Islam
Umayyad Dynasty
Stone and marble with mosaic and gold
Jerusalem
The highest point in old Jerusalem
Not a mosque
Derived its form from the imperial mausolea of Roman emperors
However, the octagonal form and Dome more likely referenced earlier local churches.
Central plan; dome on an octagonal drum
Elevated position and comparable size was a way that Muslims in the late 8th century proclaimed the superiority of their newly formed faith over Christians
Book-matched stone
Corinthian columns
Stone revetment
Inlay
The Foundation Stone
Enclosed by two ambulatories and an octagonal exterior wall
Central colonnade
Clad in marble on their lowest registered and upper registered with mosaics
The ethereal interior atmosphere is a result of light that pours in from grilled windows located in the drum and exterior walls
For Jewish and Christian communities, it is the place of Abraham’s attempted sacrifice of Isaac/Ishmael.
Creation of Adam
Temple of Solomon
For Muslim communities, it is the rock from which the prophet Muhammad ascended to heaven with the angel Gabriel.
Who Muhammad met along the way
Adam
Jesus & John the Baptist
Joseph (great-grandson of Abraham)
Enoch
Aaron (brother of Moses)
Moses
Abraham directly above the Kaaba
Treet of Paradise / Allah
Mosaic tesserae
Roman Influences: Scrolling foliate patterns
The region was Roman before the Caliphate took control of these territories
Roman influences and visual ties to Late Antiquity; Constantinople
San Vitale in Ravenna and Hagia Sophia in Constantinople
Colors mention in the Kora
Blue
White
Black
Yellow
Green
Red
3 main Islamic types of non-figural decoration
Vegetal patterns
Vessels and winged crowns (worn by Sasanian kings)
Geometric patterns
Calligraphy
No human figures or animals
Not exactly against the law
It contains an inscription that includes the earliest surviving examples of verses from the Qur’an
Bismillah → starts each verse of the Qu’ran
Shahada → Islamic confession of faith
Only one God and Muhammad is his prophet
Mary and Christ proclaim that Christ was not divine but a prophet
Core values
Importance of calligraphy as a decorative form
Below the Rock
Small chamber
Purpose unknown
4th Holiest city in Islam
Courtyard → hypostyle plan
Hypostyle Hall
Qibla Wall
Qibla dome
Emphasizes placement of mihrab (prayer niche)
Borrowed from roman and Byzantine architecture
Small windows in the drum of the dome above the mihrab space let natural light into what was an otherwise dim interior
Mihrab
Lower portion: openwork marble panels in floral and geometric vine designs
Panels from Syrian area
Lustre tiles from Iraq
Stylized floral patterns like Byzantine and eastern Islamic examples
Fought Byzantines before establishing
Rebuilt at lest twice
Prayer hall is supported by rows of columns
Wider aisles leading to the mihrab and along the qibla wall
Sanctuary roof and courtyard are supported by repurposed Roman and Byzantine columns and capitals
Minbar
Narrow wooden pulpit where the weekly sermon was delivered
Oldest surviving wooden minbar
Like Christian pulpits
Made from teak imported from Asia
Expensive → commercial reach
Side closest to the mihrab has carved latticework with vegetal, floral, and geometric designs 0> Byzantine and Umayyad architecture
Minaret
Inspired by Roman lighthouses
Highest structures
Identifies mosque’s presence and location in the city
Helo define city’s religious identity
Remained religiously and socially significant even as Kairouan fell into decline
Maqsura
Assembled from cutwork wooden screens topped with bands of carved abstracted vegetal motifs set into geometric frames, kufic-style script inscriptions, and merlons
Indicate political instability in a society
Additional gates
Carved stone panels
Exterior acted like billboards advertising which patron was responsible fro construction and restoration
Minaret
Prayer hall
Seems magnified by its repeated geometry
Built with recycled ancient Roman columns
Mihrab
Focal point in the prayer hall
Famous horseshoe arched
Common in the architecture of the Visigoths
Used in a mosque to identify the wall that faces Mecca
Qiblah wall
Two-tiered / double tiered arches
One of the oldest structures still standing from the time Muslims ruled Spain, Portugal, and a small section of Southern France.
Temple → church → mosque
Prince Abd al-Rahman I escaped to southern Spain
Hypostyle (filled with columns) prayer hall
Courtyard with a fountain in the middle, an orange grove, a covered walkway circling the courtyard, and a minaret that is now encased in a squared, tapered bell tower.
Dome
Crisscrossing ribs that create pointed arches all lavishly covered with gold mosaic in a radial pattern
Deep indigo-dyed parchment and god Kufic script used for text
Thought to have been commissioned in North Africa (Kairouan?)
