Major Labels:
Examples: Decca, RCA, CBS, Capitol.
Control over production, marketing, and sales processes.
Strict division of labor among departments.
Employ highly paid professionals for diverse roles:
Composing and arranging music.
Recording artists and engineering pressings.
National and international marketing.
Distribution to various venues and retail outlets.
Independent Labels:
Example: Chess Records, operated with fewer staff.
Small teams composed of individuals like Willie Dixon and Leonard Chess.
Creative solutions for budget constraints (e.g., using a studio toilet for acoustic effects).
Less formal structures, making them nimble in promotional strategies.
Growth of new radio stations operated on limited budgets.
Independent labels exploited their nimbleness by:
Distributing records directly from the trunks of cars.
Using informal promotion tactics such as bribing DJs.
Major labels lost some market share due to their inability to adopt these strategies.
In 1948-49, major labels released over 80% of top 10 hits.
By the 1950s, independent labels began capturing more market share.
Example of independent success:
The Orioles' cover of "Crying in the Chapel" hit number one on the R&B chart and number 11 on the pop chart, produced by Jubilee.
The Top 40 radio format was introduced in 1951.
Originated from an observation by Todd Storz at a New Orleans bar regarding jukebox play.
The Top 40 compiled and played the most popular songs repeatedly.
Influenced by rapid changes in recording technology in the 1950s and 1960s (high-fidelity sound, stereophonic systems).
Radio stations became more interactive, allowing listeners to request songs.
Gave a sense of influence and control to the public over music played on the air.
Coincided with the emergence of rock and roll as a significant genre in American music.
The evolution of American popular music included influences from classical, jazz, blues, and country.
Economic conditions during the 1940s and 50s allowed for a wider dissemination of previously marginalized music styles.
Conflicts between industry groups like ASCAP and NAB contributed to a fertile environment for new genres.
Many parents disapproved of rock and roll music, associating it negatively with suggestive lyrics.
Notable controversial songs included "60-Minute Man" and "Bow Legged and Poodle."
Debate among historians regarding the classification of rock and roll as a distinct genre.
Louis Jordan's assertion: "Rock and roll is white folks doing rhythm and blues."
Discussion about the blend of rhythm and blues with country western music.
Acknowledgment of other cultural influences, including Latino and Caribbean music.
Rock and roll emerged from urban centers, particularly in culturally rich areas like New Orleans.
New Orleans' cultural diversity played a crucial role in shaping the music form.
Notable figures like Cosimo Matassa and Dave Bartholomew contributed significantly to the genre's development.
Dave Bartholomew:
Multifaceted artist: singer, instrumentalist, writer, and band director.
Mentored Fats Domino; contributed hits like "Ain't That a Shame."
Little Richard:
Key figure in rock and roll; known for his energetic performing style.
Recorded "Tutti Frutti," which became a significant hit and appealed across racial lines.
Demonstrated the challenges that artists like Fats Domino faced due to cover versions being introduced by white artists.
Recognition of how white covers sometimes helped the original artists gain recognition.
Rock and roll's emergence is seen as a unique multicultural phenomenon rooted in urban experiences.
It shaped future music styles and continues to influence artists across genres.