Emp & Lit Lecture (History 7)

Overview of Roman Sculpture

  • Roman sculpture is characterized by two distinctive features: realistic portraiture and historical reliefs.

Realistic Portraiture

  • Normal Citizens and Prominent Romans: Roman sculpture portrayed both ordinary citizens and famous Romans.

  • Medium of Representation:

    • Commonly depicted in funerary monuments and reliefs.

    • Busts represent portraits of individuals, primarily made to commemorate political achievements.

  • Statue Types:

    • A bust is a sculpture showing just the head and part of the shoulders.

    • Full-sized statues sometimes commissioned by citizens to commemorate their lives or achievements.

  • Commissioning Statues:

    • Statues often commissioned by individuals for personal remembrance or family honor.

    • Reflect a person's social standing; exceptional amounts were spent on realistic portraits, while generic figures were less costly.

  • Statues in the Provinces:

    • Statues celebrating the acquisition of Roman citizenship in provinces highlighted social status, often commemorating the moment of becoming a citizen.

  • Emperor Portraits:

    • Realistic yet idealized statues of emperors were made to ensure recognition due to the public’s familiarity with the individuals.

    • Statues often featured individualized heads placed on standardized, generic bodies that communicated attributes of citizenship and virtue.

Special Features of Statues

  • Economic Aspects:

    • Token statues with detachable heads allowed for economic production and adaptability:

      • Local communities updated statues reflecting the reigning emperor saving costs.

  • Idealized vs. Realistic Portraiture:

    • Idealized portraits often depicted emperors in god-like forms, such as Claudius styled as Jupiter, which contrasted with their actual features (e.g., disabilities).

  • Late Republican and Early Imperial Trends:

    • Late Republican statutes highlighted both individual traits and represented virtues, becoming more realistic during the Flavian dynasty emphasizing military and common virtues.

Historical Reliefs

  • Roman sculpture famously represents historical events, a detail not commonly found in Greek art.

  • Examples of Historical Reliefs:

    • The Column of Trajan depicts Rome's military campaigns dramatically and engagingly, focusing on real events.

  • Mythological vs Real:

    • Unlike the Greeks, Romans preferred direct representation of historical events over mythological allegories.

    • The Monument of Aemilius Paulus serves as a blend showcasing Greek influence and Roman realism through depiction of a specific victory.

Censorship and Historical Events

  • Reliefs also recorded significant societal events, employing mythological elements, while focusing on human figures and their actions.

  • Differences between Greek and Roman approaches highlight the Roman emphasis on civic (realistic) themes compared to Greek mythological themes.

Funerary Reliefs

  • Romans adopted the Etruscan practice of creating decorated sarcophagi but developed unique traditions highlighting personal legacy.

  • Two Types of Sarcophagus:

    • Decorated with floral patterns or mythological scenes and depicted the deceased's life achievements.

    • Simpler sarcophagus styles with lifelike portrait casts of freedmen, showcasing their likeness thoroughly without idealization.

  • Civic Display:

    • Family tombs served as public markers of wealth, emphasizing the social standing of the deceased in society.

  • The shift to individualized portrayals reflects the socio-economic changes in Roman society, giving freedmen a sense of inclusion in commemorative practices.

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