Unity of Mood
A Baroque principle where a piece expresses one emotional state throughout (e.g., joy or grief). [p. 122]
Affections
Baroque term for emotional states (e.g., joy, sorrow) represented musically. [p. 122]
Terraced Dynamics
Sudden shifts between loud and soft volumes (no gradual changes). [p. 123]
Clavichord
Quiet Baroque keyboard instrument producing sound via brass blades striking strings. [p. 123]
Polyphonic Texture
Late Baroque style with multiple independent melodic lines (e.g., fugues). [p. 123]
Homophonic Texture
Early Baroque preference: one melody with chordal accompaniment. [p. 122]
Movement
A self-contained section of a larger work (e.g., a concerto movement). [p. 125]
Basso Continuo
Continuous bass line played by harpsichord + cello/bassoon. [p. 124]
Figured Bass
Bassline with numbers indicating chords for improvisation. [p. 124]
Concerto Grosso
Small solo group (concertino) vs. full orchestra (tutti). [p. 128]
Tutti
The full orchestra in a concerto grosso. [p. 128]
Ritornello Form
Structure where a main theme (ritornello) alternates with solo sections. [p. 128]
Ritornello
The recurring orchestral theme in ritornello form. [p. 128]
Fugue (Excluded per your request, but listed for context)
Sequential Repetition
A melodic idea repeated at higher/lower pitches. [p. 123]
Improvisation
Expected in figured bass and ornamentation (e.g., trills). [p. 124]
Word Painting
Music mirrors text meaning (e.g., rising notes for "heaven"). [p. 124]
Patronage System
Composers employed by aristocracy/church (e.g., Bach at Cöthen). [p. 126]
Court Musician Duties
Composing, performing, teaching, and maintaining instruments. [p. 126]
Collegium Musicum
University music societies for amateur/professional players. [p. 127]
J.S. Bach
Baroque master of fugues, concertos, and church music. [p. 128–130]
Brandenburg Concertos
Bach’s set of 6 concerti grossi showcasing diverse instruments. [p. 128]
Antonio Vivaldi
Italian composer known for programmatic concertos (e.g., Four Seasons). [p. 128]
Arcangelo Corelli
Pioneer of the trio sonata and concerto grosso. [p. 128]
Baroque Orchestra
Small (10–40 players), strings + continuo core, flexible winds/brass. [p. 124–125]