Different from typical Qur’ans
Black ink on lighter parchment
Reflects influences from Byzantine or Roman traditions
Purple or blue-dyed manuscripts associated with royalty and divinity
Kufic script
Geometric and angular script
Scribe intentionally spaced the letters widely, creating an elegant yet minimalist look that emphasizes the manuscript’s divine content
Sophisticated planning, complex decorative programs, and its many enchanting gardens and fountains.
Residence for the ruler and close family, the citadel (barracks for the elite guard who were responsible for the safety of the complex), and medina (court officials lived and worked).
Connected by paths, gardens, and gates but each part of the complex could be blocked in the event of a threat.
Detailed structures contrast with plain walls of fortress exterior
Three original royal palaces
Comares Palace
Facade built on a raised three-stepped platform
Might have served as a kind of outdoor stage for the ruler
Carved stucco facade once painted in brilliant colors
Largest tower
Contains thrown room
Exhibits most diverse decorative and architectural arts
Double arched windows
arched grille windows set high in the walls
At eye level, walls are lavishly decorated with tiles laid in intricate geometric patterns.
Remaining surfaces covered with intricately carved stucco motifs organized in bands and panels of curvilinear patterns and calligraphy
Palace of the Lions
Stands next to Comares but should be considered an independent building
Two structures connected after Granada fell to Christians
Fountain with a complex hydraulic system consisting of a marble basin on the backs of twelve carved stone lions situated at the intersection of two water channels that form a cross in the rectilinear courtyard
Arched covered patio encircles the courtyard and displays fine stucco carvings held up by a series of selnder columns
Two decorative pavilions protrude into the courtyard on an East-West axis
Across the courtyard, Sala de los Reyes.
Elongated space divided into sections using a series of arches leading up to a vaulted muqarnas ceiling
Multiple alcoves
Some with an unobstructed view of the courtyard but with no known function
Contains paintings on the ceiling representing courtly life
Images were first painted on tanned sheepskins, in the tradition of miniature painting.
Use brilliant colors and fine details
Attached to the ceiling rather than painted on
Two other halls: Sala de las Dos Hermanas and the Hall of Abencerrajas
Residential apartments with rooms on the second floor
Each has a large domed room sumptuously decorated with carved and painted stucco in muqarnas forms with elaborate and varying star motifs
Partal Palace
Portico formed by a five-arched arcade at one end of a large pool
One of the oldest palace structures in Alhambra
El Mexuar
Audience chamber
Became reception and meeting hall when palaces expanded
Complex geometric tile dadoes and carved stucco panels
Night Journey
Significant event in Islam that describes the Prophet Muhammad’s miraculous journey from Mecca to Jerusalem and his ascension into heaven
Transported on a winged horse-like creature (Buraq)
Spoke with God and received instructions to pray five times a day
Some muslims observe by praying, sharing meals, and decorating their homes and mosques.
Debate whether it was a physical ascension, dream, or vision.
Aniconism
Avoiding images of living beings, especially in religious contexts.
Focuses on abstract forms, calligraphy, and intricate geometric patterns.
Human form and animals can be found in all eras of Islamic secular art
Prayer Hall
Central part of a mosque
Used for communal prayer
“Musalla” → "to pray”
Large, open space designed to facilitate a direct connection with God during prayer.
Often decorated art and calligraphy
Qibla Wall
Wall that faces Mecca → direction Muslims face when praying
Marked by a niche (mihrab)
Mihrab
Niche in the wall of a mosque that indicates the direction of Mecca
Focal point of a mosque and most ornate part of the building
Decorated with inscriptions from the Qu'ran
Plays an important role in community worship practices
Guides Muslims towards Mecca and reinforcing their collective identity
Maqsura
Closed-off space or enclosure in a mosque that was originally used to protect a Muslim ruler during prayer
Shield the ruler from potential assassins
Separate from the general public
Near the mihrab or center of the qiblah wall
Made of wood or metal and could be in the form of a box or screen
Highly decorated
Hadiths
Collection of reports, traditions, and sayings attributed to the Prophet Muhammad.
Major source of religious law and moral guidance → second only to the Qur’an
Key source for understanding the practices of Muhammad and the Muslim community
Made up of two parts
Isnad: chain of narrators who transmitted the report
Matn: main text of the report
Not everyone believes that hadiths are divine revelation, and some contain questionable or contradictory statements.
Minaret
Tall, slender tower associated with mosques
Call to prayer: muezzin recites call to prayer from the top of the minaret to remind Muslims to pray
Symbol of Islam: physical symbol of Islam’s strength and influence as a religious, political, and cultural force
Landmark
Beacon
Arabesques
Symbolic representation of God’s infinite, indivisible, and transcendent nature.
