Roman sculpture is characterized by two distinctive features: realistic portraiture and historical reliefs.
Normal Citizens and Prominent Romans: Roman sculpture portrayed both ordinary citizens and famous Romans.
Medium of Representation:
Commonly depicted in funerary monuments and reliefs.
Busts represent portraits of individuals, primarily made to commemorate political achievements.
Statue Types:
A bust is a sculpture showing just the head and part of the shoulders.
Full-sized statues sometimes commissioned by citizens to commemorate their lives or achievements.
Commissioning Statues:
Statues often commissioned by individuals for personal remembrance or family honor.
Reflect a person's social standing; exceptional amounts were spent on realistic portraits, while generic figures were less costly.
Statues in the Provinces:
Statues celebrating the acquisition of Roman citizenship in provinces highlighted social status, often commemorating the moment of becoming a citizen.
Emperor Portraits:
Realistic yet idealized statues of emperors were made to ensure recognition due to the public’s familiarity with the individuals.
Statues often featured individualized heads placed on standardized, generic bodies that communicated attributes of citizenship and virtue.
Economic Aspects:
Token statues with detachable heads allowed for economic production and adaptability:
Local communities updated statues reflecting the reigning emperor saving costs.
Idealized vs. Realistic Portraiture:
Idealized portraits often depicted emperors in god-like forms, such as Claudius styled as Jupiter, which contrasted with their actual features (e.g., disabilities).
Late Republican and Early Imperial Trends:
Late Republican statutes highlighted both individual traits and represented virtues, becoming more realistic during the Flavian dynasty emphasizing military and common virtues.
Roman sculpture famously represents historical events, a detail not commonly found in Greek art.
Examples of Historical Reliefs:
The Column of Trajan depicts Rome's military campaigns dramatically and engagingly, focusing on real events.
Mythological vs Real:
Unlike the Greeks, Romans preferred direct representation of historical events over mythological allegories.
The Monument of Aemilius Paulus serves as a blend showcasing Greek influence and Roman realism through depiction of a specific victory.
Reliefs also recorded significant societal events, employing mythological elements, while focusing on human figures and their actions.
Differences between Greek and Roman approaches highlight the Roman emphasis on civic (realistic) themes compared to Greek mythological themes.
Romans adopted the Etruscan practice of creating decorated sarcophagi but developed unique traditions highlighting personal legacy.
Two Types of Sarcophagus:
Decorated with floral patterns or mythological scenes and depicted the deceased's life achievements.
Simpler sarcophagus styles with lifelike portrait casts of freedmen, showcasing their likeness thoroughly without idealization.
Civic Display:
Family tombs served as public markers of wealth, emphasizing the social standing of the deceased in society.
The shift to individualized portrayals reflects the socio-economic changes in Roman society, giving freedmen a sense of inclusion in commemorative practices.