AP PSYCH 3.1 Principles of Sensation
Notable people are Wertheimer, Kohler, Koffka, and Perls
This theory is the origin of cognitive psychology
Rose in the early 1900s
Based upon the idea that “the whole is greater than the sum of its parts”
Gestalt translation: “placed” or “put together” or “pattern”
What are the sum parts of our perceptions as our mind puts sensations into patterns?
Describes principles that describe these patterns of human perceptions
The word pragnanz is a German term meaning “good figure”
The law of good figure or the law of simplicity
This law proposes that objects in the environment are perceived in the simplest way possible
All Gestalt principles are based on how we simplify our world in similar ways
Figure and ground is the organization of the visual field into objects (figures) that stand out from their surroundings (ground)
We group things in our visual field in a number of ways
We do this in proximity, similarity, continuity, connectedness, closure
These things may not actually be grouped in any way, but our perception organizes them in this way
The ability to perceive distance of objects in one’s visual field
We perceive in three dimensions: length, width, and depth
There are two different kinds of cues we rely on to help us perceive distance or depth
Requires both eyes
Convergence
Neuromuscular cue
Two eyes move inward for nearby objects
Two eyes straighten for further objects
Retinal disparity
Images from each eye differ, coming together to make one perception
The closer the object, the larger the disparity
The further the object, the smaller the disparity
Requires only one eye
Relative size
Interposition
Light and shadow
Relative height
Texture gradient
Linear perspective
Stimulus goes into sensory receptors, which turn the stimulus into neural impulses our nervous system can understand, a sensation
The smallest amount of energy that will produce a sensation ‘most,’ or 50% of the time
At what point, what what intensity does stimulus have to be, for us to detect it?
Thresholds are usually very low, we are very sensitive to sensations
We don’t want them to be too low, however, because if we’re detecting everything, we can’t focus
Children typically have lower thresholds than adults
Sensitivity lowers with age, like the natural degradation of hearing with age
Diminished sensory awareness due to constant stimulation above the threshold
Thanks to sensory adaptation, we are tuned to change
After playing loud music for a long time, you won’t notice how loud it is after a while
The smallest amount of change in a stimulus that will produce a change in sensation
Also called the just-noticeable difference
Weber’s Law (or Weber-Fechner Law)
Physical proportion of change necessary before we “sense” the change
The ratio of actual change in the stimulus compared to the perceived change
Like when getting a haircut, how much hair has to be cut off for you to notice the slightly different weight/feeling on your head?
At what point are we able to detect a sensory signal?
In other words, how much stimulation is necessary to meet our absolute threshold for awareness?
This idea was originally used in radar detection in the military
Used in the medical field
Used, now, in psychology
How do we strategize based on our own measure of detection
Notable people are Wertheimer, Kohler, Koffka, and Perls
This theory is the origin of cognitive psychology
Rose in the early 1900s
Based upon the idea that “the whole is greater than the sum of its parts”
Gestalt translation: “placed” or “put together” or “pattern”
What are the sum parts of our perceptions as our mind puts sensations into patterns?
Describes principles that describe these patterns of human perceptions
The word pragnanz is a German term meaning “good figure”
The law of good figure or the law of simplicity
This law proposes that objects in the environment are perceived in the simplest way possible
All Gestalt principles are based on how we simplify our world in similar ways
Figure and ground is the organization of the visual field into objects (figures) that stand out from their surroundings (ground)
We group things in our visual field in a number of ways
We do this in proximity, similarity, continuity, connectedness, closure
These things may not actually be grouped in any way, but our perception organizes them in this way
The ability to perceive distance of objects in one’s visual field
We perceive in three dimensions: length, width, and depth
There are two different kinds of cues we rely on to help us perceive distance or depth
Requires both eyes
Convergence
Neuromuscular cue
Two eyes move inward for nearby objects
Two eyes straighten for further objects
Retinal disparity
Images from each eye differ, coming together to make one perception
The closer the object, the larger the disparity
The further the object, the smaller the disparity
Requires only one eye
Relative size
Interposition
Light and shadow
Relative height
Texture gradient
Linear perspective
Stimulus goes into sensory receptors, which turn the stimulus into neural impulses our nervous system can understand, a sensation
The smallest amount of energy that will produce a sensation ‘most,’ or 50% of the time
At what point, what what intensity does stimulus have to be, for us to detect it?
Thresholds are usually very low, we are very sensitive to sensations
We don’t want them to be too low, however, because if we’re detecting everything, we can’t focus
Children typically have lower thresholds than adults
Sensitivity lowers with age, like the natural degradation of hearing with age
Diminished sensory awareness due to constant stimulation above the threshold
Thanks to sensory adaptation, we are tuned to change
After playing loud music for a long time, you won’t notice how loud it is after a while
The smallest amount of change in a stimulus that will produce a change in sensation
Also called the just-noticeable difference
Weber’s Law (or Weber-Fechner Law)
Physical proportion of change necessary before we “sense” the change
The ratio of actual change in the stimulus compared to the perceived change
Like when getting a haircut, how much hair has to be cut off for you to notice the slightly different weight/feeling on your head?
At what point are we able to detect a sensory signal?
In other words, how much stimulation is necessary to meet our absolute threshold for awareness?
This idea was originally used in radar detection in the military
Used in the medical field
Used, now, in psychology
How do we strategize based on our own measure of detection