg

  • Born in Texas 1925-2008

  • Combines are hybrid works that associate painting with collage and assemblage of a wide range of objects taken from everyday life

  • Neither paintings nor sculptures, but both at once, Combine invade the viewers’ space, demanding their attention

  • Like visual puzzles

Consumer Culture: One Man’s Trash is Another Man’s Treasure

  • Artworks engaged with the idea that the acquisition or ownership of goods is a reflection of status and self-identity

  • Conspicuous Consumption

    • is a culture where people buy goods for the primary purpose of showing others how much something costs and how much they have

  • Artists explore or criticize in a variety of ways

  • In our case, discarded and found objects

  • Daniel Spoerri Eat Art

Ideas Around Consumerism

  • Waste and Sustainability: environmental impact of consumerism and the importance of recycling and upcycling

  • Materialism: the contrast between the desire for possessions

  • Brand Culture: incorporate branded objects or symbols into their assemblages to critique the power of consumer brands in shaping identity and culture

  • Disposable Culture: highlight the temporary nature of consumer goods and the resulting waste

  • Consumerism and Identity: can incorporate personal objects or symbols that reflect their relationship to consumer culture

  • Social Inequality: highlight disparities in wealth, access to goods, and consumption patterns

  • Globalization and Consumerism: incorporate objects from different countries or regions to illustrate the interconnectedness of consumer culture worldwide

  • Obsolescence and Planned Obsolescence: the concept of planned obsolescence, where products are designed to become obsolete or non-functional after a certain period

  • Consumerism and Happiness: explore whether material possessions bring fulfillment or contribute to feelings of dissatisfaction and emptiness

  • Alternative Economies: to imagine alternative models to consumerism, such as gift economies or sharing economies