Represent the interconnectedness of life and the limitless nature of God’s creation
Type of biomorphic design → resembles natural forms without depicting specific things
Characterized by intricate patterns of lines, curves, and geometric shapes that are applied to surfaces.
Often based on a spiral, with stylized leaves, flowers, and buds emerging from it in gentle curves.
Central tradition of Islamic visual art, along with Arabic calligraphy and the decoration of Qur’an manuscripts.
Artists sometimes intentionally introduce mistakes into repetitions as a sign of humility, believing that only God can create perfection.
Spread into Europe
Qiblah
Direction towards the Kaaba in Mecca
Muslims face the qibla five times a day during their daily prayers
The deceased are buried facing the qibla
Direction to enter the ihram, the sacred state for the hajj pilgrimage
Direction to turn animals during Islamic slaughter
Recommended direction to make supplications
Direction to avoid when relieving oneself or spitting
Mecca
Holiest city and birthplace of the Prophet Muhammad
Considered the heart of Islam
Destination of great spiritual significance for Muslims
Home to the Kaaba
Structure that is considered the most sacred place on Earth
Built by Abraham and his son Ishmael
Early prophets in the Islamic faith
Muslims pray towards the Kaaba five times a day
Bury their dead facing in that direction
Muslims are expected to visit the Kaaba in person at least once in their lives
Mosque
Muslim place of worship
Important religiously and politically
Can be modest or architectural masterpieces
Decorated with Islamic art, such as calligraphy, geometric patterns, and arabesque.
Also have a minaret or onion-shaped dome on top
Design is intended to help worshipers focus on the oneness of God and feel His closeness
Muqarnas
Three-dimensional decorative and structural element in Islamic architecture that is characterized by its geometric composition and rhythm
Signature feature of Islamic architecture
Can be found in domes, vaults, iwans, entrance portals, and other niches.
Made up of layers of superimposed niches that are arranged in tiers to create a honeycomb or staircase effect
Carved from wood or plaster
Can emerge naturally during construction
Stalactite or honeycomb vaulting
Integral part of Islamic architecture
Serves both functional and ornamental purposes
Evokes a sense of peace and aw, and some say it resembles Buddhist mandalas.
Umayyad Dynasty
Stone and marble with mosaic and gold
Jerusalem
The highest point in old Jerusalem
Not a mosque
Derived its form from the imperial mausolea of Roman emperors
However, the octagonal form and Dome more likely referenced earlier local churches.
Central plan; dome on an octagonal drum
Elevated position and comparable size was a way that Muslims in the late 8th century proclaimed the superiority of their newly formed faith over Christians
Book-matched stone
Corinthian columns
Stone revetment
Inlay
The Foundation Stone
Enclosed by two ambulatories and an octagonal exterior wall
Central colonnade
Clad in marble on their lowest registered and upper registered with mosaics
The ethereal interior atmosphere is a result of light that pours in from grilled windows located in the drum and exterior walls
For Jewish and Christian communities, it is the place of Abraham’s attempted sacrifice of Isaac/Ishmael.
Creation of Adam
Temple of Solomon
For Muslim communities, it is the rock from which the prophet Muhammad ascended to heaven with the angel Gabriel.
