Czech Iconography Study Notes
Introduction to Czech Iconography
Overview of the historical, artistic, and architectural significance of Prague.
Literature Influences on Czech Iconography
Important literary sources that influenced Czech iconography include:
Homer: Writings such as the Iliad and Odyssey.
Ovid: Known for Metamorphoses, which discusses transformations and myths.
Vergil: His work Aeneid is significant for its epic narrative and themes.
Historical Texts:
Lives of Alexander the Great and the Roman Emperors.
Works by Pausanias, Pliny the Elder.
Biblical Texts:
Old Testament and New Testament narratives.
Apocryphal Gospels — texts not included in the canonical Bible.
Legends of Saints, including ones by Jacob de Voragine: Golden Legend.
Theological Works:
Significant authors include St. Augustine, Bernard of Clairvaux, Thomas Aquinas.
Chronicles and Histories: Provides a historical context for iconography.
Cesare Ripa: Iconologia, which lays down the principles of iconography.
Encyclopedies of Emblems, Allegories, and Symbols: Detailed symbol meanings used throughout iconography.
Fiction and Psychoanalytic Texts: Expand on the themes present in visual works.
Diaries and Correspondence, providing personal reflections related to the themes in Czech iconography.
Iconographic Works and Themes
Madonna of Zbraslav (Mid 14th Century)
Represents Virgin Mary; features significant iconographic elements.
Touching Together: Symbolizes the relationship between Virgin Mary and Jesus.
Mystical Marriage: Concept of Virgin Mary as the bride of the Word.
Goldfinch: Represents the Crucifixion.
Stars: Referred to as Stella Maris; ties to Bernard of Clairvaux and the Cistercian Order.
Zbraslav: Location of the Cistercian Monastery, tying historical and architectural significance.
Wedding Ring: Known as Sponsa Verbi (Bride of the Word).
Crown: Depicted as Regina Coeli (Queen of Heaven).
Christological Cycle (Master of Vyšší Brod Altarpiece)
Artwork located in Prague, created in the mid-14th century, depicting significant events in Christ's life:
Annunciation: Gabriel announces to Mary she will bear Jesus.
Nativity: Birth of Jesus.
Epiphany: Manifestation of Christ to the Gentiles, represented by the Magi.
Mount of Olives: Scene of prayer before crucifixion.
Crucifixion: Depiction of Jesus's death on the cross.
Deposition: The removal of Jesus’s body from the cross.
Resurrection: Christ rising from the dead.
Ascension: Christ ascending to heaven.
Pentecost: The descent of the Holy Spirit upon the apostles.
Passion of Christ (Týn Church, Late 14th Century)
A series or depiction relating to Christ's suffering, further emphasizing the emotional core of Christian iconography.
Last Judgement (Cathedral of St. Vitus, 1373)
Artwork depicting the final judgement day, demonstrating themes of eschatology and eternal destiny in Christian belief.
Votiv Painting of Jan Očko of Vlašim (Around 1371)
Depicts significant saints and historical figures in Czech history:
St. Wenceslas
St. Ludmila
St. Adalbert (Vojtěch)
St. Vitus
St. Prokopius
St. Sigismund
Charles IV: Holy Roman Emperor
Wenceslas IV: King of Bohemia
Statues and Monuments
Statue of St. John of Nepomuk on Charles Bridge, created in 1683, showcasing baroque influence and religious significance.
Monument of Jan Hus, located in the Old Town Square (1915), commemorating the key figure in Czech resistance against oppression.
Hussite chalice/goblet as a symbol of the Hussite movement and its theological implications.
Symbolism in Czech History
Crown: Represents miracles and divine power, reinforcing royalty's divine right.
Infant (Baby Jesus) of Prague: An important religious icon embodying faith and devotion.
Historical artworks like Hercules killing Hydra and Hercules killing Cerberus, depicting mythological themes significant to Czech iconography's aesthetic.
Political Iconography
Representations linked to Czech nationalism, including the Official banner of the President of Czech Republic and the Palacký Monument (1912) which depicts themes of resilience against oppression.
Discussion of national identity through symbols such as the Slavonic (Czech) linden versus the German oak.
Modern Interpretations
References to contemporary figures in Czech history, such as David Černý, renowned for provocative works like Dead Horse (1999).
Important sociopolitical contexts touched upon through various artistic expressions, including the contrast of Czech identity within historical frameworks from 1918 to post-1993.
Conclusion
The evolution of Czech iconography reflects a blend of religious, historical, and cultural themes pivotal to understanding Czech art and architectural heritage.