According to mythology, Rome was founded by brothers Romulus and Remus, grandsons of a king.
Their uncle, the crown prince, abandoned them at the Tiber River to eliminate a threat.
Rescued by a she-wolf who nursed them until a farmer found them.
The image of the she-wolf feeding the twins is a symbol of Rome.
The bronze statue widely believed to be Etruscan was actually cast in a medieval tradition with Renaissance additions.
Initially thought to be a genuine Etruscan bronze casting.
Recent studies suggest it was made in a single pour, dating to medieval times, not Etruscan.
The statue is an authentic Etruscan bronze with a restored tail.
The chimera is a creature from Greek mythology, comprising a lion's body, a snake tail, and a goat's head; all three can breathe fire.
The term 'chimera' now refers to anything composed of multiple parts.
The chimera statue exhibits knowledge of the animal's anatomy, evoking a sense of movement.
The chimera was likely a votive offering, as indicated by the inscription found on its foreleg.
Cista (plural: cystae) are cylindrical jars for cosmetic or accessory storage.
The cista mentioned was made for Dindia Melconia, possibly a marriage gift for her daughter.
Crafted by Etruscan metalworker Novius Plautios, as noted in an inscription on the lid.
Features illustrations from Jason and the Argonauts, depicting Greek heroes on an adventurous quest.
The cista's body was hammered from bronze and incised before being shaped; feet and handle were cast separately.
Handle illustrates Dionysos with satyrs, showcasing Greek artistic influence.
The fall of the Etruscan city of Veii marked a turning point in Etruscan culture.
Etruscan artistry influenced early Roman art, with the portrait bust emerging as a favored form.
Portraits reflected age, wisdom, and experience, diverging from Greek ideals of youthful beauty.
In the early Roman Republic, power was held by patricians (wealthy upper-class) and plebeians (everyone else).
The term SPQR (Senatus Populusque Romanus) reflects the Senate's authority.
Patricians could become senators or consuls; dictators were appointed during emergencies.
Julius Caesar's rule transitioned the Republic into an Empire, with his adopted son, Octavian, becoming the first emperor.
The Empire at its peak encompassed the entire Mediterranean, referred to as Mare Nostrum (Our Sea).
Roman expansion adopted local cultures and established infrastructure, including coliseums and baths throughout conquered regions.
Like the Borg in Star Trek, the Romans assimilated cultures, adopting and adapting them within the Empire.
Roman mythology closely mirrored Greek mythology, often with Latin adaptations of Greek gods and myths.
The tales of Romulus and Remus and Aeneas's journey from Troy to Rome are pivotal narratives in Roman culture.
The Aeneid, crafted by Virgil, parallels the epic traditions established by the Iliad and Odyssey.
Roman portrait busts were key to asserting patrician lineage and power; they depicted older individuals rather than idealized youth.
This aging suggested wisdom and capability, diverging from Greek artistic ideals.
Verism emphasized realistic aging, allowing sculptors to forge an "authentic" appearance, albeit often idealized.
Roman construction, such as the Pont Du Gard aqueduct in Southern France, showcases innovative engineering.
Aqueducts liberated Roman settlements from proximity to water sources, enabling expansion.
The architecture displayed multi-arcades and keystones, adhering to principles refined from Etruscan techniques.
The failure of infrastructure and bureaucratic support led to the decline of Rome.
While the arch was not invented by the Romans, they perfected and used it extensively in their architecture.