Who Muhammad met along the way
Adam
Jesus & John the Baptist
Joseph (great-grandson of Abraham)
Enoch
Aaron (brother of Moses)
Moses
Abraham directly above the Kaaba
Treet of Paradise / Allah
Mosaic tesserae
Roman Influences: Scrolling foliate patterns
The region was Roman before the Caliphate took control of these territories
Roman influences and visual ties to Late Antiquity; Constantinople
San Vitale in Ravenna and Hagia Sophia in Constantinople
Colors mention in the Kora
Blue
White
Black
Yellow
Green
Red
3 main Islamic types of non-figural decoration
Vegetal patterns
Vessels and winged crowns (worn by Sasanian kings)
Geometric patterns
Calligraphy
No human figures or animals
Not exactly against the law
It contains an inscription that includes the earliest surviving examples of verses from the Qur’an
Bismillah → starts each verse of the Qu’ran
Shahada → Islamic confession of faith
Only one God and Muhammad is his prophet
Mary and Christ proclaim that Christ was not divine but a prophet
Core values
Importance of calligraphy as a decorative form
Below the Rock
Small chamber
Purpose unknown
4th Holiest city in Islam
Courtyard → hypostyle plan
Hypostyle Hall
Qibla Wall
Qibla dome
Emphasizes placement of mihrab (prayer niche)
Borrowed from roman and Byzantine architecture
Small windows in the drum of the dome above the mihrab space let natural light into what was an otherwise dim interior
Mihrab
Lower portion: openwork marble panels in floral and geometric vine designs
Panels from Syrian area
Lustre tiles from Iraq
Stylized floral patterns like Byzantine and eastern Islamic examples
Fought Byzantines before establishing
Rebuilt at lest twice
Prayer hall is supported by rows of columns
Wider aisles leading to the mihrab and along the qibla wall
Sanctuary roof and courtyard are supported by repurposed Roman and Byzantine columns and capitals
Minbar
Narrow wooden pulpit where the weekly sermon was delivered
Oldest surviving wooden minbar
Like Christian pulpits
Made from teak imported from Asia
Expensive → commercial reach
Side closest to the mihrab has carved latticework with vegetal, floral, and geometric designs 0> Byzantine and Umayyad architecture
Minaret
Inspired by Roman lighthouses
Highest structures
Identifies mosque’s presence and location in the city
Helo define city’s religious identity
Remained religiously and socially significant even as Kairouan fell into decline
Maqsura
Assembled from cutwork wooden screens topped with bands of carved abstracted vegetal motifs set into geometric frames, kufic-style script inscriptions, and merlons
Indicate political instability in a society
Additional gates
Carved stone panels
Exterior acted like billboards advertising which patron was responsible fro construction and restoration
Minaret
Prayer hall
Seems magnified by its repeated geometry
Built with recycled ancient Roman columns
Mihrab
Focal point in the prayer hall
Famous horseshoe arched
Common in the architecture of the Visigoths
Used in a mosque to identify the wall that faces Mecca
Qiblah wall
Two-tiered / double tiered arches
One of the oldest structures still standing from the time Muslims ruled Spain, Portugal, and a small section of Southern France.
Temple → church → mosque
Prince Abd al-Rahman I escaped to southern Spain
Hypostyle (filled with columns) prayer hall
Courtyard with a fountain in the middle, an orange grove, a covered walkway circling the courtyard, and a minaret that is now encased in a squared, tapered bell tower.
Dome
Crisscrossing ribs that create pointed arches all lavishly covered with gold mosaic in a radial pattern
Deep indigo-dyed parchment and god Kufic script used for text
Thought to have been commissioned in North Africa (Kairouan?)
Different from typical Qur’ans
Black ink on lighter parchment
Reflects influences from Byzantine or Roman traditions
Purple or blue-dyed manuscripts associated with royalty and divinity
Kufic script
Geometric and angular script
Scribe intentionally spaced the letters widely, creating an elegant yet minimalist look that emphasizes the manuscript’s divine content
Sophisticated planning, complex decorative programs, and its many enchanting gardens and fountains.
Residence for the ruler and close family, the citadel (barracks for the elite guard who were responsible for the safety of the complex), and medina (court officials lived and worked).
Connected by paths, gardens, and gates but each part of the complex could be blocked in the event of a threat.
Detailed structures contrast with plain walls of fortress exterior
Three original royal palaces
Comares Palace
Facade built on a raised three-stepped platform
Might have served as a kind of outdoor stage for the ruler
Carved stucco facade once painted in brilliant colors
Largest tower
Contains thrown room
Exhibits most diverse decorative and architectural arts
Double arched windows
arched grille windows set high in the walls
At eye level, walls are lavishly decorated with tiles laid in intricate geometric patterns.
Remaining surfaces covered with intricately carved stucco motifs organized in bands and panels of curvilinear patterns and calligraphy
Palace of the Lions
Stands next to Comares but should be considered an independent building
Two structures connected after Granada fell to Christians
Fountain with a complex hydraulic system consisting of a marble basin on the backs of twelve carved stone lions situated at the intersection of two water channels that form a cross in the rectilinear courtyard
Arched covered patio encircles the courtyard and displays fine stucco carvings held up by a series of selnder columns
Two decorative pavilions protrude into the courtyard on an East-West axis
Across the courtyard, Sala de los Reyes.
Elongated space divided into sections using a series of arches leading up to a vaulted muqarnas ceiling
Multiple alcoves
Some with an unobstructed view of the courtyard but with no known function
Contains paintings on the ceiling representing courtly life
Images were first painted on tanned sheepskins, in the tradition of miniature painting.
