Ebony Elizabeth Thomas, University of Pennsylvania
Amy Stornaiuolo, University of Pennsylvania
The essay discusses trends in reader response in the digital age.
Focus on "bending" texts via social media as a form of restorying.
Restorying reshapes narratives to include diverse perspectives often overlooked in mainstream texts.
Louise Rosenblatt's Theory: Highlights the interaction between readers and texts.
Readers inscribe their identities into stories via participatory practices.
Defined as a participatory textual practice.
Encourages youth to inscribe their identities into narratives.
Counteracts the concept of a single story, promoting a multiplicity of stories.
Six forms discussed: time, place, perspective, mode, metanarrative, and identity.
Emphasis on the concept of bending as a method of reimagining stories from marginalized perspectives.
Youth are creating racebent fanworks in response to the lack of diversity in mainstream children's literature.
Examples from children's and young adult books, movies, and comics.
Chimamanda Ngozi Adichie's warning about the danger of a single story.
The impact of diverse representations on readers' perceptions of themselves.
Chinua Achebe: Advocates for those marginalized to restory themselves, contributing to a balanced narrative landscape.
Young people's restorying practices push back against dominant narratives.
The essay discusses how these trends can inform literacy education.
Urging educators to embrace diverse narratives in curriculum and foster an inclusive environment.
Texts are no longer confined to traditional formats (print and screen).
Digital and participatory culture are redefining text through semiotic work.
The role of digital tools in reshaping the literary landscape.
Transformative potential of participatory culture in meaning-making.
Students are using digital platforms to engage in collaborative text creation.
Highlighting the shifting dynamics in reader-author relationships.
Encouraging the creation of multimodal texts in classrooms.
Understanding how stories change across different modes (text, video, etc.).
Changing the setting of narratives has emerged as a common practice.
Example: Retelling Moby-Dick with contemporary settings.
Retelling stories through different points of view to foster empathy.
Historical contexts show how diverse perspectives enrich narratives.
Engaging in narrative transformations through various art forms (hip-hop, visual arts, etc.).
Multimodal projects connect out-of-school literacies to academic discourse.
Young people collaboratively create texts in digital communities.
Participatory culture fosters an environment of shared creativity and collective meanings.
The practice of bending characters' identities to reflect a more diverse array of representations.
Racebending as a prominent form of this identity restorying.
Emerged from fan activism against racial representation in media.
Highlighting campaigns like Racebending.com against Hollywood's casting practices.
Fan adaptations of popular characters to include diverse identities.
Notable instances include racebent versions of characters from Frozen and Harry Potter.
Backlash against racebending often stems from traditional views on genre and character authenticity.
Responses reveal a persistent cultural investment in preserving a whitewashed narrative.
Restorying Time and Place: Encourage students to retell stories within their contexts.
Restorying Perspective: Students should practice retelling from various character viewpoints, especially non-dominant ones.
Restorying Across Modes: Facilitate discussions on how mediums affect narratives.
Restorying Together: Empower young people to reclaim narratives in collaborative settings.
Restorying Identity: Support projects that allow for diverse representations and bending of identities.
Emphasized the importance of recognizing and validating young people's narratives.
Advocated for educators to inspire students to engage in creative practices that reflect their identities and experiences.