Use brilliant colors and fine details
Attached to the ceiling rather than painted on
Two other halls: Sala de las Dos Hermanas and the Hall of Abencerrajas
Residential apartments with rooms on the second floor
Each has a large domed room sumptuously decorated with carved and painted stucco in muqarnas forms with elaborate and varying star motifs
Partal Palace
Portico formed by a five-arched arcade at one end of a large pool
One of the oldest palace structures in Alhambra
El Mexuar
Audience chamber
Became reception and meeting hall when palaces expanded
Complex geometric tile dadoes and carved stucco panels
Night Journey
Significant event in Islam that describes the Prophet Muhammad’s miraculous journey from Mecca to Jerusalem and his ascension into heaven
Transported on a winged horse-like creature (Buraq)
Spoke with God and received instructions to pray five times a day
Some muslims observe by praying, sharing meals, and decorating their homes and mosques.
Debate whether it was a physical ascension, dream, or vision.
Aniconism
Avoiding images of living beings, especially in religious contexts.
Focuses on abstract forms, calligraphy, and intricate geometric patterns.
Human form and animals can be found in all eras of Islamic secular art
Prayer Hall
Central part of a mosque
Used for communal prayer
“Musalla” → "to pray”
Large, open space designed to facilitate a direct connection with God during prayer.
Often decorated art and calligraphy
Qibla Wall
Wall that faces Mecca → direction Muslims face when praying
Marked by a niche (mihrab)
Mihrab
Niche in the wall of a mosque that indicates the direction of Mecca
Focal point of a mosque and most ornate part of the building
Decorated with inscriptions from the Qu'ran
Plays an important role in community worship practices
Guides Muslims towards Mecca and reinforcing their collective identity
Maqsura
Closed-off space or enclosure in a mosque that was originally used to protect a Muslim ruler during prayer
Shield the ruler from potential assassins
Separate from the general public
Near the mihrab or center of the qiblah wall
Made of wood or metal and could be in the form of a box or screen
Highly decorated
Hadiths
Collection of reports, traditions, and sayings attributed to the Prophet Muhammad.
Major source of religious law and moral guidance → second only to the Qur’an
Key source for understanding the practices of Muhammad and the Muslim community
Made up of two parts
Isnad: chain of narrators who transmitted the report
Matn: main text of the report
Not everyone believes that hadiths are divine revelation, and some contain questionable or contradictory statements.
Minaret
Tall, slender tower associated with mosques
Call to prayer: muezzin recites call to prayer from the top of the minaret to remind Muslims to pray
Symbol of Islam: physical symbol of Islam’s strength and influence as a religious, political, and cultural force
Landmark
Beacon
Arabesques
Symbolic representation of God’s infinite, indivisible, and transcendent nature.
Represent the interconnectedness of life and the limitless nature of God’s creation
Type of biomorphic design → resembles natural forms without depicting specific things
Characterized by intricate patterns of lines, curves, and geometric shapes that are applied to surfaces.
Often based on a spiral, with stylized leaves, flowers, and buds emerging from it in gentle curves.
Central tradition of Islamic visual art, along with Arabic calligraphy and the decoration of Qur’an manuscripts.
Artists sometimes intentionally introduce mistakes into repetitions as a sign of humility, believing that only God can create perfection.
Spread into Europe
Qiblah
Direction towards the Kaaba in Mecca
Muslims face the qibla five times a day during their daily prayers
The deceased are buried facing the qibla
Direction to enter the ihram, the sacred state for the hajj pilgrimage
Direction to turn animals during Islamic slaughter
Recommended direction to make supplications
Direction to avoid when relieving oneself or spitting
Mecca
Holiest city and birthplace of the Prophet Muhammad
Considered the heart of Islam
Destination of great spiritual significance for Muslims
Home to the Kaaba
Structure that is considered the most sacred place on Earth
Built by Abraham and his son Ishmael
Early prophets in the Islamic faith
Muslims pray towards the Kaaba five times a day
Bury their dead facing in that direction
Muslims are expected to visit the Kaaba in person at least once in their lives
Mosque
Muslim place of worship
Important religiously and politically
Can be modest or architectural masterpieces
Decorated with Islamic art, such as calligraphy, geometric patterns, and arabesque.
Also have a minaret or onion-shaped dome on top
Design is intended to help worshipers focus on the oneness of God and feel His closeness
Muqarnas
Three-dimensional decorative and structural element in Islamic architecture that is characterized by its geometric composition and rhythm
Signature feature of Islamic architecture
Can be found in domes, vaults, iwans, entrance portals, and other niches.
Made up of layers of superimposed niches that are arranged in tiers to create a honeycomb or staircase effect
Carved from wood or plaster
Can emerge naturally during construction
Stalactite or honeycomb vaulting
Integral part of Islamic architecture
Serves both functional and ornamental purposes
Evokes a sense of peace and aw, and some say it resembles Buddhist mandalas.